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May 19, 2007 |
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Family Activities |
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Family Art Stops
Weekends through May 20, 2007
2 pm, 2:30 pm
Museum Galleries, Getty Center
Get up close and personal with a single work of art at this half-hour, hands-on gallery experience geared for families with children ages 5 and up. The 2:30 p.m. session is also offered in Spanish. Sign up at the Museum Information Desk beginning 30 minutes prior to the start of the program.
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Tours and Gallery Talks |
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Architecture Tour
Fridays and Saturdays through June 30, 2007
10:15 am, 11 am, 1 pm, 2 pm, 3 pm, 4 pm
Museum Entrance Hall, Getty Center
This is a 45-minute tour of the architecture and Richard Meier's design of the Getty Center. Meet the docent outside at the bench under the sycamore trees near the front entrance of the Museum.
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Collection Highlights Tour
Daily through May 25, 2007
11 am
Museum Galleries, Getty Center
This one-hour tour provides an overview of major works from the Museum's collection. Offered in English and Spanish on weekends. Meet at the Museum Information Desk.
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Garden Tour
Daily through June 30, 2007
11:30 am, 12:30 pm, 2:30 pm, 3:30 pm
Central Garden, Getty Center
This is a 45-minute tour of the Getty gardens, including Robert Irwin's Central Garden. Meet the docent outside at the bench under the sycamore trees near the front entrance of the Museum.
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Focus Tour: Looking Toward Modern Art
Saturdays through September 1, 2007
1:30 pm
Museum Galleries, Getty Center
Enjoy a one-hour tour that focuses on the origins of modern art in the late 1800s and explores how artists rejected traditional rules of representation to develop new forms of art. Meet at the Museum Information Desk.
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Oudry's Painted Menagerie Exhibition Tour
Daily through September 2, 2007
3 pm
Exhibitions Pavilion, Getty Center
A special one-hour exhibition overview of Oudry's Painted Menagerie. Meet at the Museum Information Desk.
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Masterpiece of the Week Talk
Daily through May 20, 2007
4 pm
Museum Galleries, Getty Center
This 15-minute gallery talk offers an in-depth look at one object. This week the featured work of art is Octopus by Tim Hawkinson. Meet at the Museum Information Desk.
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Exhibitions |
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A Renaissance Cabinet Rediscovered
Daily through August 5, 2007
South Pavilion, Plaza Level, Getty Center
This exhibition traces the study of one Getty object to determine its date and place of manufacture. The cabinet, acquired in 1971, had since the 1980s been believed to be a pastiche if not an outright fake. However, documentary research and technical analysis undertaken by experts at the Getty revealed that the cabinet, rather than being a compromised object, is one of the most important pieces of French Renaissance furniture in the United States. This case study of the research into the authenticity of the cabinet presents the results of scientific and visual analyses of the object, studies of related materials, archival research, and other evidence. It is a story of how new information, careful research, and evolving analytic processes can alter our understanding of the art of the past.
 Learn more about this exhibition
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Art, Anti-Art, Non-Art: Experimentations in the Public Sphere in Postwar Japan, 1950-1970
Daily through June 3, 2007
Research Institute Exhibition Gallery, Getty Center
At the end of World War II, Japan was left in ruins and in a relative cultural void. Numerous anti-establishment artistic collaboratives emerged during this period, notably Jikken Kōbō/Experimental Workshop, Gutai, Group Ongaku, Tokyo Fluxus, Neo Dada, Hi Red Center, Vivo, Provoke, and Bikyōtō. These collectives eschewed traditional commercial art practice in favor of radical work that provoked its audience conceptually, politically, and socially. In experimenting with new materials and processes of art making and disruption of conventional art forms, the work of these artists reflected the dramatic changes and disjunctive character of everyday life in Japan over the course of two decades following the war. Drawn exclusively from Research Library holdings, the works presented in Art, Anti-Art, Non-Art range from musical scores and photo essays to performance documentation and interactive art kits.
Learn more about this exhibition
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Classical Connections: The Enduring Influence of Greek and Roman Art
Daily through December 31, 2008
North Pavilion, Plaza Level, Getty Center
This installation of antiquities demonstrates the relationship of ancient art to later work, showing some of the themes, techniques, and motifs borrowed by later artists—from mythology to decorative design—and the approach to the human figure known today as the classical ideal. This permanent collection installation is on view in the North Pavilion.
