Chicago
“Bibliography.” In
Provenance Research for Mediterranean Antiquities: Methods
and Resources. Los Angeles: J. Paul Getty Museum, 2026.
https://www.getty.edu/publications/provenance-research/bibliography/.
MLA
“Bibliography.”
Provenance Research for Mediterranean Antiquities: Methods
and Resources, by Judith Barr et al., J. Paul Getty Museum, 2026,
https://www.getty.edu/publications/provenance-research/bibliography/.
Accessed
DD Mon. YYYY.
Amineddoleh, Leila. 2015. “Purchasing Art in a Market Full
of Forgeries: Risks and Legal Remedies for Buyers.”
International Journal of Cultural Property 22:
415–35.
Ancient Art 1954
Ancient Art in American Private Collections: A Loan
Exhibition at the Fogg Art Museum of Harvard University,
December 28, 1954–February 15, 1955. Exhibition catalogue. Cambridge: Fogg Art Museum.
Anderson 2020
Anderson, Jocelyn. 2020. “Visiting and Writing on Country
House Art Collections in the Eighteenth and Nineteenth
Centuries.” Art and the Country House.
https://doi.org/10.17658/ACH/TE577.
Andreae, Bernard, Lilian Balensiefen, Sabine Faust, Martin
Stadler, and Cornelia Weber-Lehmann, eds. 1991.
Index der antiken Kunst und Architektur: Denkmäler des
griechisch-römischen Altertums in der Photosammlung des
Deutschen Archäologischen Instituts Rom: Begleitband,
Register und Kommentar. Munich: K. G. Saur.
Angelicoussis et al. 2017
Angelicoussis, Elizabeth, with contributions by Andrew
Stewart and Daniella Ben-Arie. 2017.
Reconstructing the Lansdowne Collection of Classical
Marbles. Munich: Hirmer.
Baggio, Monica, Elisa Bernard, Monica Salvadori, and Luca
Zamparo, eds. 2019. Anthropology of Forgery:A Multidisciplinary Approach to the Study of
Archaeological Fakes.
Padua: Padova University Press.
Barkan, Leonard. 1999.
Unearthing the Past: Archaeology and Aesthetics in the
Making of Renaissance Culture.
New Haven: Yale University Press.
Bärnighausen 2020
Bärnighausen, Julia. 2020. “Bureaucratic Hybrids:
Photographs from the Galleria Sangiorgi in Rome at the
Kunsthistorisches Institut in Florenz.”
Mitteilungen des KunsthistorischenInstitutes in Florenz 62, no. 1: 43–67.
Barr 2018a
Barr, Judith. 2018. “The Pitfalls and Possibilities of
Provenance Research: Historic Collections and the Art
Market in the 20th Century.” In Carpino et al. 2018,
189–96.
Bartman, Elizabeth. 2017.
The Ince Blundell Collection of Classical Sculpture. Vol. 3, The Ideal Sculpture. Liverpool:
Liverpool University Press.
Bartoli 2021
Bartoli, Antonia. 2021. “Revelations from the Reverse: The
Stamp of a Nazi Looting.”
Yale University Art Gallery Magazine, 10–13.
Basan 1775
Basan, Pierre-François. 1775.
Catalogue raisonné des différens objets de curiosités
dans les sciences et arts qui composaient le cabinet de
feu M. Mariette. Catalogue de vente 15 November 1775–30
January 1776. Paris: Basan.
Bass 1970
Bass, George F. 1970. “A Hoard of Trojan and Sumerian
Jewelry.” American Journal of Archaeology 74, no.
4: 335–41.
Bator 1982
Bator, Paul M. 1982. “An Essay on the International Trade
in Art.” Stanford Law Review 34: 275–384.
Beazley 1931
Beazley, John D. 1931. “Disjecta Membra.”
Journal of Hellenic Studies 51, no. 1: 39–56.
Bentz, Martin, and Ursula Kästner, eds. 2007.
Konservieren oder Restaurieren: Die Restaurierung
griechischer Vasen von der Antike bis Heute. Beihefte zum Corpus Vasorum Antiquorum, Deutschland 3.
Munich: C. H. Beck.
Berman 2006
Berman, Russell. 2006. “Met Chief Defends Museums’ Pursuit
of Antiquities.” New York Sun, April 18.
Biancolini Fea, Daniela. 2001.
Il Castello di Agliè: Gli appartamenti e le
collezioni.
Turin: Celid.
Biondi 2013
Biondi, Giacomo. 2013. “In the Forger’s Workshop:
Hellenistic Terracottas and the Mold-Made Fakes of
Centuripe.”
Newsletter of the Association for Coroplastic
Studies
10.
https://doi.org/10.4000/acost.756.
Biro, Yaëlle, Christine E. Brennan, and Christel H. Force,
eds. 2023.
The Brummer Galleries, Paris and New York: Defining
Taste from Antiquities to the Avant-Garde.
Studies in the History of Collecting & Art Markets 17.
Leiden: Brill.
Blecksmith 2012
Blecksmith, Anne. 2012. “The Johannes Felbermeyer
Collection at the Getty Research Institute.”
Visual Resources Association Bulletin, vol. 39,
no. 1, article 3, 1–6.
Bliquez 1986
Bliquez, Lawrence J. 1986. “The Getty Instrumentarium: A
Revised Opinion.”
J. Paul Getty Museum Journal 14: 79–80.
Boardman 1996
Boardman, John. “Evidence, Interpretation, and Accident in
Archaeology.”
Art History Oral Documentation Project, compiled
under the auspices of the Getty Center for the History of
Art and the Humanities. Los Angeles: J. Paul Getty Trust.
https://archive.org/details/evidenceinterpre00boar.
Boardman 2017
Boardman, John, ed. 2017.
Elie Borowski: Founder of the Bible Lands Museum,
Jerusalem.
Jerusalem: Bible Lands Museum.
Bodel and Tracy 1997
Bodel, John P., and Stephen V. Tracy. 1997.
Greek and Latin Inscriptions in the USA: A
Checklist.
New York: American Academy in Rome.
Booth 2018
Booth, Charlotte. 2018. “Excavating Paper Squeezes:
Identifying the Value of Nineteenth and Early Twentieth
Century Squeezes of Ancient Egyptian Monuments, through
the Collections of Seven UK Archives.” PhD diss.,
University of Birmingham.
https://etheses.bham.ac.uk/id/eprint/8715/1/Booth18PhD.pdf.
Borowski 2001
Borowski, Elie. 2001.
Glories of Ancient Greece: Vases and Jewelry from the
Borowski Collection.
Jerusalem: Bible Lands Museum.
Bouquillon, Zink, and Porto 2010
Bouquillon, Anne, Antoine Zink, and Elisa Porto. 2010.
“The Louvre’s Tanagras in Light of Scientific Analysis:
Authenticity, Materials, Provenances.” In
Tanagras: Figurines for Life and Eternity. The Musee du
Louvre’s Collection of Greek Figurines, edited by Violaine Jeammet, 228–31. Exhibition
catalogue. Valencia: Fundación Bancaja.
Bourgeois and Denoyelle 2013
Bourgeois, Brigitte, and Martine Denoyelle, eds. 2013.
L’Europe du vase antique: Collectionneurs, savants,
restaurateurs aux XVIIIe et XIXe siècles. Rennes: Presses universitaires de Rennes.
Bourgeois and Matz 2010
Bourgeois, Brigitte, and Fanny Matz, eds. 2010. “‘Une
perfection dangereuse’: La restauration des vases grecs,
de Naples à Paris, XVIIIe–XIXe siècles.” Special issue,
Technè 32.
Cambitoglou, Alexander, Jacques Chamay, and Brenno
Bottini. 1997.
Céramique de Grande Grèce: La collection de fragments
Herbert A. Cahn. Zürich: Akanthus.
Capecchi, Gabriella. 1993.
L’archivio storico fotografico di Stefano Bardini: Arte
Greca Etrusca Romana. Florence: A. Bruschi.
Carpino et al. 2018
Carpino, Alexandra, Tiziana d’Angelo, Maya Muratov, and
David Saunders, eds. 2018.
