The Getty Center
Yvonne Rainer: Dances and Films
May 27–October 12, 2014
Dancer, choreographer, filmmaker, and writer Yvonne Rainer is one of the most influential artistic figures of the last 50 years, not only in the fields of dance and cinema but in other artistic movements such as minimalism, conceptual art, feminist art, and postmodernism. Drawn from Rainer's archive at the Getty Research Institute, this exhibition surveys her major dance, film, and performance works through a lively array of photographs, scores, journals, ephemera, and audiovisual presentations.
The Scandalous Art of James Ensor
June 10–September 7, 2014
This exhibition charts James Ensor's astonishing artistic development in the decade culminating with his avant-garde masterpiece, Christ's Entry into Brussels in 1889 (1888), a shockingly satirical indictment of modern Belgian society that is one of the Getty Museum's major highlights. The exhibition presents nearly 60 Ensor paintings and drawings from the Royal Museum of Fine Arts in Antwerp, along with a rich selection of the artist's drawings and etchings from the Art Institute of Chicago, the J. Paul Getty Museum, the Getty Research Institute, and several other key lenders.
Rococo to Revolution: 18th-Century French Drawings from Los Angeles Collections
July 1–September 21, 2014
This exhibition celebrates the art of drawing in France from the death of Louis XIV, in 1715, to the Revolution of 1789. During this period, when inventiveness was greatly valued, drawing exemplified the creative impulse perhaps more than any other artistic medium, contributing decisively to an aesthetic evolution from the decorative exuberance of the Rococo style to the linear austerity of Neoclassicism. The exhibition showcases works from the J. Paul Getty Museum and from distinguished private Los Angeles collections by such artists as François Boucher, Jacques-Louis David, Jean-Honoré Fragonard, Jean-Baptiste Greuze, and Jean-Antoine Watteau.
Minor White: Manifestations of the Spirit
July 8–October 19, 2014
Controversial, misunderstood, and sometimes overlooked, Minor White (American 1908–1976) was one of the great photographers of the twentieth century. His photographs demonstrate an understanding of the aesthetic and technical aspects of photography as well as its potential to be a medium of spiritual transformation. White's work as an artist, teacher, editor, and critic exerted a powerful influence on a generation of photographers and still resonates today. This retrospective exhibition features White's masterpiece, the eleven-print sequence Sound of One Hand (1965).
Convergences: Selected Photographs from the Permanent Collection
July 8–October 19, 2014
By juxtaposing contemporary and historical photographs from the permanent collection, this exhibition proposes points of intersection between works created in response to shifting technical developments and aesthetic concerns. Whether related by direct influence or visual affinities of a more tenuous nature, groupings of images reveal the rich diversity of photographic approaches to subjects that have engaged photographers for the past century. Recent acquisitions by Vera Lutter, Loretta Lux, Scott McFarland, Yasumasa Morimura, Cindy Sherman, and James Welling, among others, are featured.
Chivalry in the Middle Ages
July 8–November 30, 2014
Our popular understanding of the Middle Ages—with visions of damsels in distress and knights in shining armor—is dominated by the romantic ideals of chivalry. Manuscripts from the period reveal that the codes of behavior associated with chivalry permeated nearly every aspect of aristocratic life, from fighting techniques to courtly love. Drawn from the Getty Museum's permanent collection, this exhibition explores how elite members of medieval society practiced the chivalric arts to demonstrate their affluence and sophistication.
In Focus: Tokyo
August 5–December 14, 2014
Although a kaleidoscopic vision would seem to be required to represent the hyperreal megalopolis of Tokyo, the four Japanese photographers in this exhibition have found a way to portray their city at a human scale. Mikiko Hara adopts a quiet, daylit, snapshot style for spontaneous portraits of her young contemporaries; Daido Moriyama haunts the burgeoning neighborhood of Shinjuku for fragments of nightlife; Shigeichi Nagano observes the interactions of community within a perpetually rebuilt environment; and Masato Seto focuses on the hard-won leisure of local couples escaping the cramped quarters of high-rise living.
