Going for Glory: A History of the Ancient Olympics
Going for Glory: A History of the Ancient Olympics
How the Olympics Have Changed From 776 BCE to Today, with Archaeologist Shelby Brown
Going for Glory: A History of the Ancient Olympics

If Objects Could Talk
Season 1: Really, Really, Really Old Things, Episode 12
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These athletes, on a trophy from Athens, represent longer-distance runners who have settled into their stride. Most sprinters are shown in Greek art with their arms pumping wildly. Panathenaic amphora with lid (detail), about 320 BC, attributed to the Nichomachos Group. Terracotta, 44 1/8 in. high. Getty Museum
Body Content
You probably know that the Olympics started in ancient Greece, but did you know that they started as just a single running race? Or that the athletes—all male—competed naked and covered in oil?
As the world gears up to watch athletes from nearly 100 countries compete in ice skating and bob sledding (two sports the Greeks would have been shocked at!), we had to know more about where the Olympics came from nearly 3000 years ago!
Learn all about the early Olympic games in this bonus conversation with archaeologist Shelby Brown.
More to Explore:
Read more about the ancient Olympics and other Greek athletic competitions

On the inside of a drinking cup, an athlete pours oil into his palm as he prepares to exercise or compete. His javelins and discus (in a sling) are nearby. Attic red-figure cup, about 510 BC, attributed to the Ambrosios Painter. Terracotta, 9 7/8 in. diam. Getty Museum, 86.AE.298

Drinking cup showing naked athletes practicing events of the pentathlon. Next to a flute player (playing a rhythm to help athletes time their movements) are two discus-throwers and an athlete holding a weight (carried in the long jump). Two javelins lean next to the flute player. To the far right an athlete uses a pick to loosen hard soil so the long jumper will not hurt himself, and the discus and javelin can land properly and leave a clean mark. Attic red-figure kylix (detail), 510–500 BC, attributed to the Carpenter Painter. Terracotta, 15 in. wide. Getty Museum, 85.AE.25

These athletes, on a trophy from Athens, represent longer-distance runners who have settled into their stride. Most sprinters are shown in Greek art with their arms pumping wildly. Panathenaic amphora with lid, about 320 BC, attributed to the Nichomachos Group. Terracotta, 44 1/8 in. high. Getty Museum, 76.AE.5

Example of a strigil used to scrape oil from athletes after competition. Strigil, 1st century CE, Roman. Bronze, 8 3/4 × 1 1/4 × 4 5/16 in. Getty Museum.