Collecting and Collectors: From Antiquity to
Modernity.
Selected Papers on Ancient Art and Architecture 4. Boston:
Archaeological Institute of America.
Carruba 2020
Carruba, Anna Maria. 2020. “Research and Restoration of
Stone Sculptures in the Collezione Torlonia.” In
The Torlonia Marbles: Collecting Masterpieces,
edited by Salvatore Settis and Carlo Gasparri, 302–15.
Exhibition catalogue. Naples: Electa.
Carter 2020
Carter, Jane. 2020. “A Letter from the Editor-in-Chief:
Revised Editorial Policy on the Publication of
Unprovenanced Antiquities.”
American Journal of Archaeology 124, no. 2:
175–77.
Catterson, Lynn. 2020. “From Visual Inventory to Trophy
Clippings: Bardini & Co. and the Use of Photography in
the Late Nineteenth-Century Art Market.”
Mitteilungen des Kunsthistorischen Institutes in
Florenz
62, no. 1: 69–91.
Chappell and Polk 2011
Chappell, Duncan, and Kenneth Polk. 2011. “Unraveling the
‘Cordata’: Just How Organized is the International Traffic
in Cultural Objects?” In
Crime in the Art and Antiquities World: Illegal
Trafficking in Cultural Property, edited by Stefano Manacorda and Duncan Chappell,
99–113. New York: Springer.
Chippindale and Gill 1993
Chippindale, Christopher, and David W. J. Gill. 1993.
“Material and Intellectual Consequences of Esteem for
Cycladic Figures.”
American Journal of Archaeology 97, no. 4:
601–59.
Chippindale and Gill 2000
Chippindale, Christopher, and David W. J. Gill. 2000.
“Material Consequences of Contemporary Classical
Collecting.” American Journal of Archaeology 104,
no. 3: 463–511.
Chloros, Podany, and Salmon 2018
Chloros, Jessica, Jerry Podany, and Holly Salmon. 2018. “A
Material Biography of the Farnese Sarcophagus: From
Original Manufacture to Modern Conservation.” In
Life, Death and Revelry: The Farnese Sarcophagus,
edited by Christina Nielsen, 100–118. Exhibition
catalogue. Boston and London: Isabella Stewart Gardner
Museum and Paul Holberton.
Choudhury 2020
Choudhury, Najiba. 2020. “Seizures and Liquidation Sales
in the United States during World War II: Tracking the
Fate of Japanese Art Dealership, Yamanaka & Company,
Inc.” Journal for Art Market Studies 4, no. 2.
https://doi.org/10.23690/jams.v4i2.125.
Christie’s 1965
Christie’s. 1965.
Antiquities from the Northwick Park Collection.
June 21, 1965, auction catalogue. London: Christie’s.
Christie’s 1974
Christie’s. 1974.
Fine Works of Art and Sculpture. April 30, 1974,
auction catalogue. London: Christie’s.
Christie’s 1977
Christie’s. 1977. Fine Antiquities. July 12,
1977, auction catalogue. London: Christie’s.
Christie’s 1980
Christie’s. 1980.
Greek, Etruscan and South Italian Vases from Castle
Ashby. July 2, 1980, auction catalogue. London: Christie’s.
Christie’s 1997
Christie’s. 1997. Fine Antiquities. May 20, 1998,
auction catalogue. New York, Christie’s.
Christie’s 2000
Christie’s. 2000.
Ancient Greek Vases Formerly in the Private Collection
of Dr. Elie Borowski. June 12, 2000, auction catalogue. New York: Christie’s.
Coates, Victoria C. Gardner, and Jon Seydl, eds. 2007.
Antiquity Recovered: The Legacy of Pompeii and
Herculaneum. Los Angeles: J. Paul Getty Museum.
Cole, Barr, and Campbell 2018
Cole, Sara E., Judith Barr, and Roselyn Campbell. 2018.
“‘A Man in His Duty’: An Ushabti of Neferibresaneith and a
Case Study in the Dispersal of Egyptian Antiquities.”
GettyResearch Journal 10: 191–206.
Coltman 2009
Coltman, Viccy. 2009.
Classical Sculpture and the Culture of Collecting in
Britain since 1760.
Oxford: Oxford University Press.
Cooke 2020
Cooke, Susan J. 2020. “The Place of Provenance in the
Catalogue Raisonné.” In Tompkins 2020, 117–23.
Cooper 2021
Cooper, Catherine L. 2021. “Biography of a Bull-Leaper: A
‘Minoan’ Ivory Figurine and Collecting Antiquity.” In
New Approaches to Ancient Material Culture in the Greek
and Roman World: 21st Century Methods and Classical
Antiquity, edited by Catherine L. Cooper, 79–100. Leiden: Brill.
Coote 2023
Coote, Jeremy. 2023. “Captain Cook, Mrs. Taylor and a
Mi’kmaw Quillwork Box: An Uncorroborated Inscription, an
Unwarranted Assertion and an Imagined Collection.”
Journal of the History of Collections 35, no. 1:
167–78.
Coulton 1910
Coulton, George Gordon. 1910.
Life in the Middle Ages. Vol. 1. New York and
Cambridge: Macmillan and Cambridge University Press.
Craig 2017
Craig, Kate Melissa. 2017. “Fighting for Sacred Space:
Relic Mobility and Conflict in Tenth–Eleventh-Century
France.” Viator 48, no. 1: 17–37.
Cuno, James. 2008. Who Owns Antiquity? Princeton:
Princeton University Press.
Curran 2006
Curran, Kathleen. 2006.
The Invention of the American Art Museum: From Craft to
Kulturgeschichte, 1870–1930. Los Angeles: Getty Research Institute.
Daehner, Lapatin, and Spinelli 2017
Daehner, Jens M., Kenneth Lapatin, and Ambra Spinelli,
eds. 2017.
Artistry in Bronze: The Greeks and Their Legacy. XIXth
International Congress on Ancient Bronzes.
Los Angeles: J. Paul Getty Museum; Getty Conservation
Institute.
https://www.getty.edu/publications/artistryinbronze/.
D’Alconzo 2002
D’Alconzo, Paola. 2002.
Picturæ excisæ: Conservazione e restauro dei dipinti
ercolanesi e pompeiani tra XVIII e XIX secolo. Studi della Soprintendenza Archeologica di Pompei 8.
Rome: L’Erma di Bretschneider.
Daly 2020
Daly, Karen. 2020. “Provenance Research in Museums: An
Overview.” In MRM6: Museum Registration Methods,
6th ed., edited by John E. Simmons and Toni M. Kiser,
68–81. Lanham, MD: Rowman & Littlefield.
Daniel 1963
Daniel, Glyn. 1963. The Idea of Prehistory.
Cleveland, OH: World Publishing.
Davies 2007
Davies, Glenys. 2007.
The Ash Chests and Other Funerary Reliefs: The Ince
Blundell Collection of Classical Sculpture. Vol. 2. Mainz: Phillip von Zabern.
deCamargo 2012
deCamargo, Luiza. 2012. “Content and Character: Dikran
Kelekian and Eastern Decorative Arts Objects in America.”
MA thesis, Smithsonian Associates and the Corcoran College
of Art and Design.
https://scholarspace.library.gwu.edu/etd/5712m675f.
dell’Arco and Marconi 1997
dell’Arco, Maurizio Fagiolo, and Beatrice Marconi. 1997.
Musa, mecenate, pittrice: Cesarina Gualino e i suoi
amici. Exhibition catalogue. Venice: Marsilio Editori.
Derrick, Stulik, and Landry 1999
Derrick, Michele R., Dusan Stulik, and James M. Landry.
1999.
Infrared Spectroscopy in Conservation Science.
Los Angeles: Getty Conservation Institute.
Descamps-Lequime and Mille 2007
Descamps-Lequime, Sophie, and Benoit Mille, eds. 2007.
“Bronzes grecs et romains: Études récentes sur la
statuaire antique.” Special issue, Technè 45.
