A Painterly Pursuit with Reggie Burrows Hodges

Talk
Painted scene of an artist standing at a canvas painting while to other figures sit to the right as all look out at a landscape.

Aida the Homegirl (detail), 2024, Reggie Burrows Hodges. Acrylic and pastel on linen. Courtesy of the artist and Karma © Reggie Burrows Hodges

Tuesday, Oct 27, 2026

6:30pm

Getty Center & Online

Harold M. Williams Auditorium

Free

Tickets are free, but required for event entrance. Your event ticket will also serve as your Center entrance reservation. Please note, there is a fee for parking.

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About

Characterized by shadowy figures, dark grounds, and elusive forms,Reggie Burrows Hodges’s recent paintings may seem far removed from the world of the Old Masters. Yet they are informed by a sustained dialogue with early modern European painting. Rather than imitating historical models, Hodges reimagines their formal strategies through a contemporary lens shaped by questions of identity, memory, and perception. Join Hodges and curators Davide Gasparotto and Bridget R. Cooks for a wide-ranging conversation about his artistic practice, inspiration, and storied career.

For in-person attendees, a hosted reception and exhibition viewing follows the conversation.

Participants

  1. Reggie Burrows Hodges

    Artist

    Reggie Burrows Hodges (b. Compton, CA) creates paintings that engage with themes of memory, labor, and power. Hodges’s work has been presented in solo exhibitions at, among others, the Parrish Art Museum, Water Mill, New York; Karma, Los Angeles and New York; San Francisco Museum of Modern Art; and Addison Gallery of American Art, Andover, Massachusetts. His work is held in the public collections of the Art Institute of Chicago; Carnegie Museum of Art, Pittsburgh; Crystal Bridges Museum of American Art, Bentonville, Arkansas; Los Angeles County Museum of Art; Stedelijk Museum, Amsterdam; Studio Museum in Harlem, New York; Tate Modern, London, and the Whitney Museum of American Art, New York.

  2. Bridget R. Cooks

    Art Historian and Curator

    Bridget R. Cooks is professor of Art History and African American Studies at the University of California, Irvine. Her research focuses on African American artists, Black visual culture, and museum criticism. She is author of the book Exhibiting Blackness: African Americans and the American Art Museum. Cooks has curated several exhibitions including Grafton Tyler Brown: Exploring California at the Pasadena Museum of California Art, Ernie Barnes: A Retrospective at the California African American Museum, The Black Index (four venue national tour), and Lava Thomas: Homecoming at the Montgomery Museum of Fine Arts and Spelman College Museum of Fine Art.

  3. Davide Gasparotto

    Senior Curator of Paintings and Chair, Curatorial Affairs

    After completing his studies at the University and the Scuola Normale Superiore in Pisa, Davide began his career as curator at the National Gallery of Parma, Italy. Before joining the Getty Museum's Department of Paintings in 2014, he served as the director of the Galleria Estense in Modena from 2012 to 2014. He specializes in painting, sculpture, and decorative arts of the Renaissance; the rediscovery of classical antiquity; and the history of collecting, with particular emphasis on the Italian Renaissance.

Know Before You Go

Duration

Approximately 1 hour.

Planning your arrival

Please bring your tickets with you and have them open on your mobile device or printed. Your event ticket is also your entry to the Getty Center and will be checked upon arrival as you go through security before taking the tram or walking up the hill.

Your ticket will also be checked at the event entrance.

Note that during busy times of year and weekends, we recommend planning your visit to allow for at least 30 minutes to park, go through security, and make your way up to the event.

Event Check-In

Check-in begins 90 minutes before program start time at the Harold M. Williams Auditorium.

Doors open 30 minutes before program start time.

Seating

Unless otherwise noted, all seating is available on a first-come, first-served basis. We recommend arriving early to guarantee a seat. Unclaimed tickets may be released 15 minutes prior to the event.

Accessibility

Wheelchairs are available for free rental on a first-come, first-served basis at the Lower Tram Station above the parking structure and at the Coat Check Room in the Museum Entrance Hall.

Seating for wheelchair users and their party is available at the back of the auditorium, as well as at the front of the space. If you'd like to sit in the front, please let a Visitor Services associate know when you check in and they can escort you to these seats.

Assisted listening devices are available for this event. Please request one from our Visitor Services associates when you check in.

For more information on how we can support your visit to the Getty Center, learn about accessibility at Getty.

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