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Manuscripts ? The Getty Store|
... Sale. Illuminating the End of Time: The Getty Apocalypse Manuscript $37.50
$75.00. Italian Illuminated Manuscripts <br>in the J. Paul Getty Museum ...
Leaf from an Apocalypse manuscript with miniatures (Getty ...|
Leaf from an Apocalypse manuscript with miniatures; Unknown; or Cologne ?, Germany, Europe; about 1340?1350; Tempera colors, gold leaf, and brown and black inks on parchment; Leaf: 45.4 × 30.5 cm (17 7/8 × 12 in.); Ms. 108; J. Paul Getty Museum, Los Angeles, California
Legends, Fictions, and the Manuscripts (Getty Museum ...|
Video discussion with Bart D. Ehrman, James A. Gray Professor of Religious Studies at the University of North Carolina, Chapel Hill about portrayals in manuscripts
Spinola Hours (Getty Museum)|
Spinola Hours; Master of James IV of Scotland (Flemish, before 1465 - about 1541), Master of the Dresden Prayer Book (Flemish, active about 1480 - 1515), Master of the Lübeck Bible (Flemish, about 1485-about 1520), et al; Bruges, Belgium, Europe; about 1510?1520; Tempera colors, gold, and ink on parchment bound between pasteboard covered with red morocco; Leaf: 23.2 × 16.7 cm (9 1/8 × 6 9/16 in.); Ms. Ludwig IX 18; J. Paul Getty Museum, Los Angeles, California
Book of Hours (Getty Museum)|
Book of Hours; Master of Guillebert de Mets (Flemish, active about 1410 - 1450), and Master of the Lee Hours (Flemish, active about 1450 - 1470), and Master of Wauquelin's Alexander (Flemish, active about 1440 - 1460); Ghent (probably), Belgium, Europe; about 1450?1455; Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with late sixteenth-century Flemish (?) calf; Leaf: 19.4 × 14 cm (7 5/8 × 5 1/2 in.); Ms. 2; J. Paul Getty Museum, Los Angeles, California
Meetings with Remarkable Manuscripts (Getty Museum ...|
November 1, 2017, Christopher de Hamel, examines twelve key manuscripts including the Getty's Spinola Hours.
Decretum (Getty Museum)|
Decretum; Unknown, Gratian (Italian, died about 1159); Paris, France, Europe; about 1170?1180; Tempera colors, gold leaf, and ink on parchment bound between wood boards covered with brown calf; Leaf: 44.3 × 29.1 cm (17 7/16 × 11 7/16 in.); Ms. Ludwig XIV 2; J. Paul Getty Museum, Los Angeles, California
Vidal Mayor (Getty Museum)|
Vidal Mayor; Unknown, Vidal de Canellas (Spanish, active Aragon, Spain 1236 - 1252), and probably Michael Lupi de Çandiu (Spanish, active Pamplona, Spain 1297 - 1305), et al; Northeastern Spain, Spain, Europe; about 1290?1310; Tempera colors, gold leaf, and ink on parchment bound between wood boards covered with modern green morocco; Leaf: 36.5 × 24 cm (14 3/8 × 9 7/16 in.); Ms. Ludwig XIV 6; J. Paul Getty Museum, Los Angeles, California
Weltchronik (Getty Museum)|
Weltchronik; Unknown, Rudolf von Ems (Austrian, about 1200 - 1254), Jansen Enikel, et al; Regensburg, Bavaria, Germany, Europe; about 1400?1410 with addition in 1487; Tempera colors, gold, silver paint, and ink on parchment bound between wood boards covered with brown leather; Leaf: 33.5 × 23.5 cm (13 3/16 × 9 1/4 in.); Ms. 33; J. Paul Getty Museum, Los Angeles, California
Collections Research Laboratory Projects|
An overview of the Getty Conservation Institute's scientific work.
La Vision de l'âme de Guy de Thurno (Getty Museum)|
La Vision de l'âme de Guy de Thurno; Simon Marmion (Flemish, active 1450 - 1489), and David Aubert (Flemish, active 1453 - 1479); Valenciennes, France, Europe; 1475; Tempera colors, gold, and ink on parchment bound by Trautz-Bauzonnet between pasteboard covered with modern brown morocco; Leaf: 36.4 × 25.7 cm (14 5/16 × 10 1/8 in.); Ms. 31; J. Paul Getty Museum, Los Angeles, California
The Alchemy of Color in Medieval Manuscripts | The Getty ...|
Appreciated today for its aesthetic qualities, color during the Middle Ages was also understood for its material, scientific, and medicinal properties. The manufacture of colored pigments and inks was part of the science of alchemy, the forerunner of modern chemistry. Concerned with the transformation of matter, alchemy was closely tied to artistic practice.
Global Manuscripts Symposium (Getty Museum Programs)|
April 16-17, 2016, Symposium on medieval manuscripts.
