|
|
 |
 |
|
|
October 14, 2009 |
|
|
|
Tours and Gallery Talks |
|
|
Garden Tour
Daily
11:30 am, 12:30 pm, 2:30 pm, 3:30 pm
Getty Center
This is a 45-minute tour of the Getty gardens, including Robert Irwin's Central Garden. Meet the docent outside at the bench under the sycamore trees near the front entrance of the Museum.
|
|
|
|
|
|
|
Exhibition Tour: Irving Penn: Small Trades
Daily through December 13, 2009
1:30 pm
Museum Galleries, Getty Center
A special one-hour overview of the exhibitions Irving Penn: Small Trades. Meet the gallery teacher at the Museum Information Desk.
|
|
|
|
|
|
|
Masterpiece of the Week Talk
Daily through October 18, 2009
4 pm
Museum Galleries, Getty Center
This 15-minute gallery talk offers an in-depth look at one object. This week the featured work of art is Young Italian Woman at a Table by Paul Cézanne. Meet at the Museum Information Desk.
|
|
|
|
|
|
|
Architecture Tour
Daily
10:15 am, 11 am, 1 pm, 2 pm, 3 pm, 4 pm
Museum Entrance Hall, Getty Center
Getty Center architecture tours are offered daily by docents. Tours last 30-45 minutes. Meet the docent outside at the bench under the sycamore trees near the front entrance of the Museum.
|
|
|
|
|
|
|
Collection Highlights Tour
Daily
11 am
Museum Galleries, Getty Center
This one-hour tour provides an overview of major works from the Museum's collection. Offered in English and Spanish on weekends. Meet at the Museum Information Desk.
|
|
|
|
|
|
|
Focus Tour: Baroque and Rococo Art
Wednesdays
3 pm
Museum Galleries, Getty Center
Enjoy a one-hour tour focusing on the Getty's Baroque and Rococo collections by exploring the art and culture of these related and distinctive historic periods of the 17th- and 18th-centuries. Meet at the Museum Information Desk.
|
|
|
|
Exhibitions |
|
|
Walls of Algiers: Narratives of the City
Daily through October 18, 2009
Research Institute Exhibition Gallery, Getty Center
The city of Algiers, renowned for its white walls cascading to the Mediterranean, historically sheltered a diverse population. During the Ottoman centuries (1529–1830), Algeria had been a semi-independent province of the empire. French rule (1830–1962) transformed Algeria. European norms and the French system of governance were imposed. The land was mapped, its peoples surveyed and classified, and dramatic interventions to urban fabrics enforced a new duality. In Algiers the "Arab" city on the hillside, known as the Casbah, was separated from the "French" or European city that spread out in districts below and around the Casbah. This division endured during the 132 years of French occupation leading to the War of Independence (1954–1962). More than a colonial capital, Algiers served as a testing ground for urban renewal with its walls extending metaphorically across the Mediterranean to take part in the search for modernity. Walls of Algiers: Narratives of the City, examines the city's complex history by considering its places and peoples through diverse 19th- and 20th-century visual sources. The exhibition will trace, for example, an itinerary of the Casbah and the European quarters through vintage postcards, and juxtapose the long-tradition of staged Orientalist representations of "indigenous" people with photojournalist coverage from the Algerian War.
 Learn more about this exhibition
|
|
|
|
|
|
|
La Roldana's Saint Ginés: The Making of a Polychrome Sculpture
Daily
South Pavilion, Plaza Level, Getty Center
Luisa Roldán (Spanish, 1650–1704), affectionately known as La Roldana, was one of the most celebrated and prolific sculptors of the Baroque period. This intimate exhibition introduces visitors to La Roldana, whose artistic superiority catapulted her to fame at the royal court in an otherwise male-dominated profession. She ran a workshop, worked for the king, raised a family, and was a celebrity in her own day. With her polychrome sculpture of Saint Ginés de la Jara from the Getty Museum's collection as a focal point, this exhibition explores the artist's life, artistic achievement, and the multifaceted process used to create masterfully lifelike polychrome sculpture.
