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July 6, 2006 |
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Lectures and Conferences |
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From Drawings and Oil into Print: Rubens' Retouched Drawings and Oil Sketches Preparatory for Prints
Thursday July 6, 2006
7 pm
Museum Lecture Hall, Getty Center
Michiel Plomp, chief curator of art, Teylers Museum, explores how Rubens made prints of his most successful paintings in order to protect his work from rivals, expand his network of patrons, and increase his fame. Plomp's lecture closely follows the translation of the compositions of original altarpieces to smaller prints, elucidating a fascinating aspect of Rubens' ingenuity. Complements the exhibition Rubens and His Printmakers.
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Courses and Demonstrations |
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Artist-at-Work Demonstration
Thursdays and Sundays through July 30, 2006
1 pm
Museum Courtyard, Getty Center
Drop by as artist Jennifer Anderson demonstrates printmaking materials and techniques, with a focus on etching and engraving. Complements the exhibitions Ensor's Graphic Modernism and Rubens and His Printmakers.
1:00–2:00 p.m.—Plate Preparation
2:00–3:00 p.m.—Printing
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Family Activities |
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Family Creation Station
Thursdays - Sundays through September 3, 2006
11 am
Family Room Patio, Getty Center
Join your children in an outdoor, drop-in workshop designed to exercise the imagination. Create your own masterpiece, and don't miss seeing others in the galleries. Offered in English and Spanish.
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Family Art Stops
Tuesdays - Fridays through September 1, 2006
2 pm, 2:30 pm
Museum Galleries, Getty Center
Get up close and personal with a single work of art at this half-hour, hands-on gallery experience geared for families with children ages 5 and up. The 2:30 p.m. session is also offered in Spanish. Sign up at the Museum Information Desk beginning 30-minutes prior to the start of the program.
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Tours and Gallery Talks |
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Architecture Tour
Tuesdays - Thursdays through August 31, 2006
10:15 am, 11 am, 1 pm, 2 pm, 3 pm
Museum Entrance Hall, Getty Center
This is a 45-minute tour of the architecture and Richard Meier's design of the Getty Center. Meet the docent outside at the bench under the sycamore trees near the front entrance of the Museum.
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Collection Highlights Tour
Tuesdays - Thursdays through July 13, 2006
11 am, 1:30 pm
Museum Galleries, Getty Center
This one-hour tour provides an overview of major works from the Museum's collection. Also offered in Spanish at 11:00 a.m. on the weekends. Meet at the Information Desk in the Museum Entrance Hall.
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Garden Tour
Daily through June 30, 2007
11:30 am, 12:30 pm, 2:30 pm, 3:30 pm
Central Garden, Getty Center
This is a 45-minute tour of the Getty gardens, including Robert Irwin's Central Garden. Meet the docent outside at the bench under the sycamore trees near the front entrance of the Museum.
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Focus Tour: Romanticism to Realism
Thursdays through June 28, 2007
3 pm
Museum Galleries, Getty Center
Enjoy a one-hour tour exploring two contradictory movements in art that developed in the 19th century, when new ideas about the psychological nature of visual art and a social awareness stirred the imaginations of artists working in Europe. Meet at the Museum Information Desk.
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Exhibitions |
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Eliot Porter: In the Realm of Nature
Daily through September 17, 2006
West Pavilion, Plaza Level, Getty Center
Eliot Porter (American, 1901–1990) is known for his detailed and exquisite photographs of birds and landscapes. Porter promoted the use of color materials at a time when most serious photographers worked in black-and-white. An artist of uncommon perception, his artistic and technical contributions to bird and landscape photography transformed these genres. This exhibition includes a selection of Porter's early black-and-white landscape photographs, later color landscapes, and bird photographs made over the course of his career.
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Rubens and Brueghel: A Working Friendship
Daily through September 24, 2006
Exhibitions Pavilion, Getty Center
Between about 1598 and 1625, Antwerp's most eminent painters, Peter Paul Rubens and Jan Brueghel the Elder, jointly produced sophisticated, beautiful works that transformed the Flemish tradition of painting. Exploring their long, close friendship and fruitful partnership, this exhibition assembles—for the first time—more than a dozen of their collaborations together with important coproductions made with their Flemish contemporaries. The exhibition draws on the expertise of paintings conservators whose technical examination of the Getty Museum's painting Return from War: Mars Disarmed by Venus, among other works, has unearthed new information regarding this illustrious artistic partnership. Co-organized by the Getty Museum and the Royal Picture Gallery Mauritshuis, The Hague, the exhibition travels to the Mauritshuis after its showing at the Getty.
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Rubens and His Printmakers
Daily through September 24, 2006
East Pavilion, Plaza Level, Getty Center
Peter Paul Rubens employed a small army of artists to make prints after his most successful paintings, drawings, and tapestry designs, thus increasing his fame throughout Europe. This exhibition explores the close working relationship between Rubens and his printmakers, elucidating a fascinating aspect of artistic collaboration. Not satisfied with making mere reproductions of his pictures, Rubens encouraged his artists to modify his compositions, which he also often reworked. In attempting to meet Rubens' strict demands, his printmakers contributed significantly to the development of Western printmaking techniques. The display's key theme of collaboration offers a supporting dialogue to the exhibition Rubens and Brueghel: A Working Friendship.