Traversing the Globe through Illuminated Manuscripts | The ...|
... Traversing the Globe through Illuminated Manuscripts. ... Iskandar at the Kaaba
(detail), leaf from a manuscript of the Khamsa, about 1485-95, Shiraz ...
Sacred Landscapes: Nature in Renaissance Manuscripts ...|
Presents some of the most impressive examples of devotional manuscripts made between 1400 and 1600, as well as panel paintings, drawings, and decorative arts.
German Manuscript Illumination (Getty Center Exhibitions)|
Exhibition focusing on the tradition of manuscript illumination in Germany and Central Europe.
Cutting from Digestum novum (Getty Museum)|
Cutting from Digestum novum; Attributed to the Illustratore (Andrea da Bologna?) (Italian, active 2nd quarter of 14th century), and Justinian (Greek (Byzantine), about 482 - 565, emperor 527 - 565); Bologna, Emilia-Romagna, Italy, Europe; completed before 1340; Tempera colors, gold leaf, and ink on parchment; Leaf: 14.4 × 7.6 cm (5 11/16 × 3 in.); Ms. 13; J. Paul Getty Museum, Los Angeles, California
Illuminated Manuscripts Curriculum (Education at the Getty)|
This curriculum investigates medieval and Renaissance illuminated manuscripts, books written and decorated entirely by hand.
Migrations of the Mind (Getty Center Exhibitions)|
Manuscripts the collection of Lawrence J. Schoenberg that embody transformations of human knowledge throughout history.
The Saint John's Bible: A Contemporary Illuminated ...|
Video lecture of Donald Jackson, calligrapher who produced the hand-illuminated, Saint John's Bible.
Newsletter 23.1 Spring 2008|
Newsletter article on the scientific investigation of manuscripts by Martin de Murua.
Roman de Gillion de Trazegnies (Getty Museum)|
Roman de Gillion de Trazegnies; Lieven van Lathem (Flemish, about 1430 - 1493), David Aubert (Flemish, active 1453 - 1479); Belgium, Europe; 1464; Tempera colors, gold, and ink on parchment, bound in blind-tooled orange morocco featuring the arms of the sixth duke of Devonshire; Closed: 38.9 × 28 × 9.4 cm (15 5/16 × 11 × 3 11/16 in.); Ms. 111; J. Paul Getty Museum, Los Angeles, California
Looking at Illuminated Manuscripts: Exploring a Manuscript ...|
Learn the different parts of a medieval manuscript page and create illuminated manuscripts with your class.
Harvest Scene; Initial U: A Figure (Getty Museum)|
Harvest Scene; Initial U: A Figure; Attributed to the Illustratore (Andrea da Bologna?) (Italian, active 2nd quarter of 14th century); Bologna, Emilia-Romagna, Italy, Europe; before 1340; Tempera colors, gold leaf, and ink on parchment; Leaf: 14.4 × 7.6 cm (5 11/16 × 3 in.); Ms. 13, verso; J. Paul Getty Museum, Los Angeles, California
Provenance of the Mellini Manuscript | Getty Research ...|
Essay by Nuria Rodríguez-Ortega traces the route of a 17th-century manuscript to the Special Collections of the Getty Research Institute in Los Angeles.
The Manuscript, and the Poem | Getty Research Institute|
Essay by Murtha Baca describes the physical and textual aspects of a poetic inventory of a 17th-century Roman art collection.
Manuscripts, Belgium and Netherlands (Getty Center ...|
Exhibition tracing Netherlandish manuscript painting from the 12th century to its extraordinary flowering in the 15th and 16th centuries.
GRI Manuscript Preparation Requirements|
Getty Research Institute Manuscript Preparation Requirements Text ¥ Prepare
all text in Microsoft Word using embedded endnotes. ...
Italian Illuminated Manuscripts in the J. Paul Getty Museum ...|
Description Thomas Kren and Kurt Barstow Known for their stunning displays of artistry and technique, Italian illuminated manuscripts have long been coveted by
French Manuscript Illumination (Getty Center Exhibitions)|
An exhibition of French books and manuscripts from the J. Paul Getty Museum's collection of medieval manuscripts.
500 Years of Manuscript Illumination (Getty Exhibitions)|
This Getty Museum exhibition features a wide variety of lavishly illuminated manuscripts from the Middle Ages and Renaissance.
A Priest and Guy's Widow Conversing with the Soul of Guy de ...|
A Priest and Guy's Widow Conversing with the Soul of Guy de Thurno; Simon Marmion (Flemish, active 1450 - 1489), David Aubert (Flemish, active 1453 - 1479); Ghent, Belgium, Europe; 1475; Tempera colors, gold, and ink on parchment bound by Trautz-Bauzonnet between pasteboard covered with modern; Leaf: 36.4 × 25.7 cm (14 5/16 × 10 1/8 in.); Ms. 31, fol. 7; J. Paul Getty Museum, Los Angeles, California
Looking at Illuminated Manuscripts: An Illuminated Day ...|
Students examine a book of hours, compare it to the modern day-planner, and create class day-planners and calendars with illuminations.
