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New Topographics (<post-1945 fine arts styles and movements>, <international post-1945 styles and movements>, ... Styles and Periods (hierarchy name)) |
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Note: Describes a photographic movement identified in an exhibition organized by William Jenkins at the International Museum of Photography at George Eastman House, Rochester, NY (Dec 1975–Feb 1976). Included were ten photographers: Robert Adams, Lewis Baltz, Bernd Becher and Hilla Becher, Joe Deal, Frank Gohlke, Nicholas Nixon , John Schott, Stephen Shore, and Henry Wessel Jr. Jenkins posited that these photographers observed the American landscape with a clinical objectivity rather than a Romantic or Symbolist sensibility that had marked earlier representations.
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Facet/Hierarchy Code: F.FL |
Hierarchical Position:
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Styles and Periods Facet |
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.... Styles and Periods (hierarchy name) (G) |
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........ <styles, periods, and cultures by region> (G) |
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............ <international post-1945 styles and movements> (G) |
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................ <post-1945 fine arts styles and movements> (G) |
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.................... New Topographics (G,U) |
Additional Notes: |
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| Dutch ..... Beschrijft een beweging in de fotografie die als zodanig is benoemd in een tentoonstelling georganiseerd door William Jenkins bij het International Museum of Photography in het George Eastman House in Rochester (NY) (december 1975 tot februari 1976). Tien fotografen deden mee: Robert Adams, Lewis Baltz, Bernd Becher en Hilla Becher, Joe Deal, Frank Gohlke, Nicholas Nixon, John Schott, Stephen Shore en Henry Wessel Jr. Jenkins stelde dat deze fotografen het Amerikaanse landschap observeerden met een klinische objectiviteit en niet met de romantische of symbolistische blik die vroegere representaties had gekenmerkt.
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