Future Exhibitions and Installations

The Getty Center

  • Leonardo da Vinci: 500 Years

    April 30–June 2, 2019

    To commemorate the 500th anniversary of Leonardo da Vinci’s death (on May 2, 1519 in Amboise, France), the Getty Museum is placing on view the two rare drawings by the master from its collection. Incorporating draft studies for paintings, sculpture, machinery, and human physiognomy, along with his characteristic “mirror-writing,” the two sheets present a fascinating glimpse into the mind of this celebrated Renaissance polymath.

  • The Wondrous Cosmos in Medieval Manuscripts

    April 30–July 21, 2019

    The cosmos—full of shining stars and orbiting planets—inspired study and devotion among scientists, theologians, and artists alike during the Middle Ages. The belief in angels, demons, and spirits moreover materialized in wondrous works of art, especially on the pages of illuminated manuscripts. Awe-inspiring cosmic phenomena informed every aspect of one’s physical, mental, and spiritual well-being in the premodern world. This exhibition invites you to explore the complexity of the celestial realm in medieval European faith and science traditions.

  • Book of Beasts: The Bestiary in the Medieval World

    May 14–August 18, 2019

    A vast throng of animals tumble, soar, and race through the pages of the bestiary, a popular medieval book describing the beasts of the world. Abounding with vibrant and fascinating images, the bestiary brought creatures to life before the eyes of readers. The beasts also often escaped from its pages to inhabit a glittering array of other objects. With over 100 works on display, this major loan exhibition will transport visitors into the world of the medieval bestiary.

  • Reading between the Lines: Drawing Illustrations

    June 4–September 15, 2019

    The illustration of written texts has provided artists with inspiration, and gainful employment, across the centuries. Presenting some of the most beautifully finished drawings and watercolors in the Getty collection, this exhibition explores illustration as a branch of artistic production in the eighteenth and nineteenth centuries.

  • Bauhaus Beginnings

    June 11–October 13, 2019

    The Bauhaus was a German school of art and design whose brief yet highly influential existence rendered it a key site in the development of a new modern vision for arts education. Established in 1919 after the end of World War I, the Bauhaus sought to erode distinctions between crafts and the fine arts through a program of study centered on theory and practical experience.

    Marking the 100th anniversary of the school's opening, Bauhaus Beginnings investigates the school's early commitment to spiritual expression, its innovative first-year curriculum, and its use of diverse media to introduce the work of students and masters to international audiences. The exhibition draws on the Getty Research Institute's extensive collection of Bauhaus material—including course exercises, teaching aids and notes, and rare prints, drawings, and photographs—to offer a colorful and surprising reexamination of the founding principles of this landmark institution.

  • Ercole de’ Roberti in Focus: Conserving Two Renaissance Masterpieces

    June 18–September 1, 2019

    Two rare 15th-century paintings by Ercole de' Roberti have recently undergone conservation at the Getty. Newly cleaned, these remarkable works reveal Ercole's absolute mastery of dramatic narrative and perceptive observation of intricate detail, accomplishments which earned him the status of leading painter in his native city of Ferrara, Italy. Discover the fascinating results of the conservation treatment before the paintings return to their permanent home in Dresden, Germany.

  • John Martin: A New Acquisition

    July 2–October 6, 2019

    This single-work display showcases the Getty’s recently acquired Destruction of Pharaoh’s Host by the English Romantic artist, John Martin (1789–1854). The installation explores this fascinating drawing and highlights Martin’s connection to Los Angeles, namely the artist’s influence on generations of Hollywood movie makers, including Cecil B. DeMille and Ray Harryhausen.

  • Once. Again. Photographs in Series

    July 9–November 10, 2019

    Photographers often record change through images in series, registering transformations in the world around them. This exhibition features both historical and contemporary artists who have photographed faces and places over minutes, months, or years. Their artworks prompt reflection on the ways the passage of time impacts how we see people and spaces.

  • Gordon Parks: The Flávio Story

    July 9–November 10, 2019

    On assignment to document poverty in Brazil for Life magazine, American photographer Gordon Parks encountered one of the most important subjects of his career: Flávio da Silva. Parks featured the resourceful, ailing boy, who lived with his family in one of Rio’s working-class neighborhoods known as favelas, in the heart-rending 1961 photo essay “Freedom’s Fearful Foe: Poverty.” It resulted in donations from Life readers but sparked controversy in Brazil. This exhibition explores the celebrated photo essay, tracing the extraordinary chain of events it triggered and Parks’ representation of Flávio over several decades.

  • In Focus: The Camera

    July 30, 2019–January 5, 2020

    Once a simple wooden box with a primitive lens and cap for controlling light, the camera has undergone enormous change since its invention in the early nineteenth century. Flexible film stocks, built-in light meters, motor drives, and megapixels are a few of the advancements that have transformed the way this ingenious device captures and preserves a moment in time. This display explores the evolution of the camera through a selection of historic cameras and photographs.

