|
|
 |
 |
|
|
March 27, 2010 |
|
|
|
Performances and Films |
|
|
Saturday Nights at the Getty: Rana Santacruz
Saturday March 27, 2010
7:30 pm
Harold M. Williams Auditorium, Getty Center
Mexican bluegrass meets Irish mariachi in Rana Santacruz's rock and folk inspired music. Featuring cajón, upright bass, accordion, guitar, banjo, jarana, violin and trumpet, Rana starts in Ireland, runs through Appalachia, swings through New Orleans, and careens across Mexico with an eclectic mix of acoustic instrumentation.
 Learn more about Saturday Nights at the Getty
|
|
|
|
Courses and Demonstrations |
|
|
Experiencing the Getty Collection: Food in Art (Part 2)
Saturday March 27, 2010
10:30 am - 12:30 pm
Sketching Gallery, Getty Center
From early court banquets to the daily meals of today, learn about the role of food as represented in art throughout the centuries in this three-part course. Examine decorative arts, paintings, sculpture, and photographs in the Getty's collection with Museum educator Lilit Sadoyan, exploring the symbolism, function, and etiquette of food in art. Course fee $15 per session. Open to 30 participants.
Part 1: Saturday, February 27, 10:30 a.m.–12:30 p.m.: Feasting and Banquets
Part 2: Saturday, March 27, 10:30 a.m.–12:30 p.m.: Metaphorical Meals
Part 3: Saturday, April 24, 10:30 a.m.–12:30 p.m.: Tasteful Pictures
Learn more about gallery courses at the Museum
|
|
|
|
Family Activities |
|
|
Family Art Stops
Weekends through May 23, 2010
2 pm, 2:30 pm
Museum Galleries, Getty Center
Get up close and personal with a single work of art at this half-hour, hands-on gallery experience geared for families with children ages 5 and up. Sign-up begins 30 minutes before the program at the Museum Information Desk.
Special spring break schedule: Tuesdays–Sundays, March 30–April 11, 2:00 and 2:30 p.m.
Learn more about Family Art Stops
|
|
|
|
Tours and Gallery Talks |
|
|
Garden Tour
Daily
11:30 am, 12:30 pm, 2:30 pm, 3:30 pm
Getty Center
This is a 45-minute tour of the Getty gardens, including Robert Irwin's Central Garden. Meet the docent outside at the bench under the sycamore trees near the front entrance of the Museum.
|
|
|
|
|
|
|
¡Bienvenidos al Getty!
Weekends
11 am
Museum Galleries, Getty Center
Disfruten de una breve y divertida introducción al Museo y sus colecciones. Las familias son bienvenidas. Los esperamos en la sala de entrada del Museo bajo la escalera.
|
|
|
|
|
|
|
Masterpiece of the Week Talk
Daily through March 28, 2010
4 pm
Museum Galleries, Getty Center
How would you paint an angel? See how the real and imagined are combined to depict a spiritual figure. This 15-minute gallery talk offers an in-depth look at The Angel Appearing to Elijah by Ferdinand Bol. Meet the educator at the Museum Information Desk.
|
|
|
|
|
|
|
Architecture Tour
Daily
10:15 am, 11 am, 1 pm, 2 pm, 3 pm, 4 pm
Museum Entrance Hall, Getty Center
Discover more about Richard Meier's architecture and the design of the Getty Center site in this 45-minute tour. Meet the docent outside at the bench under the sycamore trees near the front entrance to the Museum.
|
|
|
|
|
|
|
Collection Highlights Tour
Daily
11 am
Museum Galleries, Getty Center
This one-hour tour provides an overview of major works from the Museum's collection. Meet the educator at the Museum Information Desk.
|
|
|
|
|
|
|
Representations of Architecture Tour
Daily through April 25, 2010
1:30 pm
Museum Galleries, Getty Center
Explore architecture in works of art in this one-hour overview centered on selections from the permanent collection and three current exhibitions: A Record of Emotion: The Photographs of Frederick H. Evans; Urban Panoramas: Opie, Liao, Kim; and Building the Medieval World: Architecture in Illuminated Manuscripts. Meet the Museum educator at the Museum Information Desk.
|
|
|
|
|
|
|
Focus Tour: Modern and Contemporary Art
Saturdays through April 25, 2010
3 pm
Museum Galleries, Getty Center
Enjoy a one-hour tour focusing on modern and contemporary works at the Getty Museum by exploring the art and culture of the late 19th, 20th, and 21st centuries. Meet the educator at the Museum Information Desk.
|
|
|
|
Exhibitions |
|
|
La Roldana's Saint Ginés: The Making of a Polychrome Sculpture
Daily
South Pavilion, Plaza Level, Getty Center
Luisa Roldán (Spanish, 1650–1704), affectionately known as La Roldana, was one of the most celebrated and prolific sculptors of the Baroque period. This intimate exhibition introduces visitors to La Roldana, whose artistic superiority catapulted her to fame at the royal court in an otherwise male-dominated profession. She ran a workshop, worked for the king, raised a family, and was a celebrity in her own day. With her polychrome sculpture of Saint Ginés de la Jara from the Getty Museum's collection as a focal point, this exhibition explores the artist's life, artistic achievement, and the multifaceted process used to create masterfully lifelike polychrome sculpture.