Learn more about this exhibition
|
|
|
|
|
|
|
Foundry to Finish: The Making of a Bronze Sculpture
Daily
North Pavilion, Plaza Level, Getty Center
Get a rare look at how bronze sculpture is born in Foundry to Finish. Visitors explore a process called direct lost-wax casting—a method that yields a single, unique bronze cast of an artist's original clay-and-wax model. Thirteen step-by-step models illustrate the sculpting and casting process. Through X-radiographs, visitors can even get a glimpse inside an original sculpture to see firsthand evidence of how the bronze was cast. The installation complements Cast in Bronze: French Sculpture from Renaissance to Revolution, an international touring exhibition also on view.
Learn more about this exhibition
|
|
|
|
|
|
|
In Focus: Making a Scene
Daily through October 18, 2009
West Pavilion, Terrace Level, Getty Center
Photography, despite its association with truth, has been used to create fiction throughout its history. Staged photographs—from casually directed scenes to elaborate tableaux vivants made with props, costumes, and posed actors—embody many styles, techniques, and subjects. Drawing inspiration from art, literature, and cinema, the photographs in this exhibition include early daguerreotypes, bromoil and platinum prints as well as contemporary Polaroids and chromogenic prints. Comprising more than twenty-five photographs from the GettyÕs collection, it features works by Henry Peach Robinson, Julia Margaret Cameron, Man Ray, Ralph Eugene Meatyard, Lucas Samaras, and Eileen Cowin.
Learn more about this exhibition
|
|
|
|
|
|
|
Capturing Nature's Beauty: Three Centuries of French Landscapes
Daily through November 1, 2009
West Pavilion, Plaza Level, Getty Center
Highlighting key moments of the French landscape tradition—from its emergence in the 1600s to its preeminence in the 1800s—this selection of drawings reveals the engrossing tension between the passion for the real and the quest for an ideal. Featuring a wide array of techniques, functions, and styles, the exhibition showcases the work of major exponents of the genre, including Nicolas Poussin, Claude Lorrain, Jean-Honoré Fragonard, Georges Seurat, and Vincent van Gogh.
Learn more about this exhibition
|
|
|
|
|
|
|
Out-of-Bounds: Images in the Margins of Medieval Manuscripts
Daily through November 8, 2009
North Pavilion, Plaza Level, Getty Center
Part of the genius of medieval art lies in its unique ability to combine serious and profound images with playful and witty ones. In illuminated manuscripts, a primary artistic medium of the Middle Ages, scenes in the margins of a page often comment on the paintings illustrating the text in the center. As often as they expand on the narrative, they poke fun at the lofty themes and, more broadly, at human foibles. Out-of-Bounds: Images in the Margins of Medieval Manuscripts explores the margins of medieval books and explains its wealth of subject matter: children playing games, romantic pursuits, men battling fantastic creatures, and composite figures—half-human, half-beast—that wend their ways through the sinuous foliage of the painted borders.
Learn more about this exhibition
|
|
|
|
|
|
|
Irving Penn: Small Trades
Daily through January 10, 2010
West Pavilion, Terrace Level, Getty Center
Working in Paris, London, and New York in the early 1950s, photographer Irving Penn (American, born 1917) created masterful representations of skilled tradespeople dressed in work clothes and carrying the tools of their trade. A neutral backdrop and natural light provided a stage on which his subjects could present themselves with dignity and pride. Penn revisited his Small Trades series over many decades, producing evermore-exacting prints, including platinum enlargements. In 2008 the Getty acquired the most comprehensive group of these images, carefully selected by the photographer—155 gelatin silver prints and 97 platinum prints—which will be exhibited in their entirety for the first time.
Learn more about this exhibition
|
|
|
|
|
|
|
 |
|
|
October 14, 2009 |
|
|
Courses and Demonstrations |
|
|
Bronze Sculpture Workshop
Wednesdays through October 21, 2009
1 pm - 5 pm
Education Studio, Getty Villa
Learn the art of lost wax casting in this three-session workshop complementing the exhibition The Chimaera of Arezzoplore sculpting, moldmaking, casting, and finishing techniques to create a small relief cast in bronze. Sessions take place at the Getty Villa and the Decker Fine Arts Foundry in North Hollywood. Course fee $215; $195 Students (includes materials, foundry tour, and bronze casting fees). Open to 16 participants.
