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February 21, 2006 |
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Courses and Demonstrations |
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Drawing from the Old Masters: Proportion
Tuesday February 21, 2006
1 pm
Museum Studios, Getty Center
Join artist Stas Orlovski in exploring the dynamics and mechanics of proportion. Participants will examine original works of art and participate in guided drawing exercises as they learn classical techniques, such as sighting and triangulation, to more accurately represent key proportional relationships. Course fee $20; open to 25 participants.
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Tours and Gallery Talks |
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Architecture Tour
Daily through March 26, 2006
10:15 am, 11 am, 1 pm, 2 pm, 3 pm
Museum Entrance Hall, Getty Center
This is a 45-minute tour of the architecture and Richard Meier's design of the Getty Center. Meet the docent outside at the bench under the sycamore trees near the front entrance of the Museum.
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Collection Highlights Tour
Daily through March 26, 2006
11 am
Museum Galleries, Getty Center
This one-hour tour provides an overview of major works from the Museum's collection. Offered in English and Spanish on weekends. Meet at the Information Desk in the Museum Entrance Hall.
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Garden Tour
Daily through June 30, 2007
11:30 am, 12:30 pm, 2:30 pm, 3:30 pm
Central Garden, Getty Center
This is a 45-minute tour of the Getty gardens, including Robert Irwin's Central Garden. Meet the docent outside at the bench under the sycamore trees near the front entrance of the Museum.
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Exhibition Tour
Daily through February 26, 2006
1:30 pm
Museum Galleries, Getty Center
A special one-hour exhibition overview of Drawings from Leonardo to Titian: A North Italian Itinerary. Meet at the Information Desk in the Museum Entrance Hall.
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Curator's Gallery Talk
Tuesday February 21, 2006
2:30 pm
Museum Galleries, Getty Center
Sophie Hackett, graduate intern in the Department of Photographs, the J. Paul Getty Museum, leads a gallery talk on the exhibition Robert Adams: Landscapes of Harmony and Dissonance. Meet under the stairs in the Museum Entrance Hall.
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Focus Tour: Baroque Art
Tuesdays through August 29, 2006
3 pm
Museum Galleries, Getty Center
Join a one-hour tour exploring the drama and splendor of Baroque art, made in the 17th and 18th centuries. Meet at the Information Desk in the Museum Entrance Hall.
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Masterpiece of the Week Talk
Daily through February 26, 2006
4 pm
Museum Galleries, Getty Center
This 15-minute gallery talk offers an in-depth look at one object. This week the featured work of art is Bust of Mary Seacole by Henry Weekes. Meet at the Information Desk in the Museum Entrance Hall.
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Current Exhibitions |
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Robert Adams: Landscapes of Harmony and Dissonance
Daily through May 28, 2006
West Pavilion, Plaza Level, Getty Center
Robert Adams (American, born 1937) has photographed the landscape of the American West for more than forty years, particularly in California, Colorado and Oregon. His vision is inspired on the one hand by his joy in its inherent natural beauty and on the other hand by his dismay at its exploitation and degradation. Adams uses photography to express his love for the landscape and to understand how urban and industrial growth have changed it, all the while insisting that beauty in the world has not been entirely eclipsed. He observes with unblinking but tender simplicity the whole geography, including recent development, and asks us through his photographs to consider where we live and how we relate to our environment. This exhibition features about seventy photographs drawn from the Getty Museum's strong holding of more than one hundred prints by Adams, augmented by loans from the artist and other sources.
 Learn more about this exhibition
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Courbet and the Modern Landscape
Daily through May 14, 2006
Exhibitions Pavilion, Getty Center
This exhibition brings together 47 landscape paintings by Gustave Courbet (1819–1877) to focus for the first time on his extraordinary innovation in this genre. Courbet's landscapes of the 1860s forced a break from the tradition of viewing painting as an experience of reading and interpreting to that of witnessing an original, vital performance-in-paint. His landscape planted the seeds of modernist painting and defined artistic issues that would concern the Impressionists, changing the course of painting for the next 100 years. The exhibition has been organized by the J. Paul Getty Museum, the Museum of Fine Arts, Houston, and the Walters Art Museum, and is supported by an indemnity from the Federal Council on the Arts and the Humanities.
Learn more about this exhibition
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The Medieval Bookshelf: From Romance to Astronomy
Daily through April 9, 2006
North Pavilion, Plaza Level, Getty Center
A wide variety of secular books were illuminated throughout the Middle Ages, including law texts, philosophical works, historical chronicles, scientific treatises, and even romances. This exhibition of approximately 21 manuscripts and leaves offers a look at some of the most beautiful medieval secular manuscripts from the Museum's collection.
Learn more about this exhibition
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A Renaissance Cabinet Rediscovered
Daily through December 28, 2008
South Pavilion, Plaza Level, Getty Center
This exhibition traces the study of one Getty object to determine its date and place of manufacture. The cabinet, acquired in 1971, had since the 1980s been believed to be a pastiche if not an outright fake. However, documentary research and technical analysis undertaken by experts at the Getty revealed that the cabinet, rather than being a compromised object, is one of the most important pieces of French Renaissance furniture in the United States. This case study of the research into the authenticity of the cabinet presents the results of scientific and visual analyses of the object, studies of related materials, archival research, and other evidence. It is a story of how new information, careful research, and evolving analytic processes can alter our understanding of the art of the past.
Learn more about this exhibition
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Drawings from Leonardo to Titian: A North Italian Itinerary
Daily through February 26, 2006
East Pavilion, Plaza Level, Getty Center
This exhibition introduces the extraordinary stylistic range and draftsmanship of artists across northern Italy in the sixteenth century, from Leonardo da Vinci in Milan to Titian in Venice. It examines different approaches to drawing and how artists influenced each other. The exhibition presents works from the Getty Museum's collection as an itinerary across northern Italy, focusing on the artistic centers of Lombardy (Milan, Cremona, and Mantua), Emilia-Romagna (Parma and Bologna), and the Veneto (Verona and Venice).
Learn more about this exhibition
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Agitated Images: John Heartfield and German Photomontage, 1920-1938
Daily through June 25, 2006
Research Institute Exhibition Gallery, Getty Center
Drawing exclusively from the special collections of the Research Library at the Getty Research Institute, this exhibition concentrates on the diverse output of art history's most significant photomontage artist, the German originally named Helmut Herzfeld. Focusing on his success at creating a politically engaged visual rhetoric, the exhibition includes examples of German and American periodicals in which John Heartfield published his work, and shows how he transformed a procedure that once lay in the domain of advertising and avant-garde art into a broadly significant mode of mass communication. This exhibition concentrates on the interwar world of publishing in which Heartfield's images appeared, illustrated through examples of original press photographs from the Research Library's Stefan Lorant collection and correspondence such as that between Heartfield's widow and the renowned typographer Jan Tschichold.
Learn more about this exhibition
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Classical Connections: The Enduring Influence of Greek and Roman Art
Daily through December 31, 2006
North Pavilion, Plaza Level, Getty Center
This installation of antiquities demonstrates the relationship of ancient art to later work, showing some of the themes, techniques, and motifs borrowed by later artists—from mythology to decorative design—and the approach to the human figure known today as the classical ideal. This permanent collection installation is on view in the North Pavilion.
Learn more about this exhibition
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February 21, 2006 |
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The Getty Villa is closed to the general public on this date.
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