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pâte-sur-pâte (pottery decorating techniques, pottery techniques, ... Processes and Techniques (hierarchy name)) |
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Note: An expensive and difficult method of decorating porcelain in which designs are painted in successive layers of white porcelain slip applied in slight relief on vessels or plaques of unfired clay and lightly carved with metal instruments before first firing to achieve a cameo-like effect. The pieces are then glazed and fired again. The technique developed at Sèvres in the mid-19th century; it was most effectively practiced there and at the Minton factory by Marc-Louis-Emmanuel Solon.
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| Terms: |
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| pâte-sur-pâte (preferred,C,U,English-P,D,U,U)
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| pâte-sur-pâte (Spanish,AD,U,U)
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| pâte-sur-pâte (Dutch-P,D,U,U)
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| pâte-sur-pâte (French-P,D,L,U)
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| pâte sur pâte (C,U,English,UF,L,U)
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| pâte sur pâte (Spanish-P,D,U,U)
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| pâte sur pâte (French,UF,U,U)
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| 堆花裝飾 (C,U,Chinese (traditional)-P,D,U)
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| 泥漿堆花飾 (C,U,Chinese (traditional),UF,U)
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| 堆塑 (C,U,Chinese (traditional),UF,U)
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| duī huā zhuāng shì (C,U,Chinese (transliterated Hanyu Pinyin)-P,UF,U)
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| dui hua zhuang shi (C,U,Chinese (transliterated Pinyin without tones)-P,UF,U)
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| tui hua chuang shih (C,U,Chinese (transliterated Wade-Giles)-P,UF,U)
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Facet/Hierarchy Code: K.KT |
Hierarchical Position:
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Activities Facet |
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.... Processes and Techniques (hierarchy name) (G) |
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........ <processes and techniques by specific type> (G) |
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............ <processes and techniques by material> (G) |
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................ pottery techniques (G) |
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.................... pottery decorating techniques (G) |
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........................ pâte-sur-pâte (G) |
Additional Notes: |
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| Chinese (traditional) ..... 一種製作成本及難度皆高的陶器裝飾方法，係將白色陶條以類似淺浮雕的方式層層貼附於尚未燒製的黏土器皿或飾版上，再用金屬工具稍微雕刻後第一次燒製，可達到類似寶石浮雕的效果，接著上釉料並再次燒製。此技法是在西元十九世紀中葉於法國塞夫爾(Sèvres)發明，此地明頓(Minton)瓷廠的馬克-路易-伊曼紐．索倫(Marc-Louis-Emmanuel Solon)師傅尤其擅長此法並曾製作大量堆花裝飾陶器。 |
| Dutch ..... Een dure en vernuftige methode voor het decoreren van porselein. Hierbij worden dessins geschilderd op meerdere lagen witte slip op porselein dat in licht reliëf wordt aangebracht op vaatwerk of plaquettes van ongebakken klei. Voorafgaand aan de eerste bakfase worden de dessins vervolgens licht ingesneden met metalen instrumenten, om een cameo-achtig effect te bereiken. De stukken worden vervolgens geglazuurd en opnieuw gebakken. Deze techniek werd ontwikkeld in Sèvres in het midden van de 19de eeuw en werd daar en in de Minton-fabriek bijzonder succesvol toegepast door Marc-Louis-Emmanuel Solon. |
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Related concepts: |
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| produced by .... |
slipware |
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(pottery (visual works), ceramic ware (visual works), ... Visual and Verbal Communication (hierarchy name)) [300264955] |
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