Learn more about this exhibition
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Made for Manufacture: Drawings for Sculpture and the Decorative Arts
Daily through May 20, 2007
East Pavilion, Plaza Level, Getty Center
Many of the greatest draftsmen of the Renaissance and Baroque eras made drawings for sculpture and the decorative arts. This exhibition comprises drawings for objects to be executed in a range of media, including metal, wood, glass, ceramics, and stone. It explores how artists translated two-dimensional designs into three-dimensional objects. Spanning the 1400s to the 1700s, the exhibition includes drawings from the Italian, German, French, Spanish, Netherlandish, and Flemish schools, all from the collection of the Getty Museum and an anonymous lender. It also presents new acquisitions, such as Design for a Quatrefoil (about 1475–90) by an artist in the circle of the Housebook Master and the Design for an Ewer (1629) by Stefano della Bella.
Learn more about this exhibition
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The Old Order and the New: P.H. Emerson and Photography 1885-1895
Daily through July 8, 2007
West Pavilion, Terrace Level, Getty Center
Peter Henry Emerson (British, 1856–1936) photographed the isolated region of East Anglia in England during the late 19th century, a time when traditional life and work along the Norfolk Broads were increasingly threatened by advances in modern technology. This exhibition explores Emerson's passion for recording customs that were unaffected by the Industrial Revolution and places his photographs in the context of paintings and etchings of the period. Organized by the National Museum of Photography, Film, and Television in Bradford, England, the exhibition features more than 150 works of art, including a number of rare photographically illustrated books from the Getty Museum's collection. A new publication discussing Emerson's work accompanies the exhibition.
Learn more about this exhibition
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Oudry's Painted Menagerie
Daily through September 2, 2007
Exhibitions Pavilion, Getty Center
Jean-Baptiste Oudry (French, 1686–1755) was the principal animal painter during the first half of Louis XV's reign. Commissioned to paint a portrait series of the animals in the king's royal menagerie at Versailles, Oudry employed his prodigious talents and illustrative power to produce life-size paintings of a lion, an antelope, a male and a female leopard, and several other exotic animals and fowl. Oudry's Painted Menagerie features twelve paintings, including a life-size portrait of a famous rhinoceros named Clara (the subject of a multiyear project of the Getty Museum's Paintings Conservation Department), and a group of Oudry's drawings. Meissen porcelain, clocks, paintings, prints, and drawings represent the sociocultural phenomenon of exotic animal celebrity in the 18th century. This exhibition has been organized by the J. Paul Getty Museum in association with the Staatliches Museum Schwerin and the Museum of Fine Arts, Houston.
Learn more about this exhibition
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Medieval Beasts
Daily through July 29, 2007
North Pavilion, Plaza Level, Getty Center
This exhibition focuses on the central role of beasts both in medieval art and the medieval conception of the world. Domesticated animals often appear in medieval images of daily life since they provided many basic provisions, such leather and dairy products. Animals could also serve a symbolic function: astronomical constellations, for example, were frequently represented by creatures formed of stars. In addition, there was a great delight in depicting fantastic animals, ranging from noble unicorns to fearsome dragons. The exhibition features manuscripts drawn from the Getty's collection, including the Getty's two popular bestiaries, as well as a lively manuscript of Aesop's fables. Medieval Beasts complements the Premiere Presentation Oudry's Painted Menagerie.
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Sigmar Polke: Photographs, 1968–1972
Daily through May 20, 2007
West Pavilion, Plaza Level, Getty Center
This presentation of 35 photographs by Sigmar Polke (German, b. 1941) includes still life compositions of objects that the artist has found in his studio or excerpted from popular culture, as well as multiple exposures and prints developed in a manner that emulates his predilection to layer unrelated subjects and techniques in his painting. Identified only by the name of the city in which they were made, these photographs demonstrate the range of Polke's early fascination with the photographic medium and his desire to explore its expressive potential. Acquired in 1984, this group of photographs constitutes an important component of the Getty Museum's holdings of work by painters who have turned to the camera.