Drawing in the Age of Rubens
October 14, 2014–January 11, 2015
This exhibition of Flemish drawings from the Getty Museum's collection bears witness to the flourishing of artistic culture in the southern Netherlands from the sixteenth to the seventeenth centuries. It features drawings made by Peter Paul Rubens and his most talented pupils as well as sheets by his contemporaries and predecessors. This survey of drawn landscapes, figural studies, and religious subjects from Rubens's time demonstrates the master's grand, synthetic vision as well as the dynamic tradition of his native Flanders. The exhibition complements the international loan show Spectacular Rubens: The Triumph of the Eucharistic Series.
Spectacular Rubens: The Triumph of the Eucharist Series
October 14, 2014–January 4, 2015
The Flemish painter Peter Paul Rubens excelled at devising captivating large-scale compositions. During the mid-1620s, he designed a series of monumental tapestries for the devout Infanta Isabel celebrating the spiritual victory of the Roman Catholic Church. This exhibition unites the exhilarating designs in the collection of the Prado Museum, painted in oil on wood panel, with the magnificent tapestries—rare loans from the Patrimonio Nacional in Madrid. Characterized by exuberant energy, clever visual illusions, and an astonishing array of figures, the Eucharist series is one of the wonders of the Baroque period.
Josef Koudelka: Nationality Doubtful
November 11, 2014–March 22, 2015
After photographing theatrical productions in Prague and Roma settlement camps across Eastern Europe, Josef Koudelka (born 1938) risked his life and career to document the 1968 Warsaw Pact invasion of Czechoslovakia. His images of the event, smuggled into the West and reproduced worldwide, forced his exile. This exhibition—the first U.S. retrospective devoted to Koudelka since 1988—presents more than 180 works produced over six decades by this legendary photographer, including early photographic experiments, vintage Gypsies book prints and maquettes, and a selection of large-scale panoramas that he has made since 1986.
This exhibition was co-organized by the J. Paul Getty Museum and the Art Institute of Chicago.
World War I: War of Images, Images of War
November 25, 2014–April 19, 2015
World War I: War of Images, Images of War looks back on the art and visual culture of the First World War. This was a war of unprecedented mechanized slaughter, but it was also a conflict over the cultural dominance and direction of Europe. The exhibition demonstrates the distinctive ways in which each combatant nation utilized visual culture to help defeat its enemies and shows how artists developed their own visual language to convey and cope with the gruesome horrors they witnessed. Drawing principally from the Getty Research Institute's collections, the exhibition features a range of satirical journals, rare books, and prints, as well as firsthand accounts such as a war diary, correspondence from the front, "trench art" made by soldiers, and interviews with veterans, all of which capture the trauma of this first modern war.
Give and Ye Shall Receive: Gift Giving in the Middle Ages
December 16, 2014–March 15, 2015
In the Middle Ages, gift exchange helped people define their relationships to family and friends, to acquaintances and strangers, to God and to church. This exhibition, drawn from the Museum's permanent collection, examines models for giving found in scripture and in the lives of the saints, explores how gift giving functioned in medieval society, and highlights the special role of the medieval book as a gift.
In Focus: Play
December 23, 2014–May 10, 2015
The introduction of photography in 1839 coincided with major social and economic changes spurred by the Industrial Revolution and a burgeoning culture of leisure. In addition to documenting historic events, this new medium was used to record the everyday, including the many ways people spent their free time. With the advent of faster film and handheld cameras, dancing and carousing were captured with the same enthusiasm as moments of respite and quiet contemplation. This exhibition traces the development of the photographic subject of leisure through the works of artists such as Roger Fenton, Eugène Atget, Gertrude Käsebier, Brassaï, Larry Sultan, and Bill Owens.
J. M. W. Turner: Painting Set Free
February 24–May 24, 2015
Extraordinarily inventive and enduringly influential, J. M. W. Turner (1775–1851) produced his most important and famous pictures after the age of sixty, in the last fifteen years of his life. Demonstrating ongoing radicalism of technique and ever-original subject matter, these works show Turner constantly challenging his contemporaries while remaining keenly aware of the market for his art. Bringing together over sixty key oil paintings and watercolors, this major international loan exhibition is the first to focus on the unfettered creativity of Turner's final years.
