The Adoration of the Magi (detail), from a book of hours (text in Latin), Provence, France, about 1480–90, Georges Trubert. The J. Paul Getty Museum The Adoration of the Magi (detail), from a book of hours (text in Latin), Provence, France, about 1480–90, Georges Trubert. The J. Paul Getty Museum

Early medieval legends reported that one of the three kings who paid homage to the newborn Christ Child in Bethlehem was from Africa. But it would be nearly one thousand years before artists began representing Balthazar, the youngest of the magi, as a Black African. This exhibition explores the juxtaposition of a seemingly positive image with the painful histories of Afro-European contact, particularly the brutal enslavement of African peoples.

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Explore how Africa and Black Africans were represented in art of the Middle Ages and Renaissance with curator Tyree Boyd-Pates and historian Nicholas Jones.

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