Learn more about this exhibition
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Zoopsia: New Works by Tim Hawkinson
Daily through September 9, 2007
West Pavilion, Terrace Level, Getty Center
To inaugurate a series of artists' projects at the Getty Museum, internationally recognized Los Angeles-based artist Tim Hawkinson (American, b. 1960) has created four new works for first-time display. Zoopsia offers playful, alternative perspectives on the natural world. Concurrently, Überorgan, described by Hawkinson as a massive, self-playing, walk-in organ of balloons and horns, will be installed in the Museum Entrance Hall for its Los Angeles debut. Previously exhibited in Massachusetts and New York, Überorgan changes with each installation in response to the site. Typically incorporating household and industrial materials, and often mechanized to emit sound, evoke breath, or record the passage of time, Hawkinson's extraordinary art links form, process, and meaning to create unique and provocative viewing experiences.
Learn more about this exhibition
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A Place in the Sun: Photographs of Los Angeles by John Humble
Daily through July 8, 2007
West Pavilion, Terrace Level, Getty Center
John Humble (American, b. 1944) has lived and worked in the Los Angeles area for 30 years. During this time he has created a strong body of photographs inspired by architecture and its surrounding natural environment, often focusing on the incongruities and ironic juxtapositions of the Southern Californian landscape. This two-gallery exhibition features approximately 35 color photographs, many of which were acquired by the Getty Museum in January 2006, with the generous assistance of the Getty Museum Photographs Council, which also underwrote the accompanying publication. Both the exhibition and book celebrate Humble's distinct view of Los Angeles. From the concrete channels of the Los Angeles River to brightly colored commercial buildings, his photographs of the built environment capture that which is instantly recognizable yet very often overlooked.
Learn more about this exhibition
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Radiant Darkness: The Art of Nocturnal Light
Daily through July 22, 2007
North Pavilion, Plaza Level, Getty Center
This exhibition explores the representation of light in darkness by artists from the 15th to the 17th century. In addition to examining the technical means and visual strategies implemented by artists to portray nocturnal light, the exhibition investigates the myriad symbolic, religious, and political implications of the imagery. Radiant Darkness features 21 objects in a variety of media and draws upon the collections of the J. Paul Getty Museum, the Getty Research Institute, the Grunwald Center for Graphic Arts at the Hammer Museum, and the Huntington Art Collections.
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May 19, 2007 |
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Family Activities |
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Art Odyssey for Families
Weekends through June 30, 2008
2 pm
Museum Galleries, Getty Villa
This 45-minute journey through the galleries features a fun, activity-filled visit for children (ages 5 and up) and adults to enjoy together. Space is limited. Sign up at the Tour Meeting Place beginning at 1:45 p.m. Ofrecida igualmente en español.
Learn more about this event
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Tours and Gallery Talks |
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Orientation Tour
Daily through June 30, 2007
10:30 am, 12:30 pm, 2:30 pm
Getty Villa
This 40-minute site tour offers an overview of the Getty Villa, its history, renovation, and new educational mission. Meet at the Tour Meeting Place outside the Museum Main Entrance.
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Collection Highlights Tour
Weekends through June 30, 2007
11 am
Museum Galleries, Getty Villa
This one-hour tour provides an overview of major works from the Museum's collection. Offered in English and Spanish. Space is limited. Sign up at the Tour Meeting Place outside the Museum Main Entrance beginning at 10:45 a.m.
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Getty Villa Architecture and Gardens Tour
Daily through June 30, 2007
11:30 am, 1:30 pm, 3:30 pm
Museum, Getty Villa
This 40-minute tour explores the architecture and gardens of the Getty Villa and their historical prototypes. Meet at the Tour Meeting Place outside the Museum Main Entrance.
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Spotlight Talk: Portrait of a Bearded Man
Weekends through May 27, 2007
1:30 pm
Museum Galleries, Getty Villa
This 20-minute gallery talk introduces ways of looking at ancient art through an in-depth exploration of one object in the collection. This month the featured object is Portrait of a Bearded Man, circa 150-160 B.C. Space is limited. Sign up at the Tour Meeting Place outside the Museum Main Entrance beginning at 1:15 p.m.
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Focus Tour: Entertainment in the Ancient World
Saturday May 19, 2007
3 pm
Museum Galleries, Getty Villa
In this one-hour tour, explore two major sources of entertainment for the ancient Greeks and Romans: the theater and athletic games. Through exploration of objects in the collection, discover cross-cultural trends in theatrical performance and the relationship between the Greek Olympics and Roman athletics. Space is limited. Sign up at the Tour Meeting Place outside the Museum Main Entrance beginning at 2:45 p.m.
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