Part 1: Wednesday, October 7, 1–5 p.m., Getty Villa
Part 2: Wednesday, October 14, 1–5 p.m., Decker Studios Fine Arts Foundry
Part 3: Wednesday, October 21, 1–5 p.m., Decker Studios Fine Arts Foundry
|
|
|
|
Tours and Gallery Talks |
|
|
Spotlight Talk: The Chimaera of Arezzo
Wednesdays through October 28, 2009
11:30 am
Museum Galleries, Getty Villa
In this 20-minute discussion, learn about the large-scale bronze masterpiece of Etruscan sculpture featured in this exhibition, which inaugurates a partnership with the National Archaeological Museum in Florence. Space is limited. Sign up at the Tour Meeting Place outside the Museum Entrance 15 minutes before the talk.
|
|
|
|
|
|
|
Spotlight Talk
Wednesdays through October 31, 2009
1 pm
Museum Galleries, Getty Villa
Learn how to look at ancient art in this 20-minute gallery talk examining in depth one work in the collection. The featured object this month is the Romano-Egyptian Mummy of Herakleides from about A.D. 150. Sign up at the Tour Meeting Place outside the Museum Entrance 15 minutes before the talk.
|
|
|
|
|
|
|
Orientation Tour
Daily through December 31, 2009
10:30 am, 12:30 pm, 2:30 pm
Getty Villa
Learn about the Getty Villa's architecture and educational mission in this 40-minute introduction to the site. Meet at the Tour Meeting Place outside the Museum Entrance.
|
|
|
|
|
|
|
Architecture and Gardens Tour
Daily through December 31, 2009
11:30 am, 1:30 pm, 3:30 pm
Museum, Getty Villa
Explore the ancient Roman world through the Museum's architecture and gardens in this 40-minute tour. Meet at the Tour Meeting Place outside the Museum Entrance.
|
|
|
|
|
|
|
Collection Highlights Tour
Weekdays
2 pm
Museum Galleries, Getty Villa
This one-hour tour provides an overview of major works from the Museum's collection. Space is limited. Sign up at the Tour Meeting Place outside the Museum Entrance 15 minutes before the tour.
|
|
|
|
|
|
|
Focus Tour: Religion in Greco-Roman Egypt
Wednesday October 14, 2009
3 pm
Museum Galleries, Getty Villa
In this hour-long tour, explore the religious milieu of Greco-Roman Egypt through objects in the Museum's collection. Tour topic is subject to change. Sign up at the Tour Meeting Place outside the Museum Entrance 15 minutes before the tour.
|
|
|
|
Exhibitions |
|
|
The Chimaera of Arezzo
Daily through February 8, 2010
Museum, Floor 2, Getty Villa
Inaugurating a partnership with the National Archaeological Museum in Florence, this exhibition traces the myth of Bellerophon and the Chimaera over five centuries of classical art. Featured is a masterpiece of Etruscan sculpture known as the Chimaera of Arezzo: a large-scale bronze of the triple-headed, fire-breathing monster that was slain by the virtuous hero. From its ancient dedication to the supreme Etruscan deity in a sanctuary at Arezzo to its Renaissance display in the Medici collection, the Chimaera has endured as an emblem of the triumph of right over might.
Learn more about this exhibition
|
|
|
|
|
|
|
Molten Color: Glassmaking in Antiquity
Daily
Museum, Floor 2, Getty Villa
In 2003, the J. Paul Getty Museum acquired a collection of over 350 pieces of ancient glass, formerly owned by Erwin Oppenländer. The works on view in Molten Color are remarkable for their high quality, their chronological breadth, and the glassmaking techniques illustrated by their manufacture. The vessels are accompanied by text and videos illustrating ancient glassmaking techniques.
|
|
|
|
|
|
|
Roman Ephebe from Naples
Daily
Getty Villa
Youth as a Lamp Bearer, a long-term loan from the Museo Archeologico Nazionale in Naples, is on view at the J. Paul Getty Museum at the Getty Villa.
|
|
|
|
|
|
