The Getty Research Institute has just added more than [77,000 high-resolution](http://search.getty.edu/gateway/search?q=&cat=source&f=%22GRI+Digital+Collections%22&highlights=%22Open%20Content%20Images%22&rows=10&srt=a&dir=s&dsp=0&img=0&pg=1) images to the [Open Content Program](https://www.getty.edu/about/opencontent.html) from two of its most often-used collections. The largest part of the new open content release—more than 72,000 photographs—comes from the collection [Foto Arte Minore: Max Hutzel photographs of art and architecture in Italy](http://archives2.getty.edu:8082/xtf/view?docId=ead/86.P.8/86.P.8.xml). Foto Arte Minore represents the life’s work of photographer and scholar Max Hutzel (1911–1988), who photographed the art and architecture of Italy for 30 years. In recent years, the interdisciplinary use of these photographs has exposed their historiographic significance and their unrealized research potential. Yet to this day, the majority of these photographs remain unknown to scholars.\n\nHutzel comprehensively documented lesser-known monuments and churches, photographing exteriors, interiors, and an array of artifacts connected with art historical development in Italy. Because he visited the same sites more than once, his photographs frequently show buildings and objects in various states of preservation. In some cases, Hutzel’s photographs are the only records of structures or objects that have since been demolished, damaged, stolen, or [rebuilt.](http://primo.getty.edu/primo_library/libweb/action/dlDisplay.do?vid=GRI-OCP&afterPDS=true&institution=01GRI&docId=GETTY_OCPFL604707) Also being added to the Open Content Program today are 4,930 images representing [tapestries dating from the late 15th to the late 18th century](http://www.getty.edu/research/tools/digital_collections/tapestries.html) that are in European and American collections. These primarily black and white study photographs—many of which are historic in nature—constitute one of the few comprehensive visual resources for the study of tapestries. In many cases, these photographs are the only documentation of tapestries that have been very little studied, or in other cases, are long lost. Approximately half of the photographs of tapestries came from French and Company, a New York dealer that entered the art market in 1907. The firm soon acquired and photographed the Charles M. Ffoulke collection, which includes tapestries from the Barberini holdings. Another significant source of these historic photographs is the collection of George LeLand Hunter, including images of tapestries that once adorned the Spanish royal palaces and are now part of the Patrimonio Nacional of Spain.