  • Blurring the Line: Manuscripts in the Age of Print

    August 6–October 27, 2019

    The history of the book in the late Middle Ages is a story of competing media as the handwritten and the illuminated encountered the print revolution in Europe. New printing technologies gave rise to a rich period of experimental cross-fertilization during which artists created hybrid works, books printed to look like manuscripts, and painted compositions modeled after prints. This exhibition includes masterpieces of both media, challenging the division between them considering the culture of the book as technology met artistry.

  • Manet and Modern Beauty

    October 8, 2019–January 12, 2020

    The great painter of modern Paris Édouard Manet famously shocked contemporary audiences with his provocative pictures. The first exhibition ever to explore the last years of his short life, Manet and Modern Beauty highlights a less familiar and more intimate side of this celebrated artist’s work. Stylish portraits, luscious still lifes, delicate pastels and watercolors, vivid café and garden scenes convey Manet’s elegant social world and reveal his growing fascination with fashion, flowers, and the contemporary trappings of femininity.

  • True Grit: American Prints and Photographs from 1900 to 1950

    October 15, 2019–January 19, 2020

    With works drawn from local museums, a private collection, and the Getty’s own collection, True Grit provides two vibrant surveys: one of early twentieth-century American printmaking and the other a complementary photography display. Compelling depictions of the time convey a broad view of American culture that includes dance halls and boxing rings, skyscrapers and subways, parks and tenement apartments. Using innovative techniques, these American artists captured the gritty world around them and came to terms with modern life.

  • Peasants in Pastel: Jean-François Millet and the Pastel Revival

    October 29, 2019–May 10, 2020

    Long associated with aristocratic portraiture, pastel had fallen out of fashion by the mid-nineteenth century, when Jean-François Millet turned the powdery medium to a quite different purpose: scenes of contemporary peasant life. This installation presents a selection of pastels by Millet and his followers, addressing the relationship between rural labor and urban collecting and encouraging visitors to consider how an artist’s chosen medium affects our understanding of his or her subject matter.

  • Balthazar: A Black African King in Medieval and Renaissance Art

    November 19, 2019–February 16, 2020

    Early medieval legends reported that one of the three kings who paid homage to the newborn Christ Child in Bethlehem was from Africa. But it would be nearly one thousand years before artists began representing Balthazar, the youngest of the magi, as a black African. This exhibition explores the juxtaposition of a seemingly positive image with the difficult histories of Afro-European contact—in particular the brutal African slave trade—which informed European artists’ interest in representing race.

  • Unseen: 35 Years of Collecting Photographs

    December 17, 2019–March 8, 2020

    Commemorating the 35th anniversary of the Museum’s collection of photographs, this exhibition reveals the breadth and depth of the Getty’s acquisitions through an array of its hidden treasures, none of which have been exhibited at the Getty before. Spanning the history of the medium from its early years to the present day, Unseen highlights visual associations between photographs from different times and places to encourage fresh discoveries and underscore a sense of continuity and change within the history of the medium.

  • Painted Prophecy: The Hebrew Bible through Medieval Eyes

    March 10–May 31, 2020

    Images drawn from the Hebrew Bible (known to Christians as the “Old Testament”) were among the most popular subjects for Christian illuminated manuscripts in the Middle Ages. This exhibition brings manuscripts that explore the medieval Christian understanding of Hebrew scripture into dialogue with the Rothschild Pentateuch, a masterpiece of the Jewish manuscript tradition. Together, these objects from different religious traditions demonstrate how the Hebrew Bible was a living document, its contents subject to interpretation dependent on time and place.

The Getty Villa

  • Buried by Vesuvius: Treasures from the Villa dei Papiri

    June 26–October 28, 2019

    The Getty Villa is modeled on the Villa dei Papiri at Herculaneum. Buried by the eruption of Mount Vesuvius in AD 79, the ancient villa was rediscovered and explored by subterranean tunnels in the 1750s and '60s and was partially re-excavated in the 1990s and early 2000s. It has yielded colorful marble and mosaic floors, frescoed walls, a large collection of bronze and marble statuary, and a unique library of more than a thousand papyrus scrolls. This exhibition presents many of the most spectacular finds and examines attempts to unroll and decipher the carbonized papyri.

  • Assyria: Palace Art of Ancient Iraq

    October 2, 2019–December 31, 2020

    Assyrian kings in the ninth to seventh centuries B.C. decorated their palaces with masterful relief sculptures that represent a high point of Mesopotamian art, both for their artistic quality and sophistication and for their vivid depictions of warfare, rituals, mythology, hunting, and other aspects of Assyrian court life. The importance of these ancient treasures has only increased with the recent destruction, by ISIS, of many of the reliefs that remained in Iraq.

    The masterworks in this exhibition are on special loan from the British Museum, London.