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October 2010 |
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Have you visited the Getty Center in the past month? We want your comments! Take our survey to tell us about your visit. |
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E X H I B I T I O N S |
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Current Exhibitions
Explore the Collection
Plan Your Visit
Information: (310) 440-7300
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In Focus: Still Life
Through January 23, 2011
The Getty Center
Our popular In Focus series continues with a look at still life, which has been a key subject in photography since the invention of the medium in the 1830s. Ranging from early daguerreotypes to 21st-century digital prints, this selection from the Getty Museum's collection explores how still lifes can be both conventional and experimental and surveys the ways in which artists have refreshed this traditional genre.
Learn more about this exhibition.
See events related to this exhibition.
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Bowl with Sugar Cubes, André Kertész, 1928. © Estate of André Kertész. Banner image: Lilies (detail), Frederick H. Hollyer, about 1885
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U P C O M I N G E X H I B I T I O N |
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Future Exhibitions
Information: (310) 440-7300
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A R O U N D T H E W O R L D |
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Getty Foundation
Getty Conservation Institute
Getty Research Institute
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The Getty supports arts initiatives around the world through the Getty Foundation, the Getty Conservation Institute, the Getty Research Institute, and the J. Paul Getty Museum. Here are two programs currently underway:
Panel Paintings Initiative
Through leadership and funding, the Getty Foundation is helping to train specialists in the complex skills needed to care for paintings on wood supports, known as panel paintings. Grants are also enabling conservators to stabilize and treat masterpieces of panel painting around the world, including Albrecht Dürer's Adam and Eve in Spain, Hubert and Jan Van Eyck's Ghent Altarpiece in Belgium, and Giorgio Vasari's Last Supper in Italy.
Learn more about the Panel Paintings initiative.
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Adam and Eve, Albrecht Dürer, 1507, was conserved with Getty Foundation support. Image © Museo del Prado (España)
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Getty Scholars Program
In October, two dozen scholars from China, Colombia, England, France, Germany, Italy, Kazakhstan, Sweden, and Switzerland arrive at the Getty to participate in the Getty Research Institute's 2010–2011 "Display of Art" theme year. Over the last 25 years, the Scholars Program has hosted more than 800 individuals from over 40 countries worldwide.
Learn more about the Scholars Program.
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Exposition nationale coloniale, Marseille (detail), D. Dellepiane, 1922. The Getty Research Institute, 970031. Scholars will use the Getty's vast and diverse collection in their research.
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F I L M S E R I E S |
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Performances and Films
Information and Reservations: (310) 440-7300
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Witnesses in Action
Saturday & Sunday, October 2 & 3
The Getty Center
This free documentary film series, complementing the exhibition Engaged Observers: Documentary Photography since the Sixties, continues with three compelling views of war and its effects:
Iraq in Fragments: Oct. 2, 4:00 p.m.
Restrepo: Oct. 2, 7:00 p.m.
War Photographer: Oct. 3, 3:00 p.m.
The series is free; a separate reservation is required for each film.
Learn more and make reservations.
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Kurdish boy, Koretan. © James Longley, 2006. Iraq in Fragments screens Saturday, October 2.
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M U S I C |
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Performances and Films
Information and Reservations: (310) 440-7300
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World Music: Tzvetanka Varimezova, Ivan Varimezov, and Nevenka East European Folk Ensemble
Saturday, October 16, 7:00 p.m.
The Getty Center
Enjoy an evening of Bulgarian music with masters of traditional Slavic instruments and song: vocalist Tzvetanka Varimezova, gaida (bagpipe) player Ivan Varimezov, and the Nevenka East European Folk Ensemble. Free; reservations required.
Learn more and make reservations.
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Tzvetanka Varimezova. Photo: Peter Israel
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World Music: Mani Bolouri
Saturday, October 23, 7:00 p.m.
The Getty Center
Iranian musician Mani Bolouri is a composer and virtuoso player of the kamancheh (spiked fiddle) and gheychak (bowed fiddle). Best known for his work with Liän Ensemble, Bolouri presents a special program featuring traditional and original music drawing on his Armenian and Persian roots. Free; reservations required.
Learn more and make reservations.
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Mani Bolouri with the gheychak. Photo: Robert Pacheco
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Saturday Nights at the Getty
Stew and The Negro Problem
Saturday, October 30, 7:30 p.m.
The Getty Center
The 2010–11 season of Saturday Nights at the Getty kicks off with a unique multimedia concert by Stew, the writer and rock artist behind the musical Passing Strange, with his longtime collaborator Heidi Rodewald and their ensemble, the Negro Problem. Free; reservations required. This event is almost sold out online, but we've set aside a limited number of reservations for e-Getty subscribers. Call (310) 440-7300 and mention keyword "e-Getty" to reserve.
Learn more and make reservations.
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Stew + Heidi. Photo: Jeff Fasano
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L E C T U R E S |
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Lectures and Conferences
Information, Reservations, and Tickets: (310) 440-7300
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Getty Perspectives
A Hidden Inheritance: Objects, Memories, and Collections
Tuesday, October 5, 7:00 p.m.