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A Renaissance Cabinet Rediscovered
Daily through December 28, 2008
South Pavilion, Plaza Level, Getty Center
This exhibition traces the study of one Getty object to determine its date and place of manufacture. The cabinet, acquired in 1971, had since the 1980s been believed to be a pastiche if not an outright fake. However, documentary research and technical analysis undertaken by experts at the Getty revealed that the cabinet, rather than being a compromised object, is one of the most important pieces of French Renaissance furniture in the United States. This case study of the research into the authenticity of the cabinet presents the results of scientific and visual analyses of the object, studies of related materials, archival research, and other evidence. It is a story of how new information, careful research, and evolving analytic processes can alter our understanding of the art of the past.
 Learn more about this exhibition
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Classical Connections: The Enduring Influence of Greek and Roman Art
Daily through December 31, 2006
North Pavilion, Plaza Level, Getty Center
This installation of antiquities demonstrates the relationship of ancient art to later work, showing some of the themes, techniques, and motifs borrowed by later artists—from mythology to decorative design—and the approach to the human figure known today as the classical ideal. This permanent collection installation is on view in the North Pavilion.
Learn more about this exhibition
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The Cult of Saints
Daily through July 16, 2006
North Pavilion, Plaza Level, Getty Center
Devotion to saints was a central component of the spiritual and cultural life of the Middle Ages and Renaissance and a central element in Roman Catholic spiritual practice. That devotion continued into the modern period and still has an impact today. This exhibition offers an overview of the pervasive role of the Cult of the Saints in medieval and Renaissance society through images created in its service.
Learn more about this exhibition
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Ensor's Graphic Modernism
Daily through July 30, 2006
West Pavilion, Upper Level, Getty Center
James Ensor's (Belgian, 1860Ð1949) greatest painting, Christ's Entry into Brussels in 1889 (1888) in the Getty Museum's permanent collection, is united for the first time with a significant body of his related prints. Since the monumental painting cannot travel, the opportunity to situate it in the context of Ensor's achievements and ambitions as a print maker will give the public a deeper understanding of Ensor's multifaceted modernity and his mastery of painting and printmaking with very distinct technical demands.
Learn more about this exhibition
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July 6, 2006 |
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Tickets on the Web for this day are not yet available. Try calling (310) 440-7300.
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Lectures and Conferences |
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Molten Color: Glassmaking in Antiquity
Thursday July 6, 2006
8 pm
Auditorium, Getty Villa
Karol Wight, acting curator of antiquities, the J. Paul Getty Museum at the Getty Villa, and curator of the exhibition Molten Color: Glassmaking in Antiquity, will examine glassmaking techniques developed in antiquity, featuring objects from the recently acquired glass collection of Erwin Oppenländer.
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Tours and Gallery Talks |
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Orientation Tour
Daily through June 30, 2007
10:30 am, 12:30 pm, 2:30 pm
Getty Villa
This 45-minute site tour offers an overview of the Getty Villa, its history, renovation, and new educational mission. Meet at the Tour Meeting Place outside the Museum Main Entrance.
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Spotlight Talk: Victorious Youth
Mondays, Thursdays and Fridays through July 31, 2006
11 am
Museum Galleries, Getty Villa
This 20-minute gallery talk introduces ways of looking at ancient art through an in-depth exploration of one object in the collection. This month the featured object is the Victorious Youth, a Greek bronze sculpture dating from 300-100 B.C. Space is limited. Sign up at the Tour Meeting Place outside the Museum Main Entrance beginning at 10:30 a.m.
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Getty Villa Architecture and Gardens Tour
Daily through June 30, 2007
11:30 am, 1:30 pm, 3:30 pm
Museum, Getty Villa
This 45-minute tour explores the architecture and gardens of the Getty Villa and their historical prototypes. Meet at the Tour Meeting Place outside the Museum Main Entrance.
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Collection Highlights Tour
Mondays, Thursdays and Fridays through June 29, 2007
2 pm
Museum Galleries, Getty Villa
This one-hour tour provides an overview of major works from the Museum's collection. Meet at the Tour Meeting Place outside the Museum Main Entrance.
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Focus Tour: The Cult of Wine
Thursday July 6, 2006
3 pm
Museum Galleries, Getty Villa
Meet Dionysos, god of wine and fertility, in this one-hour tour. Discover the ways in which the ancient Greeks and Romans celebrated and honored this important deity. Space is limited. Sign up at the Tour Meeting Place outside the Museum Main Entrance beginning at 2:30 p.m.
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Exhibitions |
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Molten Color: Glassmaking in Antiquity
Daily through July 24, 2006
Museum, Floor 2, Getty Villa
This exhibition celebrates the acquisition of the Oppenländer collection of ancient glass, and will be among the first exhibitions to mark the opening of the Getty Villa. The Oppenländer collection is remarkable for its high quality and its chronological breadth, covering all periods of ancient glass production. The objects are arranged by their method of manufacture, from casting and core-forming to inflation, and in-gallery videos will illustrate ancient glassmaking techniques.
Learn more about this exhibition
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The Colors of Clay: Special Techniques in Athenian Vases
Daily through September 4, 2006
Museum, Floor 2, Getty Villa
This major loan exhibition at the Getty Villa brings together approximately 100 vases produced in Athens during the Archaic and Classical periods, exemplifying the use of special decorative techniques, a subject never before examined as a whole. It includes extraordinary painted pottery produced with familiar red-figure and black-figure decorations, as well as ceramics made with an array of other, often experimental techniques. These include outline drawing; the use of a lustrous coral-red gloss; polychromy; gilding; and vases made from molds or with molded elements. Displaying a combination of techniques and representing objects of the highest level of skill, inventiveness, and artistry, the exhibition provides visitors with an understanding of the range and variety of Greek vases. The exhibition includes analytical and technical information on the processes used by ancient potters and vase-painters, and is accompanied by a catalogue.
Learn more about this exhibition
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