Descœudres 1989
Descœudres, Jean-Paul. 1989. “Preface: Australian and New
Zealand Contributions to the Archaeology of the
Mediterranean World—A Preliminary Sketch.”
Mediterranean Archaeology 2: 1–8.
de Staebler and Hrychuk Kontokosta 2020
de Staebler, Peter D., and Anne Hrychuk Kontokosta, eds.
2020. Roman Sculpture in Context. Selected Papers
on Ancient Art and Architecture 6. Boston: Archaeological
Institute of America.
Dunn-Vaturi, Anne. 2021. “Mind the Gap: Researching
Ownership History of Ancient Artifacts during the Nazi
Era.”
Retour: Freier Blog für Provenienzforschende.
April 14.
https://retour.hypotheses.org/1460.
Easton, Donald F. 2002.
Schliemann’s Excavations at Troia, 1870–1873.
Mainz: Phillip von Zabern.
Ebbinghaus 2014
Ebbinghaus, Susanne. 2014.
Ancient Bronzes Through a Modern Lens: Introductory
Essays on the Study of Ancient Mediterranean and Near
Eastern Bronzes at the Harvard Art Museums.
Cambridge, MA: Harvard Art Museums.
Ede 1975
Charles Ede Ltd. 1975.
Greek and Roman Terracotta Sculpture: Greek and Roman
Terracottas III.
Auction catalogue. London: Charles Ede Ltd.
Ede 1976
Ede, Charles. 1976.
Collecting Antiquities: An Introductory Guide.
London: J. M. Dent & Sons.
Edsel and Witter 2009
Edsel, Robert, and Bret Witter. 2009.
The Monuments Men: Allied Heroes, Nazi Thieves, and the
Greatest Treasure Hunt in History. New York: Center Street.
Egginton 2017
Egginton, Heidi. 2017. “In Quest of the Antique: The
Bazaar, Exchange and Mart and the Democratization of
Collecting, 1926–42.” Modern British History 28,
no. 2: 159–85.
Elia 2001
Elia, Ricardo. 2001. “Analysis of the Looting, Selling,
and Collecting of Apulian Red-Figure Vases: A Quantitative
Approach.” In
Trade in Illicit Antiquities: The Destruction of the
World’s Archaeological Heritage, edited by Neil Brodie, Jennifer Doole, and Colin
Renfrew, 145–53. Cambridge: McDonald Institute for
Archaeological Research.
Elston 1990
Elston, Maya. 1990. “Ancient Repairs of Greek Vases in the
J. Paul Getty Museum.”
J. Paul Getty Museum Journal 18: 53–68.
Faber-Castell 1983
Faber-Castell, Christian van. 1983. “Zwischen Ägypten und
Rom: Der Antikenhandel in der Schweiz.”
Die Weltkunst 53, January–March: 554–58.
Falconi Amorelli 1962
Falconi Amorelli, Maria Teresa. 1962. “Urnette etrusche
dalla Collezione Gorga.” Studi Etruschi 30, ser.
2: 321–33.
Fallani, Simon, and Economopoulos 1997
Fallani, Carlo-Maria, Erika Simon, and Harula
Economopoulos. 1997. Dei e uomini. Rome: Fallani.
Fejfer 2003
Fejfer, Jane. 2003. “Wiedewelt, Winckelmann, and
Antiquity.” In
The Rediscovery of Antiquity: The Role of the
Artist, edited by Jane Fejfer, Tobias Fischer-Hansen, and
Annette Rathje, 229–34. Acta Hyperborea 10. Copenhagen:
Museum Tusculanum Press.
Fejfer and Southworth 1991
Fejfer, Jane, and Edmund Southworth. 1991.
The Ince Blundell Collection of Classical
Sculpture.
London: HMSO.
Felch and Frammolino 2011
Felch, Jason, and Ralph Frammolino, 2011.
Chasing Aphrodite: The Hunt for Looted Antiquities at
the World’s Richest Museum.
Boston: Houghton Mifflin Harcourt.
Fendt 2012
Fendt, Astrid. 2012.
Archäologie und Restaurierung: Die
Skulpturen-Ergänzungen in der Berliner Antikensammlung
des 19. Jahrhunderts. Berlin: De Gruyter.
Field Museum 1971
Field Museum of Natural History. 1971. “Policy Statement
Concerning Acquisition of Antiquities.” Curator:The Museum Journal 14: 232–35.
Fifth Avenue Art Galleries 1905
Fifth Avenue Art Galleries. 1905.
Greek Art: Fine Iridescent Glass, Greek Vases, Bronzes,
Marbles, Terra-cotta Figurines and Groups, Rings,
Necklaces, Scarf Pins, Beads, Scarabs, Coins, and Other
Antiquities: The Collection of Azeez Khayat. November 30–December 2. Auction catalogue. New York:
Fifth Avenue Art Galleries.
Fontan, Elisabeth. 2014. “Ivories of Arslan Tash.” In
Assyria to Iberia: At the Dawn of the Classical
Age,
exhibition catalogue, edited by Joan Aruz, Sarah B. Graff,
and Yelena Rakic, 152–56. New York: Metropolitan Museum of
Art.
Force 2019
Force, Christel H. 2019. “Intellectual Property and
Ownership History.” In Milosch and Pearce 2019, 17–36.
Franks and Gambier Howe 1904
Franks, Augustus Wollaston, and E. R. J. Gambier Howe.
1904.
Catalogue of British and American Book Plates
Bequeathed to the Trustees of the British Museum by Sir
Augustus Wollaston Franks. Vol. 2. London: William Clowes and Sons.
Frederiksen and Marchand 2010
Frederiksen, Rune, and Eckart Marchand, eds. 2010.
Plaster Casts: Making, Collecting, and Displaying from
Classical Antiquity to the Present. Transformationen der Antike 18. Berlin: De Gruyter.
Fröhner 1885
Fröhner, Wilhelm. 1885.
Collection J. Gréau: Catalogue des bronzes antiques et
des objets d’art du moyen âge et de la Renaissance.
Strasbourg: G. Fischbach.
Furlotti 2019
Furlotti, Barbara. 2019.
Antiquities in Motion: From Excavation Sites to
Renaissance Collections. Los Angeles: Getty Research Institute.
Galanakis, Yannis, and Stella Skaltsa. 2012. “Tomb
Robbers, Art Dealers, and a Dikast’s Pinakion from an
Athenian Grave.” Hesperia 81, no. 4: 619–53.
Galerie Koller 1979
Galerie Koller. 1979.
The Ernest Brummer Collection, Medieval, Renaissance,
and Baroque Art: Auction Sale from the 16th to 19th
October 1979 at the Grand Hotel Dolder.
Zurich: Galerie Koller and Spink & Son.
Gallery Mikazuki 1996
Gallery Mikazuki. 1996.
Exhibition of Ancient Near-East, Mediterranean Art and
Archaeology. Exhibition catalogue. Tokyo: Mikazuki.
Getz-Gentle, Pat. 2008. “The Keros Hoard Revisited.”
American Journal of Archaeology 112, no. 2:
299–305.
Gill 2019
Gill, David W. J. 2019. “Context Matters: Nicolas
Koutoulakis, the Antiquities Market and Due Diligence.”
Journal of Art Crime 22: 71–78.
Gill and Tsirogiannis 2016
Gill, David, and Christos Tsirogiannis. 2016. “Polaroids
from the Medici Dossier: Continued Sightings on the
Market.” In
Art Crime: Terrorists, Tomb Raiders, Forgers and
Thieves, edited by Noah Charney, 229–39. New York: Palgrave
Macmillan.
Godart, Louis, and Stefano de Caro. 2007.
Nostoi: Capolavori ritrovati. Rome: Segretariato
Generale della Presidenza della Repubblica.
Gosden and Marshall 1999
Gosden, Chris, and Yvonne Marshall. “The Cultural
Biography of Objects.” World Archaeology 31, no.
2: 169–78.
Graepler and Ruppel 2019
Graepler, Daniel, and Jorun Ruppel, eds. 2019.
