New Volume Examines Caltech as Site of Both Artistic and Scientific Invention

Visual scholars delve into a century of immense change through Caltech’s Archives and Special Collections

Crossing Over

Art and Science at Caltech, 1920–2020

Authors

Peter Sachs Collopy, Claudia Bohn-Spector

Cover of book "Crossing Over: Art and Science at Caltech, 1920–2020" featuring a dark circular shape centered on a teal background.
Oct 7, 2024

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Body Content

Science is as much a visual practice as a textual or quantitative one.

For centuries, scientists have used microscopes, telescopes, painting, illustration, printing, and photography to perceive nature and communicate what they see in it, often in collaboration with artists. In the 20th century, scientists also came to view creativity as an essential resource and looked to art to foster it.

As part of PST ART’s region-wide exploration of the interface between art and science, Crossing Over: Art and Science at Caltech, 1920–2020 (Caltech Library in Association with Getty Publications, $65) takes a look at California Institute of Technology (Caltech) as a site for scientific and artistic image production. Featuring over 300 striking images from Caltech science, as well as the art and popular culture it inspired, the book uncovers the rich pictorial record embedded in the Caltech Archives and Special Collections. Alongside these images, a team of visual culture scholars examines Caltech through a series of tightly focused case studies. How, the authors ask, have science and engineering institutions used scientific representation, art, and architecture to construct themselves? How have scientists and engineers used images and collaborated with artists to discover, invent, and communicate? This book reveals new facets of life and work at Caltech that will be illuminating even to those familiar with the school, showcasing views that informed—and were informed by—the vibrant visual culture of Southern California, including the two industries that most defined this region, Hollywood and aerospace.

Author Information

Peter Sachs Collopy is university archivist and head of Archives and Special Collections at the California Institute of Technology. His publications on art and technology include “Video Synthesizers: From Analog Computing to Digital Art” in the IEEE Annals of the History of Computing (2014) and “Between Paradigms: Video and Art Therapy” in Modernism, Art, Therapy (2024).

Claudia Bohn-Spector is an independent curator and the curator of Crossing Over. Her publications include The Great Wide Open: Panoramic Photographs of the American West (2001), This Side of Paradise: Body and Landscape in Los Angeles Photographs (2008), and Wallace Berman: American Aleph (2016), among other publications.

Endorsements

“For more than a century, the California Institute of Technology has been a world-leader in science and technology. Less well known is the rich visual culture—whether in the form of fine art, astrophotography, architectural drawings, or biological illustrations—that has accompanied and amplified Caltech’s research mission. With 'Crossing Over', Sachs Collopy and Bohn-Spector have assembled a marvelous collection of essays and artworks which showcase how the visual arts have been essential ingredients in Caltech’s accomplishments. This book is a joy to view.”

— W. Patrick McCray, University of California, Santa Barbara

Crossing Over

Art and Science at Caltech, 1920–2020

$65/£55

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Cover of book "Crossing Over: Art and Science at Caltech, 1920–2020" featuring a dark circular shape centered on a teal background.
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