|
 |
 |
 |
 |
March 18, 2010 |
 |
|
 |
Tours and Gallery Talks |
 |
 |
Garden Tour
Daily
11:30 am, 12:30 pm, 2:30 pm, 3:30 pm
Getty Center
This is a 45-minute tour of the Getty gardens, including Robert Irwin's Central Garden. Meet the docent outside at the bench under the sycamore trees near the front entrance of the Museum.
|
 |
 |
 |
|
 |
 |
Masterpiece of the Week Talk
Daily through March 21, 2010
4 pm
Museum Galleries, Getty Center
Los Angeles—whose community? Examine a community, its identity, and an urban landscape as you traverse this detailed photograph. This 15-minute gallery talk offers an in-depth look at Catherine Opie's Untitled #17, Mini-malls. Meet the educator at the Museum Information Desk.
|
 |
 |
 |
|
 |
 |
Architecture Tour
Daily
10:15 am, 11 am, 1 pm, 2 pm, 3 pm, 4 pm
Museum Entrance Hall, Getty Center
Discover more about Richard Meier's architecture and the design of the Getty Center site in this 45-minute tour. Meet the docent outside at the bench under the sycamore trees near the front entrance to the Museum.
|
 |
 |
 |
|
 |
 |
Collection Highlights Tour
Daily
11 am
Museum Galleries, Getty Center
This one-hour tour provides an overview of major works from the Museum's collection. Meet the educator at the Museum Information Desk.
|
 |
 |
 |
|
 |
 |
Representations of Architecture Tour
Daily through April 25, 2010
1:30 pm
Museum Galleries, Getty Center
Explore architecture in works of art in this one-hour overview centered on selections from the permanent collection and three current exhibitions: A Record of Emotion: The Photographs of Frederick H. Evans; Urban Panoramas: Opie, Liao, Kim; and Building the Medieval World: Architecture in Illuminated Manuscripts. Meet the Museum educator at the Museum Information Desk.
|
 |
 |
 |
|
 |
 |
Curator's Gallery Talk
Thursday March 18, 2010
1:30 pm
Museum Galleries, Getty Center
Alana West, graduate intern of Photographs, the J. Paul Getty Museum, leads a gallery talk on the exhibition A Record of Emotion: The Photographs of Frederick H. Evans. Meet under the stairs in the Museum Entrance Hall.
|
 |
 |
 |
|
 |
 |
Focus Tour: Neoclassical and Romantic Art
Thursdays through April 25, 2010
3 pm
Museum Galleries, Getty Center
Enjoy a one-hour tour focusing on Neoclassicism and Romanticism in the Getty's collection by exploring the art and culture of these related and distinctive movements of the 18th and 19th centuries. Meet the educator at the Museum Information Desk.
|
 |
 |
 |
Exhibitions |
 |
 |
La Roldana's Saint Ginés: The Making of a Polychrome Sculpture
Daily
South Pavilion, Plaza Level, Getty Center
Luisa Roldán (Spanish, 1650–1704), affectionately known as La Roldana, was one of the most celebrated and prolific sculptors of the Baroque period. This intimate exhibition introduces visitors to La Roldana, whose artistic superiority catapulted her to fame at the royal court in an otherwise male-dominated profession. She ran a workshop, worked for the king, raised a family, and was a celebrity in her own day. With her polychrome sculpture of Saint Ginés de la Jara from the Getty Museum's collection as a focal point, this exhibition explores the artist's life, artistic achievement, and the multifaceted process used to create masterfully lifelike polychrome sculpture.
Learn more about this exhibition
|
 |
 |
 |
|
 |
 |
Foundry to Finish: The Making of a Bronze Sculpture
Daily
North Pavilion, Plaza Level, Getty Center
Get a rare look at how bronze sculpture is born in Foundry to Finish. Visitors explore a process called direct lost-wax casting—a method that yields a single, unique bronze cast of an artist's original clay-and-wax model. Thirteen step-by-step models illustrate the sculpting and casting process. Through X-radiographs, visitors can even get a glimpse inside an original sculpture to see firsthand evidence of how the bronze was cast. The installation complements Cast in Bronze: French Sculpture from Renaissance to Revolution, an international touring exhibition also on view.
Learn more about this exhibition
|
 |
 |
 |
|
 |
 |
In Focus: The Worker
Daily through March 21, 2010
West Pavilion, Terrace Level, Getty Center
The invention of photography was announced in 1839, when the Industrial Revolution was transforming patterns of daily life in the Western world. Workers of all types were central to these changes and the camera was used—more than any other artistic medium—to depict them. Drawn exclusively from the Museum's collection, this exhibition brings together more than 40 photographs that demonstrate shifting attitudes towards the worker over much of the 19th and 20th centuries.
Learn more about this exhibition
|
 |
 |
 |
|
 |
 |
Building the Medieval World: Architecture in Illuminated Manuscripts
Daily through May 16, 2010
North Pavilion, Plaza Level, Getty Center
Among the lasting achievements of the Middle Ages and the Renaissance are the architectural wonders of soaring cathedrals and grand palaces. The daily presence of these towering and monumental architectural forms in both cities and in the countryside fascinated medieval viewers and crept into the fictional world of the painted page. This focused exhibition explores representations of medieval architecture in manuscript illumination. Artists incorporated examples of medieval church and domestic architecture into scenes depicting stories drawn from scripture, literature, and history. They also employed impressive architectural settings to symbolically convey the importance of individuals and events, and they frequently used architectural elements as decorative motifs to frame texts and images.
