How to Access and Use the Photo Archive


How to Access
 

Exterior of the Municipio Ex Castello Orsini (detail)
The Photo Archive is a non-circulating collection, but holdings are available for on-site research by Stack Readers, Extended Readers, Getty staff, in-residence Getty scholars and fellows, and Getty interns. Initial appointments with a reference librarian are strongly encouraged for all levels of readers.

Approximately 70% of the photographs are on open shelves; the rest of the archive, consisting primarily of intact collections, is stored in the Getty Research Library vaults.

Photographs on the open shelves are divided primarily by historical/chronological period. Within each period, the photographs are arranged by medium. Library of Congress classification numbers have been assigned to each media category. These numbers can be found in advance of your visit through Primo Search.

How to Use

The Archive may be viewed on L3 only. Before viewing the Archive, please sign one of the visitors' registers, which are located on the low counters near the entrance to either side of the Archive.

If you have removed boxes from a shelf, please place them on one of the two carts designated for Photo Archive materials. Carts are located on each side of the Archive.

Replace photographs exactly as you found them in the boxes. There is an internal order that is unique to each box. Handle the photographs with care and avoid touching the image side of the photos.

Do not remove photographs from their plastic sleeves unless there are multiple photographs within the sleeve.
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How to Search the Photo Archive


Photo Archive Database

Rooms of S. Filippo Neri / Hutzel
 
Approximately half the holdings in the Photo Archive are represented by descriptive, nonpictorial records in the Photo Archive Database. This database is available online to all users. Searchable by key word and artist name, the database is particularly useful for patrons conducting iconographic or thematic research as searches can be conducted across periods, styles, and media.

This research database is a work in progress, mostly comprising descriptive records. Images will be added to the database periodically.

Primo Search

A number of unique, intact photograph collections that are of great value to researchers can be found through Primo Search. For more information about these intact collections, please contact the GRI.

Browse Subject Areas


Descriptive records for browsable categories of the Photo Archive and their classification numbers can be found through Primo Search by selecting any of the subjects below.