Weiß wie Gips? Die Behandlung der Oberflächen von
Gipsabgüssen. Wissenschaftliche Fachtagung
Archäologisches Institut und Sammlung der Gipsabgüsse
Göttingen, 13.–15. Oktober 2016. Göttinger Studien zur Mediterranen Kultur 10. Rahden:
Verlag Marie Leidorf.
Grimsted, Patricia Kennedy. 2011–2022. “ERR Archival
Guide: Reconstructing the Record of Nazi Cultural Plunder:
A Guide to the Dispersed Archives of the Einsatzstab
Reichsleiter Rosenberg (ERR) and the Postwar Retrieval of
ERR Loot.”
Cultural Plunder by the Einsatzstab Reichsleiter
Rosenberg.
https://www.errproject.org/guide.php.
Grossman, Podany, and True 2003
Grossman, Janet, Jerry Podany, and Marion True, eds. 2003.
History of Restoration of Ancient Stone Sculptures. Los Angeles: J. Paul Getty Museum.
Hagen and Ryholt 2016
Hagen, Fredrik, and Kim Ryholt. 2016.
The Antiquities Trade in Egypt 1880–1930: The H. O.
Lange Papers.
Copenhagen: Det Kongelige Danske VidenskabernesSelskab.
Halbertsma 2017
Halbertsma, Ruurd, ed. 2017.
The Canino Connections: The History and Restoration of
Ancient Greek Vases from the Excavations of Lucien
Bonaparte, Prince of Canino (1775–1840). Leiden: Sidestone Press.
Hamilton Palace 1882
The Hamilton Palace Collection: Illustrated Priced
Catalogue. 1882. Paris and London: Librairie de L’Art and
Remington.
Hardwick 2021
Hardwick, Tom. 2021. “Things of Thread and Patches.” In
Offerings to Maat: Essays in Honour of Emily Teeter, edited by Caroline M. Rocheleau and Tom Hardwick,
95–105. CIPEG Journal, special issue. Heidelberg:
Propylaeum, Heidelberg University Library.
Harris 1995
Harris, Diane. 1995.
The Treasures of the Parthenon and Erechtheion.
Oxford: Oxford University Press.
Harrods 1939
Harrods Ltd. with Allsop & Co. 1939. Wellcome
Collections, Alford House, Sale no. 21: Greek, Cypriote
and Roman Antiquities. February 28, 1939. London: Harrods
Ltd.
https://wellcomecollection.org/works/j9jyq2jp.
Hartmann et al. 2020
Hartmann, Uwe, Maria Obenaus, Leonhard Weidinger, and
Michaela Scheibe, eds. 2020.
Provenance Research Manual to Identify Cultural
Property Seized Due to Persecution during the National
Socialist Era. Magdeburg: German Lost Art Foundation.
https://kulturgutverluste.de/sites/default/files/2023-06/Manual.pdf.
Head 2004
Head, Thomas. 2004. “The Genesis of the Ordeal of Relics
by Fire in Ottonian Germany: An Alternative Form of
‘Canonization.’” In
Procès de canonization au Moyen Age: Aspects juridiques
et religieux / Medieval Canonization Processes: Legal
and Religious Aspects, edited by Gàbor Klaniczay, 19–37. Rome: École française
de Rome.
Hecht and Norman 2014
Hecht, Robert E., and Geraldine Norman. 2014.
Bob Hecht by Bob Hecht. n.p.
Heneage 2022
Heneage, Thomas. 2022. “Beckford’s Collection of Engraved
Gems: Evidence and Hearsay.” Beckford Journal 22:
20–40.
Hermary and Mertens 2014
Hermary, Antoine, and Joan R. Mertens. 2014.
The Cesnola Collection of Cypriot Art:
Stone Sculpture. New York: Metropolitan Museum of
Art.
Hodos, Tamar. 2015. “Lycia and Classical Archaeology: The
Changing Nature of Archaeology in Turkey.” In
Classical Archaeology in Context: Theory and Practice
in Excavation in the Greek World, edited by Donald Haggis and Carla Antonaccio, 87–118.
Berlin: De Gruyter.
Hoffmann and Cahn 1971
Hoffmann, Herbert, and Herbert Adolph Cahn. 1971.
Collecting Greek Antiquities. New York: C. N.
Potter.
Holod and Ousterhout 2011
Holod, Renata, and Robert Ousterhout, eds. 2011.
Osman Hamdi Bey and the Americans: Archaeology,
Diplomacy, Art.
Exhibition catalogue. Istanbul: Pera Museum Publications.
Hopkins 2021
Hopkins, John North. 2021. “Decapitated: Reassembling and
Reassessing the Lives of Two Sculpted Heads.” In Hopkins,
Costello, and Davis 2021, 45–65.
Hopkins, Costello, and Davis 2021
Hopkins, John North, Sarah Kielt Costello, and Paul Davis,
eds. 2021.
Object Biographies: Collaborative Approaches to Ancient
Mediterranean Art. Houston: Menil Collection.
Hoving 1993
Hoving, Thomas. 1993.
Making the Mummies Dance: Inside the Metropolitan
Museum of Art.
New York: Schuster and Schuster.
Huda 2008
Huda, Shireen. 2008.
Pedigree and Panache: A History of the Art Auction in
Australia. Canberra: ANU Press.
Impey, Oliver, and Arthur MacGregor, eds. 2001.
The Origins of Museums: The Cabinet of Curiosities in
Sixteenth- and Seventeenth-Century Europe. London: House of Stratus.
Ishiguro 1976
Ishiguro, Kojiro. 1976.
The Mr. & Mrs. Ishiguro Collection of Ancient Art,
I. Tokyo: Mikazuki.
Jacoff 1993
Jacoff, Michael. 1993.
The Horses of San Marco and the Quadriga of the
Lord. Princeton: Princeton University Press.
Jadis of London 1985
Jadis of London. 1985. Advertisement. Apollo 121,
no. 276: 52–53.
Jennings, Justin, and Adam Sellen, eds. 2018.
Real Fake: The Story of a Zapotec Urn. Toronto:
Royal Ontario Museum.
Jentoft-Nilsen and Trendall 1991
Jentoft-Nilsen, Marit R., and Arthur Dale Trendall. 1991.
Corpus Vasorum Antiquorum. The J. Paul Getty Museum 4
(USA 27). Malibu: J. Paul Getty Museum.
Joy 2009
Joy, Jody. 2009. “Reinvigorating Object Biography:
Reproducing the Drama of Object Lives.”
World Archaeology 41, no. 4: 540–56.
Joyce 2012
Joyce, Rosemary. 2012. “From Place to Place: Provenience,
Provenance, and Archaeology.” In
Provenance: An Alternative History of Art, edited
by Gail Feigenbaum and Inge Reist, 48–60. Los Angeles:
Getty Publications.
Jumeau-Lafond 2022
Jumeau-Lafond, Jean-David. 2022.
Martine de Béhague: Une esthète à la Belle Époque. Paris: Flammarion.
Kammerer 2004
Kammerer, Craig. 2004. “Reminisces of the Early Days of
Coin Auctions, Auction Catalogues, Numismatic Publications
and the NBS.”
The Asylum: Quarterly Journal of the Numismatic
Bibliomania Society
(Fall): 362–66.
Karagelou 2008
Karagelou, Natasha. 2008.
Steris: Works from the Koutoulakis Collection.
Athens: Mouseio Benakē.
Karrels 2019
Karrels, Nancy. 2019. “Exhibiting Provenance in the
University Museum: A Case Study.” In Milosch and Pearce
2019, 87–100.
Kästner and Saunders 2016
Kästner, Ursula, and David Saunders, eds. 2016.
Dangerous Perfection: Ancient Funerary Vases from
Southern Italy. Los Angeles: J. Paul Getty Museum.
Kaye 2008
Kaye, Brian H. 2008.
Science and the Detective: Selected Readings in
Forensic Science. Weinhein: Wiley-VCH.
Kidd 2017
Kidd, Peter. 2017.
Chamberpot & Motherfuck: The Price Codes of the
Book-Trade by Exhumation, 2nd ed., rev. and enlarged. Narberth, PA: Bruce
McKittrick.