Learn more about this exhibition
|
 |
 |
 |
|
 |
 |
A Record of Emotion: The Photographs of Frederick H. Evans
Daily through June 6, 2010
West Pavilion, Terrace Level, Getty Center
Frederick H. Evans (English, 1853–1943) began pursuing photography in the mid-1880s. Focusing on architecture, he paid particular attention to medieval cathedrals in England and France. His images of York Minster and Ely Cathedral are among the most renowned architectural renderings in the history of photography. He attempted to capture what he called "a record of an emotion," by invoking the potent symbolism of these awe-inspiring spaces. These photographs and other cathedral subjects are displayed alongside rarely seen landscapes of the English countryside and intimate portraits of the artist's family and friends, including writer George Bernard Shaw and artist Aubrey Beardsley.
Learn more about this exhibition
|
 |
 |
 |
|
 |
 |
Urban Panoramas: Opie, Liao, Kim
Daily through June 6, 2010
West Pavilion, Terrace Level, Getty Center
Highlighting images by three contemporary photographers—each of whom implements a panoramic viewpoint to examine a specific urban environment—this exhibition explores the essential rhythms of three cities while showing the range of technologies used by photographic artists today. Catherine Opie (American, born 1961) created inkjet prints from scans of 7x17-inch negatives of the mini-malls that characterize Los Angeles's automobile culture. Jeff Chien-Hsing Liao (Taiwanese, born 1977) digitally combined color film negatives into seamless inkjet prints for his Habitat 7 project, which traces the route of the New York subway from Queens to Manhattan. By layering hand-cut chromogenic prints made in Reykjavik, the capital of Iceland, during the summer solstice, Soo Kim (American, born South Korea, 1969) achieved the three-dimensional effect of a semitransparent city.
Learn more about this exhibition
|
 |
 |
 |
|
 |
 |
Migrations of the Mind: Manuscripts from the Lawrence J. Schoenberg Collection
Daily through April 18, 2010
Research Institute Exhibition Gallery, Getty Center
Highlights from this extraordinary collection of illustrated manuscripts on the history of science and ideas—exhibited together publicly for the first time—demonstrate the circulation of knowledge around the world and across cultures during the medieval and early modern periods. Medieval Muslim and Christian medicine, Chinese acupuncture, secret experiments in alchemical laboratories, codebooks for keeping secrets secret, and French and Persian visions of the cosmos that blend science with spirituality are among the treasures on display. These manuscripts were produced for caliphs, popes, merchants, and scientists. Copied and illustrated by hand, their contents—their ideas and visions—illustrate the human urge for knowledge and creative invention.
Learn more about this exhibition
|
 |
 |
|
 |
|
 |
 |
 |
 |
March 18, 2010 |
 |
 |
 |
Courses and Demonstrations |
 |
 |
Gem-Handling Sessions
Thursdays through July 1, 2010
1:30 pm - 3:30 pm
Museum, Floor 2, Getty Villa
Ever wonder what it would be like to take a museum object out of its case for a closer look? Drop by the Reading Room to handle replicas of gems on display as well as the materials and tools used by ancient carvers.
|
 |
 |
 |
Tours and Gallery Talks |
 |
 |
Spotlight Talk
Thursdays - Sundays through March 28, 2010
1 pm
Museum Galleries, Getty Villa
Learn how to look at ancient art in this 20-minute gallery talk examining in-depth one work in the collection. The featured object this month is a Sarcophagus Representing a Dionysiac Vintage Festival from about A.D. 290–300. Sign up at the Tour Meeting Place outside the Museum Entrance 15 minutes before the talk.
|
 |
 |
 |
|
 |
 |
Orientation Tour
Daily
10:30 am, 12:30 pm, 2:30 pm
Getty Villa
Learn about the Getty Villa's architecture and educational mission in this 40-minute introduction to the site. Meet at the Tour Meeting Place outside the Museum Entrance.
|
 |
 |
 |
|
 |
 |
Architecture and Gardens Tour
Daily
11:30 am, 1:30 pm, 3:30 pm
Museum, Getty Villa
Explore the ancient Roman world through the Museum's architecture and gardens in this 40-minute tour. Meet at the Tour Meeting Place outside the Museum Entrance.
|
 |
 |
 |
|
 |
 |
Collection Highlights Tour
Weekdays
2 pm
Museum Galleries, Getty Villa
This one-hour tour provides an overview of major works from the Museum's collection. Space is limited. Sign up at the Tour Meeting Place outside the Museum Entrance 15 minutes before the tour.
|
 |
 |
 |
|
 |
 |
Focus Tour: Nudity in Antiquity
Thursday March 18, 2010
3 pm
Museum Galleries, Getty Villa
Nude figures are frequently depicted in ancient art. This hour-long tour explores nudity in antiquity and its significance in ancient Greece and Rome. Tour topic subject to change. Sign up at the Tour Meeting Place outside the Museum Entrance 15 minutes before the tour.
|
 |
 |
 |
Exhibitions |
 |
 |
Molten Color: Glassmaking in Antiquity
Daily
Museum, Floor 2, Getty Villa
In 2003, the J. Paul Getty Museum acquired a collection of over 350 pieces of ancient glass, formerly owned by Erwin Oppenländer. The works on view in Molten Color are remarkable for their high quality, their chronological breadth, and the glassmaking techniques illustrated by their manufacture. The vessels are accompanied by text and videos illustrating ancient glassmaking techniques.
|
 |
 |
 |
|
 |
 |
Roman Ephebe from Naples
Daily
Getty Villa
Youth as a Lamp Bearer, a long-term loan from the Museo Archeologico Nazionale in Naples, is on view at the J. Paul Getty Museum at the Getty Villa.
|
 |
 |
|
 |
|