Ancient Art and Architecture
Greek and Roman art from many museum galleries and displays, including the J. Paul Getty Museum.
Ancient Greek and Roman coins.
Ancient inscriptions, predominantly Greek and Roman; includes Athenian inscriptions.
Organic material, such as plaster casts of bodies from Pompeii, and reconstructions of war paraphernalia and ancient technology.
Ancient sites and monuments from archaic Greece through the late Roman Empire.
Architectural sculpture, primarily from the Greek and Roman periods.
Ancient mosaics, both in situ and removed, from Greece, Italy, Libya, Tunisia, Turkey, and other countries.
Ancient sculpture in the round, primarily from the Greek and Roman periods.
Ancient sculpture in relief, primarily from the Greek and Roman periods.
Ancient portrait sculpture of well-known individuals from the Greek and Roman periods.
Ancient sarcophagi with relief sculptural decoration, primarily from the Greek and Roman periods.
Primarily Italian drawings from the 16th through the 18th centuries.
Painted bathtubs, panels, and tables from Cycladic, Minoan, Egypto-Roman, and Coptic cultures.
Includes Egypto-Roman mummy portraits, cinerary urns, sarcophagi, and stelae.
Ancient wall paintings, both in situ and detached, with an emphasis on the Greek, Etruscan, and Roman periods.
Objects include arms and armor, athletic equipment, furniture, jewelery, lamps, musical instruments, textiles, and vessels.
Includes Attic black- and red-figure vases arranged according to the system established by Sir John Davidson Beazley.
Amyx's archive used for his publication, Corinthian Vase Painting of the Archaic Period.
Primarily Etruscan red-figure vases from the three major groups: Caeretan, Tarquinian, and Faliscan.
Felbermeyer's personal archive includes Greek, Roman, and Etruscan antiquities, and documentation of his work for the Central Collecting Point in Munich after World War II.
Ancient Greek and Roman architecture and sculpture as well as some Byzantine architecture.
From 1865–77, Parker, an English publisher, bookseller, and antiquarian, documented the remains of ancient Rome. (Note that the Photo Archive houses facsimiles; the original photographs reside in Special Collections.)
Paul Arndt, a classical archaeologist and photographer, documented Greek and Roman sculpture from collections across Europe as well as several in the United States.
Medieval Art and Architecture
Medieval architecture, monumental sculpture, wall painting, stained glass, and mosaics in France, Italy, and Spain.
Sarcophagi, statues, crucifixes, and carved fragments from across much of Europe.
Includes altar frontals, antependia, icons, retables, and miscellaneous panels.
Includes French, Italian, and Flemish manuscripts, most of which were produced between the 13th and 16th centuries.
Includes arms and armor; coins and seals; gems and crystal; glass; ivory; metal; textiles; and wood.
French and architectural sculpture assembled by Schaeffer, a French scholar of medieval sculpture and manuscripts.
The largest archive of medieval art in the world documents primarily Christian art from early apostolic times to approximately 1400 A.D. Learn more.
Architecture, sculpture, and painting, ranging from antiquity to late Baroque.
Modern architecture from the Renaissance forward, with most of the collection devoted to Italian architecture.
Baroque architecture in Prague and throughout the Czech Republic.
Colonial architecture in Mexico; includes churches, other religious buildings, and secular structures.
Urban sites of Bologna as well as paintings, sculpture, and medieval manuscripts.
Florentine houses and palaces primarily from the late medieval to Baroque period.
Documents each building along the via Maggio in Florence, from piazza Frescobaldi to piazza San Felice.
Images of Vasari's architecture that correspond to Vasari's own drawings of the buildings.
Modern sculpture from the Renaissance into the 20th century, with most of the collection devoted to Italian sculpture.
Pre-20th-Century Paintings and Drawings
Paintings and drawings by 33 Latin American artists from the 16th through the 18th centuries.
American paintings and drawings by approximately 525 artists from the 18th and 19th centuries.
Paintings and drawings by 11 Canadian artists from the 18th and 19th centuries.
Paintings and drawings by 248 Eastern European artists from the late Middle Ages through the 19th century.
Paintings and drawings by approximately 1,100 English, Scottish, Welsh, and Irish artists from the 14th through the 19th centuries.
Paintings and drawings by approximately 380 Austrian artists from the late Middle Ages through the 19th century.
French paintings and drawings by approximately 3,086 artists from the late Middle Ages through the 19th century.
Paintings and drawings by approximately 1,498 artists from the German School; dates range from the 14th through the 19th centuries.
Italian paintings and drawings from the late Middle Ages through the 19th century; includes old master drawings from the Italian Renaissance through the Baroque periods.
Paintings and drawings by approximately 454 Dutch and Flemish artists from the 14th through the 16th centuries.
Paintings and drawings by approximately 700 Flemish artists from the 17th through the 18th centuries.
Paintings and drawings by approximately 2,500 Dutch artists from the late Middle Ages through the 19th century.
Frescoes in Roman churches painted in the latter half of the 16th century, with an emphasis on artists working under Pope Sixtus V.
Artists from the Dutch and Flemish schools; includes both images and clippings.
Portraits and self-portraits of Dutch and Flemish artists from the 14th through the 17th centuries.
Paintings, drawings, sculptures, and prints by artists born after 1880.
Prints from approximately 2,584 designers and printmakers.
Prints from the British Museum, assembled by Adam von Bartsch for Le Peintre-Graveur (1803–21), the first catalog of European prints.
Decorative Arts, 17th to 19th Centuries
French decorative drawings from the 17th to 19th centuries.
Furnished interiors in the United States and Europe.
Lighting instruments from the 18th and 19th centuries, including candelabras, candlesticks, chandeliers, girandoles, lanterns, torchères, and wall lights.
Architectural interiors from the 15th to 19th centuries, including modern imitations of older European styles.
French furniture from the 17th to 19th centuries, and European and American examples from the late 14th to the early 20th centuries.
Decorative boxes from the 15th through the 19th centuries, with an emphasis on snuff boxes.
French and German ceramics from the 18th and 19th centuries; some Chinese porcelain, Italian, English, Japanese, Dutch, Hungarian, and Russian ceramics.
European glass and crystal objects from the 15th to 20th centuries, with an emphasis on 19th-century production.
Detached panels of European stained glass from the 15th to 18th centuries.
Decorative objects made of bone, coral, ivory, mother of pearl, shell, and tortoiseshell.
Includes desk sets, pen boxes, blotters, seals, and candleholders.
Metal objects, mostly from the 17th to 19th centuries, made of silver gilt, gilt bronze, enamel, wrought iron, pewter, copper, and steel.
European and Asian arms and armor from the 15th to 18th centuries.
French clocks from the 17th to 19th centuries as well as other European clocks.
French pieces from the 17th to 18th centuries; also includes examples from England, Switzerland, and other European countries.
European keyboard, string, and wind instruments from the 17th to early 20th century.
Objects made of marble, alabaster, porphyry, jasper, lapis lazuli, and jade.
Portable desks, tableware services, trunks, and transportation vehicles such as sedan chairs and carriages from the 17th to 19th centuries.
Lacquer objects, including folding screens, furniture, boxes, and vases from the 17th to 19th centuries.
Includes French and English astronomical clocks, barometers, and thermometers from the 17th to 19th centuries.
Panels from the late 15th to the late 18th centuries.
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Reproducing Photographs


Photocopies
 

Standing portrait of Catherine the Great / Unknown
 
As the Research Institute generally does not hold the copyright to the photographs in the Photo Archive, we cannot provide reproductions of our photographs or grant permission to publish except in rare cases. However, for study purposes we do permit photocopying of photographs shelved on the open stacks. A photocopy machine is located on L3. The cost is 10 cents per page for black-and-white copies.

Personal Photography and Scanning
 

The copyright law of the United States (Title 17 U. S. Code) governs the making of photocopies or other reproductions of copyrighted material. Use of patron-owned copying equipment such as digital cameras and scanners is subject to compliance with United States copyright law and any person using his or her own equipment to make copies of copyrighted material is liable for infringement.

Readers are permitted to take digital pictures for study purposes only. Use of a copy stand to take photographs from books or journals is available by advance appointment.

Readers must be sensitive to others conducting research in the area. The Library reserves the right to request that readers cease taking photographs if the use disturbs other library users.

Readers may NOT take pictures of staff members or other readers.
For more information regarding the J. Paul Getty Trust's rights and reproductions policies, consult the Trust's Terms of Use.