Krosney, Herbert. 2006.
The Lost Gospel: The Quest for the Gospel of Judas
Iscariot. Washington, DC: National Geographic Society.
La Follette 2017
La Follete, Laetitia. 2017. “Looted Antiquities, Art
Museums and Restitution in the United States since 1970.”
Journal of Contemporary History 52, no. 3:
669–87.
Lahusen and Formigli 2007
Lahusen, Götz, and Edilberto Formigli. 2007.
Grossbronzen aus Herculaneum und Pompeji: Statuen und
Büsten von Herrschern und Bürgern. Worms: Wernersche Verlagsgesellschaft.
Langbein, Lettow Lerner, and Smith 2009
Langbein, John H., R. Lettow Lerner, and Bruce P. Smith.
2009.
History of the Common Law: The Development of
Anglo-American Legal Institutions. Austin and New York: Wolters Kluwer and Aspen
Publishers.
Lapatin, Kenneth, and Jens M. Daehner, eds. 2015.
Power and Pathos: Bronze Sculpture of the Hellenistic
World. Exhibition catalogue. Los Angeles: J. Paul Getty
Museum.
Lawrence 2013
Lawrence, Adria K. 2013.
Imperial Rule and the Politics of Nationalism:
Anti-Colonial Protests in the French Empire. Cambridge: Cambridge University Press.
Lee and Gisler 2018
Lee, Mireille M., and Jean-Robert Gisler. 2018. “The Gréau
Caryatid Mirrors: Constructions of Antiquity and
Modernity.” Antike Kunst 61: 54–62.
Leipen et al. 1984
Leipen, Neda, Paul Denis, J. Robert Guy, and Arthur
Trendall. 1984.
Glimpses of Excellence: A Selection of Greek Vases and
Bronzes from the Elie Borowski Collection. Exhibition catalogue. Toronto: Royal Ontario Museum.
Lucas, Paul. 1720.
Voyage du sieur Paul Lucas au Levant. Vol. 1.
Amsterdam: Steenhouwer & Uytwerf.
Lyons 2002
Lyons, Claire L. 2002. “Objects and Identities: Claiming
and Reclaiming the Past.” In
Claiming the Stones / Naming the Bones: Cultural
Property and the Negotiation of National and Ethnic
Identity, edited by Elazar Barkan and Ronald Bush, 116–37. Los
Angeles: Getty Research Institute.
Lyons 2018
Lyons, Claire L. 2018. “Italian Antiquities to American
Museums: Notes on Collecting at the Turn of the Twentieth
Century.” In Carpino et al. 2018, 59–74.
Lyons 2023
Lyons, Claire L. 2023. “A Goddess of the Night, a Roman
Gem, and the Bachstitz Gallery.” In Bald Romano 2023.
MacDonald 2023
MacDonald, Isobel. 2023. “Counting When, Who and How:
Visualizing the British Museum’s History of Acquisition
through Collection Data, 1753–2019.”
Journal of the History of Collections 35, no. 2:
305–20.
MacGregor and Brown 1987
MacGregor, Arthur, and Ann Cynthia Brown. 1987.
Antiquities from Europe and the Near East in the
Collection of the Lord McAlpine of West Green.
Oxford: Ashmolean Museum.
Marlowe, Elizabeth. 2013.
Shaky Ground: Context, Connoisseurship and the History
of Roman Art. Debates in Archaeology. London: Bloomsbury Academic.
Marlowe 2016
Marlowe, Elizabeth. 2016. “What We Talk About When We Talk
About Provenance: A Response to Chippindale and Gill.”
International Journal of Cultural Property 23,
no. 3: 217–36.
Mattusch, Carol C. 2005.
The Villa dei Papiri at Herculaneum: Life and Afterlife
of a Sculpture Collection. Los Angeles: J. Paul Getty Museum.
Matz 1873
Matz, Friedrich. 1873. “Antikensammlungen in England.”
Archäologische Zeitung 31.
May 2010
May, Robert E. 2010. “Culture Wars: The U.S. Art Lobby and
Congressional Tariff Legislation during the Gilded Age and
Progressive Era.”
Journal of the Gilded Age and Progressive Era 9,
no. 1: 37–91.
McAlpine 2022
McAlpine, Lynley. 2022.
Let Us Now Not Boast of Our Worldly Possessions:
Provenance Stories from the San Antonio Museum of
Art. San Antonio: San Antonio Museum of Art.
McClellan 1999
McClellan, Andrew. 1999.
Inventing the Louvre: Art, Politics, and the Origins of
the Modern Museum in Eighteenth-Century Paris. Berkeley: University of California Press.
McNall and D’Antonio 2003
McNall, Bruce, and Michael D’Antonio. 2003.
Fun While It Lasted: My Rise and Fall in the Land of
Fame and Fortune. New York: Hyperion.
McNelis 2008
McNelis, Charles. 2008. “Ut Sculptura Poesis:
Statius, Martial, and the Hercules
Epitrapezios of Novius Vindex.”
American Journal of Philology 129, no. 2: 255–76.
Mellor 2007
Mellor, Stephen. 2007. “From Delicious to Not Quite Right:
Subtleties in Discerning the Authenticity of African Art.”
Objects Specialty Group Postprints 14: 4–31.
Merryman 1969
Merryman, John Henry. 1969.
The Civil Law Tradition. Palo Alto: Stanford
University Press.
Merryman, Elsen, and Urice 2007
Merryman, John Henry, Albert Edward Elsen, and Stephen K.
Urice. 2007. Law, Ethics, and the Visual Arts.
Alphen aan den Rijn, Netherlands: Kluwer Law
International.
Meyer 1973
Meyer, Karl E. 1973. The Plundered Past. London:
Hamish Hamilton.
Michaelis 1875
Michaelis, Adolf Theodor Friedrich. 1875. “Die
Privatsammlungen antiker Bildwerke in England.”
Archaeologische Zeitung 32: 1–70.
Michaelis 1882
Michaelis, Adolf Theodor Friedrich. 1882.
Ancient Marbles in Great Britain. Cambridge:
Cambridge University Press.
Milanese 2014
Milanese, Andrea. 2014.
In partenza dal regno: Esportazioni e commercio d’arte
ed’antichità a Napoli nella prima metà
dell’Ottocento. Florence: Edifir edizioni.
Miles 2008
Miles, Margaret M. 2008.
Art as Plunder: The Ancient Origins of Debate about
Cultural Property.
Cambridge: Cambridge University Press.
Mille and Descamps-Lequime 2017
Mille, Benoit, and Sophie Descamps-Lequime. 2017. “A
Technological Reexamination of the Piombino Apollo.” In
Daehner, Lapatin, and Spinelli 2017, 349–60.
Millon 2016
Millon et Associés. 2016.
Archéologie et Préhistoire. December 13, 2016,
Hotel Drouot, auction catalogue. Paris: Millon.
Milosch and Pearce 2019
Milosch, Jane, and Nick Pearce. 2019.
Collecting and Provenance: A Multidisciplinary
Approach. Lanham, MD: Rowman & Littlefield.
Montanaro 2007
Montanaro, Andrea. 2007.
Ruvo di Puglia e il suo territorio: Le necropoli.
Rome: L’Erma di Bretschneider.
Montfaucon 1724
Montfaucon, Dom Bernard de. 1724.
Supplément au livre de l’antiquité expliquée et
représentée en figures. Vol. 3. Paris: Giffart.
Moore 1971
Moore, Mary B. 1971. “Horses on Black-Figured Greek Vases
of the Archaic Period, ca. 620–480 B.C.” PhD diss., New
York University.
Mooren, Stutje, and van Vree 2022
Mooren, Jana, Klaas Stutje, and Frank van Vree. 2022.
Clues: Research into Provenance History and
Significance of Cultural Objects and Collections
Acquired in Colonial Situations.
Amsterdam: NIOD Institute for War, Holocaust and Genocide
Studies.
https://www.niod.nl/en/publications/clues-PPROCE.
Moskowitz 2018
Moskowitz, Anita F. 2018. “The Photographic Archive of
Stefano Bardini: A Few Case Studies of Its Utility.”
