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Nares, James (English painter and filmmaker, born 1953, active in New York City)
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Note: Born in London, active in New York City since 1974. He was a part of the East Village art scene of the late 1970s and early 1980s, and made several films in this milieu from 1978-1981. He played guitar in the Contortions and percussion in the Del-Byzanteens, two downtown 'No Wave' groups active at this time, and founded CoLab (Collaborative Projects, Inc.). His paintings are abstract, usually large-scale, consisting of lone gestural strokes achieved with brushes the artist fabricates himself. He has also used mechanical means for creating works, including a rotating drum on which he attaches supports for drawings. In 2019 Nares revealed that he is transitioning to a female identity. |
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Nationalities: |
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British (modern) (preferred) |
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English |
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American |
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Roles: |
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artist (preferred) |
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painter |
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filmmaker |
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musician |
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photographer |
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video artist |
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cinematographer |
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Related People or Corporate Bodies: |
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colleague of .... |
Mitchell, Eric |
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(French filmmaker, draftsman, and actor, active late 20th century, in New York City) [500128648] |
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List/Hierarchical Position: |
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Biographies:
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(English painter and filmmaker, born 1953, active in New York City) ..... [VP Preferred]
(American painter, 20th c.) ..... [BHA]
(artist, active 20th century) ..... [GRISC]
(British artist, born 1953) ..... [MoMA]
(American painter, 1953-) ..... [RKD]
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Sources and Contributors: |
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Subject: ........ | [BHA, Gallery Systems, GRISC, MoMA, RKD, VP] |
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Artnet [online] (2003-) accessed 10 November 2005
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BHA, Authority file (1973-)
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Gallery Systems (2000-) LOC ID: no94024338
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Gendron, Between Montmartre and the Mudd Club (2002) 303
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Getty Vocabulary Program rules
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Harald Szeemann papers, Finding Aid, GRI Special Collections (2011-)
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Library of Congress Authorities data (n.d.) LOC ID: no94024338
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Library of Congress Authorities online (2002-) no 94024338; accessed 10 November 2005
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Melrod, Mixed Media, Art & Antiques (1997)
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RKD Artists database (2000-) 489423
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Sischy, On location, Artforum (1985) | | | | | | | | | | |
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