The exhibition was organized by Tate Britain, in association with the J. Paul Getty Museum and the Fine Arts Museums of San Francisco.
Renaissance Splendors of the Northern Italian Courts
March 31–June 21, 2015
The Renaissance courts of northern Italy, among the wealthiest and most sophisticated in Europe, attracted innovative artists who created objects of remarkable beauty. Princes and other nobles offered painters and illuminators favorable contracts and social prestige in return for lavishly decorated panels and books. These works prominently displayed their owners' scholarly learning, religious devotion, and elite status. Drawn from the Getty Museum's permanent collection of manuscripts, this exhibition celebrates the magnificent illuminations that emerged from this courtly context—an array of visual riches fit for the highest-ranking members of Renaissance society.
April 14–June 23, 2015
At a time when digital technologies offer increasingly sophisticated options for producing, storing, and disseminating images, a number of artists have turned their attention to exploring the essence of photography, distilling it to its basic components of light-sensitive emulsions and chemical development. These artists may use hand-coated or expired papers, archival negatives, or custom-built cameras, or they may eschew the use of a camera or film altogether. All employ a variety of darkroom techniques that shift our understanding of photography from a medium that accurately records the world to one that revels in the medium's materials and process.
In Focus: The Animal
May 26–October 18, 2015
Photographs of animals have circulated since the early history of the medium, initially focusing on those that were tame, captive, or dead. Advancements in camera and film technologies enabled precise recordings of beasts in motion and, eventually, in their natural habitats. Spanning the history of photography, this exhibition examines the expanding tradition of animal representation through the works of artists such as Horatio Ross, William Henry Jackson, Alfred Stieglitz, Frederick Sommer, William Wegman, Pieter Hugo, and Taryn Simon.
The Renaissance Workshop in Action: Andrea del Sarto
June 23–September 13, 2015
This major loan exhibition celebrates the transformation of the art of drawing by Andrea del Sarto (1486–1530), one of the greatest Florentine Renaissance artists. Moving beyond the graceful harmony and elegance of his elders and peers, such as Leonardo da Vinci, Raphael, and Fra Bartolommeo, Sarto brought unprecedented realism and immediacy to his art through the rough and rustic use of red chalk and the creation of powerful life and compositional studies. Comprising rare drawings and panel paintings from key international collections, the exhibition fully illuminates Andrea del Sarto's inventiveness, creative process, and workshop practice.
The exhibition was co-organized by the J. Paul Getty Museum and the Frick Collection, New York.
The Getty Villa
The Berthouville Treasure and Roman Luxury
November 19, 2014–May 11, 2015
Accidentally discovered by a French farmer in 1830, the spectacular hoard of gilt-silver statuettes and vessels known as the Berthouville Treasure was originally dedicated to the Gallo-Roman god Mercury. Following four years of meticulous conservation and research at the Getty Villa, this exhibition allows viewers to appreciate their full splendor and offers new insights about ancient art, technology, religion, and cultural interaction. The opulent cache is presented in its entirety for the first time outside Paris, together with precious gems, jewelry, and other Roman luxury objects from the royal collections of the Cabinet des médailles at the Bibliothèque nationale de France.
Dangerous Perfection: Funerary Vases from Southern Italy
November 19, 2014–May 11, 2015
Thirteen elaborately decorated Apulian vases provide a rich opportunity to examine the funerary customs of peoples native to southern Italy and the ways they used Greek myth to comprehend death and the afterlife. Displayed following a six-year conservation project at the Antikensammlung Berlin and the Getty Villa, these monumental vessels also reveal the hand of Raffaele Gargiulo, one of the leading restorers of nineteenth-century Naples. His work exemplifies what one concerned antiquarian described as "dangerous perfection," and the vases on view offer a window into the ongoing debate concerning the degree to which ancient artworks should be repaired and repainted.