Mira calligraphiae monumenta (Getty Museum)|
Mira calligraphiae monumenta; Joris Hoefnagel (Flemish / Hungarian, 1542 - 1600), and Georg Bocskay (Hungarian, died 1575); Vienna, Austria, Europe; fols. 1-129 written 1561?1562; illumination added about 1591?1596; Tempera colors, watercolors, gold and silver paint, and ink on parchment and paper bound between pasteboard covered with red morocco; Leaf: 16.6 × 12.4 cm (6 9/16 × 4 7/8 in.); Ms. 20; J. Paul Getty Museum, Los Angeles, California
Illuminating the Renaissance: The Triumph of Flemish ...|
An ambitious catalogue, wide in scope, that explores the final flourishing of manuscript illumination in Flanders during the Renaissance.
James E. and Elizabeth J. Ferrell Manuscripts Donation ...|
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James E. and Elizabeth J. Ferrell Manuscripts Donation. ...
Manuscript Cultures of Colonial Mexico and Peru: New ...|
Description Edited by Thomas B. F. Cummins, Emily Engel, Barbara Anderson, and Juan Ossio This volume showcases dynamic developments in the field of manuscript
Table of Consanguinity (Getty Museum)|
Table of Consanguinity; Unknown; Paris, France, Europe; about 1170 - 1180; Tempera colors, gold leaf, and ink on parchment; Leaf: 44.3 × 29.1 cm (17 7/16 × 11 7/16 in.); Ms. Ludwig XIV 2, fol. 227v; J. Paul Getty Museum, Los Angeles, California
Table of Affinity (Getty Museum)|
Table of Affinity; Unknown; Paris, France, Europe; about 1170 - 1180; Tempera colors, gold leaf, and ink on parchment; Leaf: 44.3 × 29.1 cm (17 7/16 × 11 7/16 in.); Ms. Ludwig XIV 2, fol. 228; J. Paul Getty Museum, Los Angeles, California
J. Paul Getty Museum Announces Gift of Rare Illuminated ...|
... announced today the gift of six rare Italian manuscript illuminations from ... been
very generous and enthusiastic lenders of manuscripts and other ...
Stories to Watch: Narrative in Medieval Mss. (Getty Center ...|
This exhibition describes some of the strategies medieval book artists used to tell stories through images.
Investigation of Martín de Murúa's Illustrated Manuscripts|
Case study of 2 illustrated chronicles of the history of Peru undertaken by the Collections Research Laboratory at the Getty Conservation Institute.
Things Unseen: Vision, Belief, and Experience in Illuminated ...|
Drawn primarily from the Getty Museum?s permanent collection of manuscripts, this exhibition explores the visual challenges artists faced as they sought to render miraculous encounters with the divine, grand visions of the end of time, the intricacies of belief, and the intimate communications of prayer. These ?unseen? spiritual experiences, recorded by Jewish and Christian authors in antiquity, were translated in new ways by the illuminators of medieval and Renaissance books. Rather than simply narrating otherworldly events, the innovative images in this exhibition offer visual entry points to the ineffable nature of faith.
Rare Finds (Getty Center Exhibitions)|
Exhibition about the Getty Museum's acquisition of manuscripts during the past decade. Part of the Getty Center's 10th anniversary celebration.
The Gospels (Getty Center Exhibitions)|
An exhibition of Gospel books from the J. Paul Getty Museum's collection of medieval manuscripts.
Incorruptible Beauty: Gold and the Alchemy of Color in ...|
Gold has come to epitomize the art of medieval manuscript painting, used not only for its incorruptibility, purity, and high value as a material but also for its spiritual connotations. By approaching this beguiling material in a survey of its various uses, application methods, and embellishment techniques, manuscripts conservator Nancy Turner highlights manuscripts from the Getty?s collection and surveys the variety of materials and methods employed by medieval illuminators. Complements the exhibition The Alchemy of Color in Medieval Manuscripts.
Manuscript on View (Getty Press Release)|
The Gualenghi-d'Este Hours,an illuminated manuscript made for two aristocrats in Renaissance Ferrara, is on view from May 9 through July 30, 2000.
Scribe Writing, probably Eadmer of Canterbury (Getty Museum ...|
Scribe Writing, probably Eadmer of Canterbury; Unknown; Tournai (probably), Belgium, Europe; about 1140 - 1150; Tempera colors, gold paint, and ink on parchment; Leaf: 17.8 × 10.8 cm (7 × 4 1/4 in.); Ms. Ludwig XI 6, fol. 44v; J. Paul Getty Museum, Los Angeles, California
Flemish Manuscript Painting in Context: Recent Research|
Complements the Getty's exhibition Illuminating the Renaissance with recent scholarship on Flemish illuminated manuscripts.
Shrine and Shroud (Getty Exhibitions)|
This exhibition examines the role of textiles in illuminated manuscripts from the Middle Ages.