The Getty Center
Explore the ascent and decline of a Jewish dynasty with curator and ceramicist Edmund de Waal, author of the new book The Hare with Amber Eyes: A Family's Century of Art and Loss. Using examples from his family collections, de Waal examines how we can understand collecting as a family story. Free; reservations required.
Learn more and make reservations.
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Modern Art in Los Angeles
A Conversation with Frederic Tuten and Steve Martin
Tuesday, October 12, 7:00 p.m.
The Getty Center
Novelist Frederic Tuten and actor and author Steve Martin join Andrew Perchuk, deputy director of the Getty Research Institute, for an evening of discussion on fiction and art. Free; reservations required. This event is sold out online, but we've set aside 50 reservations for e-Getty subscribers. Call (310) 440-7300 and mention keyword "e-Getty" to reserve.
Learn more about this event.
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William Randolph Hearst and J. Paul Getty: Collectors of Antiquities
Saturday, October 16, 2010, 2:00 p.m.
The Getty Villa
Years before he became a collector of ancient art, J. Paul Getty visited William Randolph Hearst in San Simeon. Hearst Castle historian Victoria Kastner explores the relationship between these two iconic California collectors and the influence Hearst's antiquities collection may have exerted on Getty's taste. Free; a ticket is required.
Learn more and get tickets.
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This Gallo-Roman mosaic floor with a boxing scene (detail), once owned by William R. Hearst, was purchased by J. Paul Getty in 1971.
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On Quality: The Master's Prototypes versus His Pupils' Variants
Wednesday, October 27, 7:00 p.m.
The Getty Center
Art historian and Rembrandt expert Ernst van de Wetering discusses how Rembrandt's students used his works as prototypes, and explains what we can learn from comparing works by master and students. Free; reservations required.
Learn more and get tickets.
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St. Bartholemew (detail), Rembrandt Harmensz. van Rijn, 1661
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Art and Performance in Classical Greece
Saturday, October 30, 2:00 p.m.
The Getty Villa
How is ancient Greek drama depicted in art? Mary Louise Hart, curator of the current exhibition The Art of Ancient Greek Theater, explores vivid depictions of actors and stagecraft both as art and as historical clue. Free; a ticket is required.
Learn more, get tickets, and see other events related to ancient Greek theater.
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Red-figured Neck Amphora showing Orestes slaying Klytaimnestra (detail), Greek, about 340 B.C. The J. Paul Getty Museum, gift of Stanley Silverman
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C O U R S E S |
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Courses and Demonstrations
Information and Tickets: (310) 440-7300
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Artists and Performance in Athens and Magna Graecia
Thursdays, October 14, 21, and 28, 1:00–4:00 p.m.
The Getty Villa
Join Mary Louise Hart, curator of the exhibition The Art of Ancient Greek Theater, for this three-week course examining the fascinating relationship between the visual and performing arts in ancient Greece. Focused visits to the exhibition are included in each session. Course fee $90. Open to 40 participants.
Learn more and get tickets.
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Incense Burner in the Shape of an Actor as a Slave on an Altar (detail), Roman, A.D. 1–50
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Drawing from the Old Masters: Drapery, the Art of Hiding and Revealing
Wednesday, October 20, 1:00–4:00 p.m.
The Getty Center
How did Old Masters depict realistic and compelling fabric falling across the human form? Explore the ins and outs of drapery with artist and educator Zhenya Gershman in this course that combines a gallery visit with guided sketching exercises in the Museum Studio. Course fee $35 (includes materials). Open to 25 participants.
Learn more and get tickets.
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Joseph and Potiphar's Wife (detail), Guido Reni, about 1630
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F O R F A M I L I E S |
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Family Programs
Information: (310) 440-7300
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Family Drawing Hour
Saturdays, October 16 and 23, 3:30–4:30 p.m.
The Getty Center
Have fun in the galleries with this free program featuring hands-on sketching for the whole family. Explore flowers, fruit, and more in the still lifes session on October 16. On October 23, join us for "Strike a Pose"!
Free; no reservations required. Sign up at the Museum Information Desk beginning at 3:00 p.m. on the day of the program.
Learn more and see other upcoming sessions.
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Have fun as a family with this hands-on art program.
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www.getty.edu |
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CONTACT US
General inquiries: visitorservices@getty.edu
Press inquiries: communications@getty.edu or visit our Press Room
e-Getty feedback: egetty@getty.edu
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THE GETTY CENTER
1200 Getty Center Drive
Los Angeles, CA 90049
(310) 440-7300
HOURS: Tues–Fri and Sun: 10 a.m.–5:30 p.m.
Sat: 10 a.m.–9 p.m., Closed Mondays
Admission to the Getty Center is FREE. Parking is $15, but FREE after 5:00 p.m. for Saturday evening hours and for evening events.
Plan your visit
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THE GETTY VILLA
17985 Pacific Coast Highway
Pacific Palisades, CA 90272
(310) 440-7300
HOURS: Weds–Mon: 10 a.m.–5 p.m., Closed Tuesdays
Admission to the Getty Villa is FREE. A ticket is required. Each general admission ticket allows you to bring up to three children ages 15 and under with you in one car. Parking is $15, but FREE for evening events after 5:00 p.m.
Plan your visit |
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C O P Y R I G H T © 2010 J. Paul Getty Trust | Privacy Policy
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