Source: Notes in the History of Art 37, no. 4:
237–45.
Nicholas, Lynn H. 1994. The Rape of Europa:
The Fate of Europe’s Treasures in the Third Reich and
the Second World War. New York: Knopf.
Nicholson 1965
Nicholson, Felicity. 1965.
Greek, Etruscan, and Roman Pottery and Small
Terra-Cottas: A Brief Guide for the Small Collector,
with a Note on Greek Dress. London: Cory, Adams & Mackay.
Nørskov 2002
Nørskov, Vinnie. 2002.
Greek Vases in New Contexts: The Collecting and Trading
of Greek Vases. An Aspect of the Modern Reception of
Antiquity. Aarhus: Aarhus University Press.
Nørskov 2017
Nørskov, Vinnie. 2017. “The Canino Auctions: The
Unidentified Vases.” In Halbertsma 2017, 71–81.
Nørskov 2022
Nørskov, Vinnie. 2022. “The Photographs in John Marshall’s
Archive.” In Petruccioli 2022, 54–70.
Ogbechie 2019
Ogbechie, Sylvester Okwunodu. 2019. “Mathias Komor and the
Market for African Art in New York.” In
Acquiring Cultures: Histories of World Art on Western
Markets, edited by Bénédicte Savoy, Charlotte Guichard, and
Christine Howald, 167–88. Boston: De Gruyter.
Ohl 1931
Ohl, Raymond T. 1931. “The Inscriptions at the American
Academy in Rome.”
Memoirs of the American Academy in Rome 9:
89–133.
O’Keefe 2007
O’Keefe, Patrick J. 2007.
Commentary on the 1970 UNESCO Convention on the Means
of Prohibiting and Preventing Illicit Import, Export and
Transfer of Ownership of Cultural Property. 2nd ed. Powys, Wales: Institute of Art and Law.
Özel 2010
Özel, Sibel. 2010. “Under the Turkish Blanket Legislation:
The Recovery of Cultural Property Removed from Turkey.”
International Journal of Legal Information 38,
no. 2: 177–84.
Özgen and Öztürk 1996
Özgen, Ilknur, and Jean Öztürk. 1996.
Heritage Recovered: The Lydian Treasure.
Istanbul: Ugur Okman for Republic of Turkey, Ministry of
Culture, General Directorate of Monuments and Museums.
Padgett 2017
Padgett, J. Michael, ed. 2017.
The Berlin Painter and His World: Athenian
Vase-Painting in the Early Fifth Century B.C.
Exhibition catalogue. Princeton: Princeton University
Press.
Palma Venetucci 2003
Palma Venetucci, Beatrice. 2003. “Pirro Ligorio and the
Rediscovery of Antiquity.” In
The Rediscovery of Antiquity: The Role of the
Artist, edited by Jane Fejfer, Tobias Fischer-Hansen, and
Annette Rathje, 63–88. Copenhagen: Museum Tusculanum
Press.
Pantazzi 1981
Pantazzi, Michael. 1981.
Echoes from Roman Villas: Pompeian Mural Paintings from
the Collection of Dr. Elie Borowski. Exhibition catalogue. Ottawa: National Gallery of
Canada.
Papamichelakis and Renfrew 2010
Papamichelakis, Giorgos, and Colin Renfrew. 2010. “Hearsay
about the ‘Keros Hoard.’”
American Journal of Archaeology 114, no. 1:
181–85.
Parke-Bernet Galleries 1946
Parke-Bernet Galleries. 1946.
Egyptian, Greek and Roman Antiquities, Ancient Glass,
Gothic and Renaissance Furniture and Works of Art,
Persian and Mesopotamian Pottery, Persian Bronzes and
Miniatures…Together with Property of…an Eastern
Educational Institution. January 31–February 2, 1946, auction catalogue. New
York: Parke-Bernet Galleries.
Parke-Bernet Galleries 1949
Parke-Bernet Galleries. 1949.
The Notable Art Collection Belonging to the Estate of
the Late Joseph Brummer, Part III: Classical and
Medieval Stone Sculptures. June 8, 1949, auction catalogue. New York: Parke-Bernet
Galleries.
Parlasca 1966
Parlasca, Klaus. 1966.
Mumienporträts und verwandte Denkmäler.
Wiesbaden: Steiner.
Parlasca 1969–2003
Parlasca, Klaus. 1969–2003.
Repertorio d’arte dell’Egitto: Greco-Romano serie B,
Ritratti di mummie. 4 vols. Palermo: Officine Tipo-Litografiche I.R.E.S.
Parsons 1962
Parsons, Harold W. 1962. “The Art of Fake Etruscan Art.”
Art News 60, no. 10: 34–37.
Paul 2012
Paul, Carole, ed. 2012.
The First Modern Museums of Art:The Birth of an Institution in 18th- and
Early-19th-Century Europe. Los Angeles: J. Paul Getty Museum.
Pearce 2016
Pearce, Susan. 2016.
The Collector’s Voice: Critical Readings in the
Practice of Collecting. Vol. 3, Modern Voices. Taylor & Francis:
n.p.
Petruccioli, Guido, ed. 2022.
Ancient Art and Its Commerce in Early Twentieth-Century
Europe: The John Marshall Archive. A Collection of
Essays Written by the Participants of the John Marshall
Archive Project. Oxford: Archaeopress.
Platz-Horster, Gertrud. 2005.
L’antica maniera: Zeichnungen und Gemmen des Giovanni
Calandrelli in der Antikensammlung Berlin. Berlin: SMB Dumont.
Pontari 2016
Pontari, Paolo. 2016. “‘Nedum mille qui effluxerunt
annorum gesta sciamus’: L’Italia di Biondo e l’Invenzione’
del Medioevo.” In
A New Sense of the Past: the Scholarship of Biondo
Flavio (1392–1463),
edited by Angelo Mazzocco and Marc Laureys, 151–76.
Leuven: Leuven University Press.
Prisco, Gabriella, ed. 2009.
Filologia dei materiali e trasmissione al futuro:
Indagini eschedatura sui dipinti murali del Museo
Archeologico Nazionale di Napoli. Rome: Gangemi.
Pryor 2024
Pryor, Riah. 2024. “Powerful Privacy Rules Pose a Privacy
Challenge.” The Art Newspaper, December, no. 373:
44.
Puritani, Laura, Martin Maischberger, and Birgit
Sporleder, eds. 2022.
Konstantinopel – Samos – Berlin: Verpfändung,
Fundteilung und heimliche Ausfuhr von Antiken am
Vorabend des Ersten Weltkrieges. Schriften zur Geschichte Der Berliner Museen 7.
Heidelberg: arthistoricum.net.
https://doi.org/10.11588/arthistoricum.1014/.
Reinach, Salomon. 1902.
L’album de Pierre Jacques, sculpteur de Reims, dessiné
à Rome de 1572 à 1577: Reproduit intégralement et
commenté avec une introduction et une traduction des
“Statue” d’Aldroandi. Paris: Ernest Leroux.
Renfrew 1980
Renfrew, Colin. 1980. “The Great Tradition vs. The Great
Divide: Archaeology as Anthropology?”
American Journal of Archaeology 84, no. 3:
287–98.
Rhodes 2007
Rhodes, Robin F., ed. 2007.
The Acquisition and Exhibition of Classical
Antiquities: Professional, Legal, and Ethical
Perspectives.
Notre Dame: University of Notre Dame Press.
Richter 1937
Richter, Gisela M. A. 1937.
Etruscan Terracotta Warriors in the Metropolitan Museum
of Art.
New York: Metropolitan Museum of Art.
Ridgway 1967
Ridgway, Brunilde. 1967. “The Bronze Apollo from Piombino
in the Louvre.” Antike Plastik 7, 43–75 (volume
ed. W. H. Schuchhardt).
Ridgway 1990
Ridgway, Brunilde. 1990. Hellenistic Sculpture I.
Madison: University of Wisconsin Press.
Ridley, Ronald. 1992.
The Eagle and the Spade: Archaeology in Rome during the
Napoleonic Era. Cambridge: Cambridge University Press.
