![]() ![]() ![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
Research Home
![]() ![]() ![]() |
![]() |
||||
![]() |
![]() |
||||
![]() |
![]() |
||||
![]() |
![]() |
||||
![]() ![]() ![]() |
![]() |
||||
![]() |
![]() |
||||
![]() |
![]() |
||||
![]() |
![]() |
Source ID: 2000053857 |
Brief Citation: Romero, The Politics of the Camera (2010) |
Full Citation: Romero, Channette, "The Politics of the Camera: Visual Storytelling and Sovereignty in Victor Masayesva's Itam Hakim, Hopiit," Studies in American Indian Literatures, vol. 22, no. 1, 2010, pp. 49-75. |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
|||||
![]() |
|||||
![]() |
![]() ![]() |
![]() |
![]() |
![]() |
|||||
|
![]() |