 Learn more about this exhibition
|
|
|
|
|
|
|
Foundry to Finish: The Making of a Bronze Sculpture
Daily
North Pavilion, Plaza Level, Getty Center
Get a rare look at how bronze sculpture is born in Foundry to Finish. Visitors explore a process called direct lost-wax casting—a method that yields a single, unique bronze cast of an artist's original clay-and-wax model. Thirteen step-by-step models illustrate the sculpting and casting process. Through X-radiographs, visitors can even get a glimpse inside an original sculpture to see firsthand evidence of how the bronze was cast. The installation complements Cast in Bronze: French Sculpture from Renaissance to Revolution, an international touring exhibition also on view.
Learn more about this exhibition
|
|
|
|
|
|
|
Building the Medieval World: Architecture in Illuminated Manuscripts
Daily through May 16, 2010
North Pavilion, Plaza Level, Getty Center
Among the lasting achievements of the Middle Ages and the Renaissance are the architectural wonders of soaring cathedrals and grand palaces. The daily presence of these towering and monumental architectural forms in both cities and in the countryside fascinated medieval viewers and crept into the fictional world of the painted page. This focused exhibition explores representations of medieval architecture in manuscript illumination. Artists incorporated examples of medieval church and domestic architecture into scenes depicting stories drawn from scripture, literature, and history. They also employed impressive architectural settings to symbolically convey the importance of individuals and events, and they frequently used architectural elements as decorative motifs to frame texts and images.
Learn more about this exhibition
|
|
|
|
|
|
|
A Record of Emotion: The Photographs of Frederick H. Evans
Daily through June 6, 2010
West Pavilion, Terrace Level, Getty Center
Frederick H. Evans (English, 1853–1943) began pursuing photography in the mid-1880s. Focusing on architecture, he paid particular attention to medieval cathedrals in England and France. His images of York Minster and Ely Cathedral are among the most renowned architectural renderings in the history of photography. He attempted to capture what he called "a record of an emotion," by invoking the potent symbolism of these awe-inspiring spaces. These photographs and other cathedral subjects are displayed alongside rarely seen landscapes of the English countryside and intimate portraits of the artist's family and friends, including writer George Bernard Shaw and artist Aubrey Beardsley.
Learn more about this exhibition
|
|
|
|
|
|
|
Urban Panoramas: Opie, Liao, Kim
Daily through June 6, 2010
West Pavilion, Terrace Level, Getty Center
Highlighting images by three contemporary photographers—each of whom implements a panoramic viewpoint to examine a specific urban environment—this exhibition explores the essential rhythms of three cities while showing the range of technologies used by photographic artists today. Catherine Opie (American, born 1961) created inkjet prints from scans of 7x17-inch negatives of the mini-malls that characterize Los Angeles's automobile culture. Jeff Chien-Hsing Liao (Taiwanese, born 1977) digitally combined color film negatives into seamless inkjet prints for his Habitat 7 project, which traces the route of the New York subway from Queens to Manhattan. By layering hand-cut chromogenic prints made in Reykjavik, the capital of Iceland, during the summer solstice, Soo Kim (American, born South Korea, 1969) achieved the three-dimensional effect of a semitransparent city.
Learn more about this exhibition
|
|
|
|
|
|
|
Leonardo da Vinci and the Art of Sculpture: Inspiration and Invention
Daily through June 20, 2010
West Pavilion, Plaza Level, Getty Center
The first display of works by Leonardo da Vinci in Los Angeles in decades, this major international loan exhibition celebrates his achievements and involvement in the art of sculpture. Through original drawings, the exhibition explores his ambitious designs for huge equestrian sculpture projects that were never completed. Important works by artists who inspired Leonardo—and were inspired by him—are also on view. These include Donatello's marble Bearded Prophet and three larger-than-life-size bronze figures by Leonardo's collaborator Giovan Francesco Rustici, all recently restored in Florence and never before seen outside Italy. The exhibition is organized by the High Museum of Art, Atlanta, in association with the J. Paul Getty Museum.
Learn more about this exhibition
|
|
|
|
|
|
|
Migrations of the Mind: Manuscripts from the Lawrence J. Schoenberg Collection
Daily through April 18, 2010
Research Institute Exhibition Gallery, Getty Center
Highlights from this extraordinary collection of illustrated manuscripts on the history of science and ideas—exhibited together publicly for the first time—demonstrate the circulation of knowledge around the world and across cultures during the medieval and early modern periods. Medieval Muslim and Christian medicine, Chinese acupuncture, secret experiments in alchemical laboratories, codebooks for keeping secrets secret, and French and Persian visions of the cosmos that blend science with spirituality are among the treasures on display. These manuscripts were produced for caliphs, popes, merchants, and scientists. Copied and illustrated by hand, their contents—their ideas and visions—illustrate the human urge for knowledge and creative invention.