Righter 1989
Righter, Robert W. 1989. “National Monuments to National
Parks: The Use of the Antiquities Act of 1906.”
Western Historical Quarterly 20, no. 3: 281–301.
Rocheleau, Caroline M., ed. 2020.
The Bacchus Conservation Project: The Story of a
Sculpture. Raleigh: North Carolina Museum of Art.
Rose 1960
Rose, Barbara. 1960. “More Art than Money.”
Vogue 136, no. 10: 134–37.
Rose 2007
Rose, C. Brian. 2007. “Talking to the Troops about the
Archaeology of Iraq and Afghanistan.” In Rhodes 2007.
Rose 2008
Rose, C. Brian. 2008. “Forging Identity in the Roman
Republic: Veristic Portraiture and Trojan Ancestry.” In
Role Models in the Roman World: Identity and
Assimilation, edited by Sinclair Bell and Inge Hansen, 97–131. Ann
Arbor: University of Michigan Press.
Rose 2017
Rose, C. Brian. 2017. “Beyond the UNESCO Convention: The
Case of the Troy Gold in the Penn Museum.”
Journal of Eastern Mediterranean Archaeology and
Heritage Studies
5, no. 1: 87–91.
Rossi 2014
Rossi, M. 2014. “Attic Red-Figure Kylix, Signed by
Onesimos and Euphronios.” In
Treasures and Tales of Italy’s Guardia di Finanza.
Exhibition catalogue. Wilmington, DE: DeBooks, 257–59.
Rother, Mariani, and Koss 2024
Rother, Lynn, Fabio Mariani, and Max Koss. 2024.
“Interpreting Strings, Weaving Threads: Structuring
Provenance Data with AI.”
Sammlungsforschung im digitalen Zeitalter: Chancen,
Herausforderungen und Grenzen, edited by Katharina Günther and Stefan Alschner,
93–103. Kulturen des Sammelns. Akteure, Objekte, Medien 5.
Göttingen: Wallstein Verlag.
Rouge-Ducos 2013
Rouge-Ducos, Isabelle. 2013.
Le crieur et le marteau: Histoire des
commissaires-priseurs de Paris (1801–1945).
Paris: Editions Belin.
Sabar 2020
Sabar, Ariel. 2020.
Veritas: A Harvard Professor, a Con Man and the Gospel
of Jesus’s Wife. New York: Anchor Books.
Saint-Raymond 2021
Saint-Raymond, Léa. 2021.
À la conquête du marché de l’art: Le Pari(s) des
enchères (1830–1939). Paris: Classiques Garnier.
Saint-Raymond and Vaudry 2018
Saint-Raymond, Léa, and Élodie Vaudry. 2018. “A New
Eldorado: The French Market for Pre-Columbian Artefacts in
the Interwar Period.” In
Acquiring Cultures: Histories of World Art on Western
Markets,
edited by Charlotte Guichard, Christine Howald, and
Bénédicte Savoy, 101–19. Berlin: De Gruyter.
Salisbury and Sujo 2009
Salisbury, Laney, and Aly Sujo. 2009.
Provenance: How a Con Man and a Forger Rewrote the
History of Modern Art. London: Penguin Press.
Sampson 2020
Sampson, C. Michael. 2020. “Deconstructing the Provenances
of P.Sapph.Obbink.”
Bulletin of the American Society of Papyrologists
57: 143–69.
Sannibale 1994
Sannibale, Maurizio. 1994.
Le urne cinerarie de eta ellenistica. Rome:
L’Erma di Bretschneider.
Saunders, David, Judith Barr, and Nicole Budrovich. “The
Antiquities Provenance Project at the J. Paul Getty
Museum.” In Hopkins, Costello, and Davis 2021, 207–19.
Scalf forthcoming
Scalf, Foy. D. Forthcoming.
The Getty Book of the Dead: Ancient Egyptian
Manuscripts in the Getty Museum. Los Angeles: J. Paul Getty Museum.
Schmidt 1991
Schmidt, Margot. 1991.
Der zerbrochene Krug: Vasenfragmente klassischer Zeit
aus Athen und Grossgriechenland; Sammlung H.A. Cahn:
Ausstellung im Antikenmuseum Basel und Sammlung Ludwig
(13. Juni-31. Oktober 1991). Exhibition catalogue. Basel: Gissler.
Schnapp 1997
Schnapp, Alain. 1997. The Discovery of the Past,
trans. by Ian Kinnes and Gillian Varndell. New York: Harry
N. Abrams.
Scott, David A. 2002. Copper and Bronze in Art: Corrosion, Colorants,
Conservation. Los Angeles: Getty Conservation Institute.
Scott 2016
Scott, David A. 2016.
Art: Authenticity, Restoration, Forgery. Los
Angeles: Cotsen Institute of Archaeology Press.
Scott 2023
Scott, David A. 2023. “Ancient Marbles: Philosophical
Reflections on the Restoration of Sculpture.”
Studies in Conservation 68, no. 4: 388–406.
Segal 2018
Segal, Phoebe. 2018. “‘Said to Be From’: Best Practices
for Using Unscientific Findspot Information.” In Carpino
et al. 2018, 241–52.
Shaya 2005
Shaya, Josephine. 2005. “The Greek Temple as Museum: The
Case of the Legendary Treasure of Athena from Lindos.”
American Journal of Archaeology 109, no. 3:
423–42.
Shaya 2021
Shaya, Josephine. 2021. “Lingering Tropes and Noteworthy
Narratives in Recent Archaeology Exhibitions.”
American Journal of Archaeology 125, no. 4:
639–55.
Silver 2009
Silver, Vernon. 2009.
The Lost Chalice: The Epic Hunt for a Priceless
Masterpiece.
New York: Harper Collins.
Simon 1995
Simon, Erika. 1995. “Giorgio Fallani und das
Martin-von-Wagner-Museum.” Antike Welt 26, no. 5:
404–5.
Smotherman Bennett, Danielle. 2023. “Identifying Old
Collection Marks on Hellenistic and Roman Terracottas
Associated with the Collection of Daniel Marie Fouquet.”
Transfer – Zeitschrift für Provenienzforschung und
Sammlungsgeschichte
2.
https://doi.org/10.48640/tf.2023.1.101806.
Sotheby’s. 1963.
African, Oceanic, American and Indian Art, Egyptian,
Neolithic, Bronze Age, Near Eastern, Greek, Etruscan and
Roman Antiquities. July 22, 1963, auction catalogue. London: Sotheby’s.
Sotheby’s 1964
Sotheby’s. 1964.
The Ernest Brummer Collection of Egyptian and Near
Eastern Antiquities and Works of Art. November 16–17, 1964, auction catalogue. London:
Sotheby’s.
Sotheby’s 1965
Sotheby’s. 1965.
Egyptian, Near Eastern, Greek, Etruscan and Roman
Antiquities, Roman and Syrian Glass and Islamic
Pottery. May 17, 1965, auction catalogue. London: Sotheby’s.
Sotheby’s 2005
Sotheby’s. 2005. Antiquities. June 7, 2005,
auction catalogue. New York: Sotheby’s.
Sotheby’s 2018
Sotheby’s. 2018.
Ancient Sculpture & Works of Art. July 3,
2018, auction catalogue. London: Sotheby’s.
South Kensington Museum 1873
South Kensington Museum, Science and Art Department. 1873.
Catalogue of the Loan Exhibition of Ancient and Modern
Jewellery and Personal Ornaments: MDCCCLXXII. London: John Strangeways.
Sox 1991
Sox, David. 1991.
Bachelors of Art: Edward Perry Warren and the Lewes
House Brotherhood.
London: Fourth Estate.
Spier 1990
Spier, Jeffrey. 1990. “Blinded with Science: The Abuse of
Science in the Detection of False Antiquities.”
Burlington Magazine 132, no. 1050: 623–31.
Spier 2014
Spier, Jeffrey. 2014. “A Cameo from the Medici
Collection.” Antike Kunst 57: 67–77.
Stasi, Laure. 2021.
