 |
|
|
|
|
|
|
Research Home
 Tools Art & Architecture Thesaurus Full Record Display
|
|
|
|
 |
|
|
|
 |
 |
|
|
|
|
|
|
Click the  icon to view the hierarchy. |
|
|
mise-en-scène (<filmmaking processes and techniques>, <filmmaking and filmmaking processes and techniques>, ... Processes and Techniques (hierarchy name)) |
|
Note: French term meaning "putting into the scene," originally used to describe the arrangement of visual components on a stage.The term was later used in film criticism to include discussion of camera position, the relationships between objects, people, and masses and how they collectively affect the work. Results of this technique are often montage sequences, careful editing, and careful composition within and individual film frame. The has been, but is rarely used outside of a film context.
|
| Terms: |
|
| mise-en-scène (preferred,C,U,English-P,D,U,U)
|
| mise-en-scène (Dutch-P,D,U,U)
|
| mise-en-scene (C,U,English,UF,U,U)
|
| 場面調度 (C,U,Chinese (traditional)-P,D,U,U)
|
| chǎng miàn diào dù (C,U,Chinese (transliterated Hanyu Pinyin)-P,UF,U,U)
|
| chang mian diao du (C,U,Chinese (transliterated Pinyin without tones)-P,UF,U,U)
|
| ch'ang mien tiao tu (C,U,Chinese (transliterated Wade-Giles)-P,UF,U,U)
|
|
Facet/Hierarchy Code: K.KT |
Hierarchical Position:
|
|
|
Activities Facet |
|
|
.... Processes and Techniques (hierarchy name) (G) |
|
|
........ <processes and techniques by specific type> (G) |
|
|
............ <image-making processes and techniques> (G) |
|
|
................ <filmmaking and filmmaking processes and techniques> (G) |
|
|
.................... <filmmaking processes and techniques> (G) |
|
|
........................ mise-en-scène (G) |
Additional Notes: |
|
| Chinese (traditional) ..... 此法文詞彙意指「放入場景中」，最初用來描述舞台上視覺元素的配置。後來在電影評論中，用來涵括有關攝影機方位，物件、人物和群體的關係以及它們彼此之間如何對電影作品產生作用的討論。此一技術所呈現的經常是蒙太奇連續鏡頭、特意剪接，以及在單一電影鏡頭中精心配置的畫面。此一詞彙已經被電影界使用多時，但鮮少被使用於電影之外的脈絡。 |
| Dutch ..... Franse term die letterlijk 'in de scène plaatsen' betekent en oorspronkelijk werd gebruikt om de rangschikking van visuele onderdelen op een podium te beschrijven. De term werd later gebruikt in de filmkritiek voor de bespreking van cameraposities, de relaties tussen de onderdelen, mensen en massa's, en wat de gezamenlijke invloed hiervan was op het werk. De resultaten van deze techniek zijn vaak de scènevolgorde, een zorgvuldige montage en een zorgvuldige compositie binnen een individueel filmframe. De term wordt tegenwoordig zelden gebruikt buiten de context van film. |
|
Sources and Contributors: |
|
|
|