Learn more about this exhibition
|
|
|
|
|
|
|
 |
|
|
March 27, 2010 |
|
|
|
Courses and Demonstrations |
|
|
Drawing from Antiquity
Saturdays through March 27, 2010
9:30 am
Meeting Rooms, Getty Villa
Join fellow novice and professional artists in Drawing from Antiquity, featuring a different theme every month. Artist Peter Zokosky guides a lesson and critique on the first and fourth Saturdays; participants work independently on remaining Saturdays. Course fee $65.
Learn more about studio courses at the Museum
|
|
|
|
|
|
|
Gem-Handling Sessions
Saturday March 27, 2010
11:30 am - 1:30 pm
Museum, Floor 2, Getty Villa
Ever wonder what it would be like to take a museum object out of its case for a closer look? Drop by the Reading Room to handle replicas of gems on display as well as the materials and tools used by ancient carvers.
|
|
|
|
Family Activities |
|
|
Family Workshop: Creating a Codex
Saturday March 27, 2010
11 am - 1 pm
Education Studio, Getty Villa
Discover the Florentine Codex, a 450-year-old account of Aztec culture, in this family workshop complementing the exhibition The Aztec Pantheon and the Art of Empire. Explore the history of the book and then design your own version! For families with children ages 8–12. At least one adult must register with each family. Space is limited. Free, reservations required.
For reservations, please call (310) 440-7300.
Learn more about Family Workshops
|
|
|
|
|
|
|
Art Odyssey for Families
Weekends
2 pm
Museum Galleries, Getty Villa
This 45-minute journey through the galleries is a fun, activity-filled experience for children (ages 5 and up) and adults to enjoy together. Space is limited. Ofrecida en español. Sign up at the Tour Meeting Place outside the Museum Entrance 15 minutes before the program.
Learn more about Art Odyssey
|
|
|
|
Tours and Gallery Talks |
|
|
Spotlight Talk
Thursdays - Sundays through March 28, 2010
1 pm
Museum Galleries, Getty Villa
Learn how to look at ancient art in this 20-minute gallery talk examining in-depth one work in the collection. The featured object this month is a Sarcophagus Representing a Dionysiac Vintage Festival from about A.D. 290–300. Sign up at the Tour Meeting Place outside the Museum Entrance 15 minutes before the talk.
|
|
|
|
|
|
|
Exhibition Tour: The Aztec Pantheon and the Art of Empire
Fridays and Saturdays through July 3, 2010
3 pm
Museum Galleries, Getty Villa
A special one-hour overview of the exhibition The Aztec Pantheon and the Art of Empire. Sign up at the Tour Meeting Place outside the Museum Entrance 15 minutes before the tour.
|
|
|
|
|
|
|
Orientation Tour
Daily
10:30 am, 12:30 pm, 2:30 pm
Getty Villa
Learn about the Getty Villa's architecture and educational mission in this 40-minute introduction to the site. Meet at the Tour Meeting Place outside the Museum Entrance.
|
|
|
|
|
|
|
Collection Highlights Tour
Weekends
11 am
Museum Galleries, Getty Villa
This one-hour tour provides an overview of major works from the Museum's collection. Space is limited. Sign up at the Tour Meeting Place outside the Museum Entrance 15 minutes before the tour.
|
|
|
|
|
|
|
Architecture and Gardens Tour
Daily
11:30 am, 1:30 pm, 3:30 pm
Museum, Getty Villa
Explore the ancient Roman world through the Museum's architecture and gardens in this 40-minute tour. Meet at the Tour Meeting Place outside the Museum Entrance.
|
|
|
|
Exhibitions |
|
|
The Aztec Pantheon and the Art of Empire
Daily through July 5, 2010
Museum, Floor 2, Getty Villa
Celebrating the bicentennial of Mexican independence, this exhibition reveals a defining moment of cultural encounter. In the sixteenth century, European exploration and colonization in the Americas coincided with the Renaissance rediscovery of classical antiquity, and parallels were routinely drawn between two great empires—the Aztec and the Roman. Masterworks of Aztec sculpture, largely from the collections of the National Museum of Anthropology and the Museo del Templo Mayor in Mexico City, are the point of departure for a comparative approach to the monumental art of empire. This exhibition has been organized by the J. Paul Getty Museum in collaboration with CONACULTA–INAH. Exhibition sponsored by J.P. Morgan.
Learn more about this exhibition
|
|
|
|
|
|
|
Molten Color: Glassmaking in Antiquity
Daily
Museum, Floor 2, Getty Villa
In 2003, the J. Paul Getty Museum acquired a collection of over 350 pieces of ancient glass, formerly owned by Erwin Oppenländer. The works on view in Molten Color are remarkable for their high quality, their chronological breadth, and the glassmaking techniques illustrated by their manufacture. The vessels are accompanied by text and videos illustrating ancient glassmaking techniques.
|
|
|
|
|
|
|
Roman Ephebe from Naples
Daily
Getty Villa
Youth as a Lamp Bearer, a long-term loan from the Museo Archeologico Nazionale in Naples, is on view at the J. Paul Getty Museum at the Getty Villa.
|
|
|
|
|
|