Martine de Béhague: Comtesse de Béarn (1870–1939): Le
mécène oublié. Paris: Emilewen Editions.
Stein 2015
Stein, Gil. 2015. “The War-Ravaged Cultural Heritage of
Afghanistan: An Overview of Projects of Assessment,
Mitigation, and Preservation.”
Near Eastern Archaeology 789, no. 3: 187–95.
Stevens, J. C. 1917.
A Catalogue of Curiosities Including Egyptian, Roman
and Other Antiquities.
London, March 20, 1917, auction catalogue. London: J. C.
Stevens.
Sund, Judy. 2000. “Beypond the Grave: The
Twentieth-Century Afterlife of West Mexican Burial
Effigies.” The Art Bulletin 82, no. 4: 734–67.
https://doi.org/10.2307/3051420.
Tahan, Lina. 2017. “Trafficked Lebanese Antiquities: Can
They Be Repatriated from European Museums?”
Journal of Eastern Mediterranean Archaeology and
Heritage Studies
5, no. 1: 27–35.
Taylor and Bar-Yosef 2014
Taylor, R. E., and Ofer Bar-Yosef. 2014.
Radiocarbon Dating: An Archaeological Perspective. Walnut Creek, CA: Left Coast Press.
Tolstikov, Vladimir, and Mikhail Treister. 1996.
The Gold of Troy: Searching for Homer’s Fabled City. New York: Ministry of Culture of The Russian
Federation, A. S. Pushkin State Museum of Fine Arts, in
association with H. N. Abrams.
Tremain, Cara G., and Donna Yates, eds. 2019.
The Market for Mesoamerica: Reflections on the Sale of
Pre-Columbian Antiquities. Gainesville: University Press of Florida.
Trigger 2006
Trigger, Bruce. 2006.
A History of Archaeological Thought. Cambridge:
Cambridge University Press.
True 1993
True, Marion. 1993. “The Getty Kouros: Background on the
Problem.” In Kokkou 1993, 11–16.
True 2000
True, Marion. 2000. “Refining Policy to Promote
Partnership.” In
Antichità senza provenienza: Atti delcolloquio international. Suppl. to
Bollettino d’Arte 101–2: 137–46. Rome: Ministero
per i beni culturali e ambientali.
Tsiafakis 2019
Tsiafakis, Despoina. 2019.
Corpus Vasorum Antiquorum, The J. Paul Getty Museum 10
(USA 40): Athenian Red-Figure Column- and
Volute-Kraters. Malibu: J. Paul Getty Museum.
https://www.getty.edu/publications/cva10/.
Tunesi 2014
Tunesi, Annalea. 2014. “Stefano Bardini’s Photographic
Archive: A Visual Historical Document.” PhD diss.,
University of Leeds.
Untermyer, Irwin, and Yvonne Hackenbroch. 1962.
Bronzes, Other Metalwork and Sculpture in the Irwin
Untermyer Collection. New York: Metropolitan Museum of Art.
Urice 2006
Urice, Stephen K. “The Beautiful One Has Come – To Stay.”
In Imperialism, Art and Restitution, edited by
John Henry Merryman, 115–74. Cambridge: Cambridge
University Press.
Vallini 2005
Vallini, N. 2005. “Brescia, in ospedale la ‘fabbrica’ di
vasi antichi.” Corriere della Sera, February 4:
52.
van der Wielen-van Ommeren and de Lachenal
2007–2008
van der Wielen-van Ommeren, Frederike, and Lucilla de
Lachenal, eds. 2007–2008.
La dea di Sibari e il santuario ritrovato: Studi sui
rinvenimenti dal Timpone Motta di Francavilla
Marittima. Vols. 1.1 and 1.2. Rome: Istituto poligrafico e Zecca
dello Stato, Libreria dello Stato.
van Rookhuijzen 2020
van Rookhuijzen, Jan Z. 2020. “The Parthenon Treasury on
the Acropolis of Athens.”
American Journal of Archaeology 124, no. 1: 3–35.
Vermeule 1955a
Vermeule, Cornelius C. 1955. “Classical Collections in
British Country Houses.” Archaeology 8, no. 1:
10–17.
Vermeule 1955b
Vermeule, Cornelius C. 1955. “Notes on a New Edition of
Michaelis: Ancient Marbles in Great Britain.”
American Journal of Archaeology 59, no. 2:
129–50.
Vermeule 1997
Vermeule, Cornelius C. 1997. “Antiquities at the Boston
Museum of Fine Arts.”
Art History Oral Documentation Project, compiled
under the auspices of the Getty Center for the History of
Art and the Humanities. Los Angeles: J. Paul Getty Trust.
https://archive.org/details/antiquitiesatbos00verm.
Vermeule and von Bothmer 1956
Vermeule, Cornelius C., and Dietrich von Bothmer. 1956.
“Notes on a New Edition of Michaelis: Ancient Marbles in
Great Britain, Part Two.”
American Journal of Archaeology 60, no. 4:
321–50.
Vermeule and von Bothmer 1959a
Vermeule, Cornelius C., and Dietrich von Bothmer. 1959.
“Notes on a New Edition of Michaelis: Ancient Marbles in
Great Britain, Part Three: 1.”
American Journal of Archaeology 63, no. 2:
139–66.
Vermeule and von Bothmer 1959b
Vermeule, Cornelius C., and Dietrich von Bothmer. 1959.
“Notes on a New Edition of Michaelis: Ancient Marbles in
Great Britain, Part Three: 2.”
American Journal of Archaeology 63, no. 4:
329–48.
Vikan 2016
Vikan, Gary. 2016.
Sacred and Stolen: Confessions of a Museum Director. New York: Select Books.
von Bothmer 1997
von Bothmer, Dietrich. 1997. “Competition and Community:
Building the Antiquities Collection at the Metropolitan
Museum of Art.”
Art History Oral Documentation Project, compiled
under the auspices of the Getty Center for the History of
Art and the Humanities. Los Angeles: J. Paul Getty Trust.
https://archive.org/details/gri_33125015889328.
von Bothmer and Bean 1969
von Bothmer, Dietrich, and Jacob Bean. 1969.
Greek Vases and Modern Drawings from the Collection of
Mr. and Mrs. Walter Bareiss. Exhibition catalogue. New York: The Metropolitan Museum
of Art.
von Bothmer and Noble 1961
von Bothmer, Dietrich, and Joseph Veach Noble. 1961.
An Inquiry into the Forgery of the Etruscan Terracotta
Warriors in the Metropolitan Museum of Art.
New York: Metropolitan Museum of Art.
von Mering et al. 2024
von Mering, S., E. Stolze, K. Kaiser, and M. Petersen.
2024. “Sharing data, caring for collections: Open data on
collection agents affiliated with the Museum für
Naturkunde Berlin.”
Research Ideas and Outcomes 10: e118851.
https://doi.org/10.3897/rio.10.e118851.
Vout 2018
Vout, Caroline. 2018.
Classical Art: A Life History from Antiquity to the
Present. Princeton: Princeton University Press.
Watson, Peter. 1997. Sotheby’s: The Inside Story.
New York: Random House.
Watson and Todeschini 2007
Watson, Peter, and Cecilia Todeschini. 2007.
The Medici Conspiracy: The Illicit Journey of Looted
Antiquities from Italy’s Tomb Raiders to the World’s
Greatest Museums.
New York: BBS Public Affairs.
Waxman 2008
Waxman, Sharon. 2008.
Loot: The Battle over Stolen Treasures of the Ancient
World. New York: Times Books.
Wechsler 2005
Wechsler, Helen J. 2005. “U.S. Museums and the Nazi-Era
Assets Issue.” In
Vitalizing Memory: International Perspectives on
Provenance Research. Washington, DC: American Association of Museums.
Williams 1996
Williams, Dyfri. 1996. “Dale Trendall: The Eye of an
Eagle.”
Bulletin of the Institute of Classical Studies
41: 9–16.
Winckelmann 1764
Winckelmann, Johann Joachim. 1764.
Geschichte der Kunst des Alterthums. Dresden:
Waltherischen Hof-Buchhandlung.