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About This Issue

/ About This Issue Getty Research Journal, No. 20 (2025)

Number 20 • 2025

The Getty Research Journal presents peer-reviewed articles on the visual arts of all cultures, regions, and time periods. Topics often relate to Getty collections, initiatives, and broad research interests. The journal welcomes a diversity of perspectives and methodological approaches, and seeks to include work that expands narratives on global culture.

  • Doris Chon, Executive Editor

  • Lauren Gendler, Managing Editor

Getty Research Journal Editorial Advisory Committee
Maristella Casciato, Leonard Folgarait, Susan Elizabeth Gagliardi, Stavroula Golfomitsou, Mazie Harris, Kristin Juarez, Alpesh Kantilal Patel, Emily Pugh, and David Saunders

  • Lauren Gendler, Manuscript Editor

  • Dylan Kaposi, Editorial Assistant

  • Jenny Park, Production

  • Jon Grizzle, Cover design

  • Greg Albers, Digital Manager

Other Formats

DOI: https://doi.org/10.59491/CUMY5495

Revision History

Any revisions or corrections made to this publication after the first edition date will be listed here and in the project repository at github.com/thegetty/grj-20, where a more detailed version history is available. The revisions branch of the project repository, when present, will show any changes currently under consideration but not yet published here.

May 13, 2025

  • First edition

Information for Scholars

The research articles in this issue were peer reviewed through a double-masked process in which the identities of the authors and reviewers remained anonymous. The essay “Bennett Buck’s Good Neighbor Policy: A Case of Mistaken Identity” by James Oles received single-anonymous review. “Belonging Elsewhere: Felipe Baeza and Laura G. Gutiérrez in Conversation” received editorial review.

To submit a manuscript, please visit
grj.scholasticahq.com.
General inquiries may be sent to
GRJ@getty.edu.

Copyright

© 2025 J. Paul Getty Trust

The text of this work is licensed under a Creative Commons Attribution‑NonCommercial 4.0 International License. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. All images are reproduced with the permission of the rights holders acknowledged in captions and are expressly excluded from the CC BY-NC license covering the rest of this publication. These images may not be reproduced, copied, transmitted, or manipulated without consent from the owners, who reserve all rights.
The text of this work is licensed under a Creative Commons Attribution‑NonCommercial 4.0 International License. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. All images are reproduced with the permission of the rights holders acknowledged in captions and are expressly excluded from the CC BY-NC license covering the rest of this publication. These images may not be reproduced, copied, transmitted, or manipulated without consent from the owners, who reserve all rights.

Published by the Getty Research Institute, Los Angeles

Getty Publications
1200 Getty Center Drive, Suite 500
Los Angeles, California 90049-1682
getty.edu/publications

Cover

Felipe Baeza (Mexican, b. 1987, active in the US). to shape, shape self, 2023, ink, acrylic, graphite, varnish, and cut paper on panel, 40.6 × 30.5 cm. © Felipe Baeza. Courtesy Maureen Paley, London; kurimanzutto, Mexico City / New York. Photograph by Brad Farwell.

Getty Research Journal

ISSN: 1944-8740
E-ISSN: 2329-1249