Photo Archives V: The Paradigm of Objectivity
Archival Program Information
For current Research Institute events, please see The Getty Event Calendar
For current Research Institute events, please see The Getty Event Calendar
Symposium Videos
Day 1: Thursday, February 25, 2016
10:00 a.m.–5:00 p.m.
Museum Lecture Hall, Getty Center
Day 2: Friday, February 26, 2016
9:30 a.m.–5:00 p.m.
Robert C. Ritchie Auditorium, The Huntington
10:00 a.m.–5:00 p.m.
Museum Lecture Hall, Getty Center
Day 2: Friday, February 26, 2016
9:30 a.m.–5:00 p.m.
Robert C. Ritchie Auditorium, The Huntington
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Introductory Remarks and Session 1: Photographic Objectivity?
Introduction: Thomas W. Gaehtgens, Getty Research Institute
Session Chair: Costanza Caraffa, Kunsthistorisches Institut in Florenz—Max-Planck-Institut
"Shared Vocabularies of Modernity: Photography, Archives, and the Paradigm of Objectivity"
Joan M. Schwartz, Queen's University, Ontario
Introduction: Thomas W. Gaehtgens, Getty Research Institute
Session Chair: Costanza Caraffa, Kunsthistorisches Institut in Florenz—Max-Planck-Institut
"Shared Vocabularies of Modernity: Photography, Archives, and the Paradigm of Objectivity"
Joan M. Schwartz, Queen's University, Ontario
Session 1: Photographic Objectivity? (Continued)
Session Chair: Costanza Caraffa, Kunsthistorisches Institut in Florenz—Max-Planck-Institut
"In Search of a True Likeness: Sir William Stirling Maxwell and the Photography of Art"
Hilary Macartney, University of Glasgow
"Documenting the War: Life Magazine's Coverage of World War II"
Melissa Renn, Harvard Business School
Discussion
Session Chair: Costanza Caraffa, Kunsthistorisches Institut in Florenz—Max-Planck-Institut
"In Search of a True Likeness: Sir William Stirling Maxwell and the Photography of Art"
Hilary Macartney, University of Glasgow
"Documenting the War: Life Magazine's Coverage of World War II"
Melissa Renn, Harvard Business School
Discussion
Session 2: Using Photographs
Session Chair: Virginia Heckert, J. Paul Getty Museum
"An Archaeology of Seeing: Toward a Unified Theory of User Perspectives on Digitized Photographs"
Paul Conway, University of Michigan
"Personal and Institutional Photo Archives: Changing Subjectivities"
Glenn Willumson, University of Florida
Discussion
Session Chair: Virginia Heckert, J. Paul Getty Museum
"An Archaeology of Seeing: Toward a Unified Theory of User Perspectives on Digitized Photographs"
Paul Conway, University of Michigan
"Personal and Institutional Photo Archives: Changing Subjectivities"
Glenn Willumson, University of Florida
Discussion
Introductory Remarks and Session 3: Series and Archives
Introduction: Laura Stalker, The Huntington, and Jennifer Watts, The Huntington
Session Chair: Anne Blecksmith, The Huntington
"The (Not So Private) Photo Archives—The Photography of Art and Series of Popular Gallery Albums in the 1860s"
Friederike Maria Kitschen, Gerda Henkel Stiftung
"To Make a Case: Isabella Stewart Gardner's Archival Installations at Fenway Court"
Casey Riley, Isabella Stewart Gardner Museum
Introduction: Laura Stalker, The Huntington, and Jennifer Watts, The Huntington
Session Chair: Anne Blecksmith, The Huntington
"The (Not So Private) Photo Archives—The Photography of Art and Series of Popular Gallery Albums in the 1860s"
Friederike Maria Kitschen, Gerda Henkel Stiftung
"To Make a Case: Isabella Stewart Gardner's Archival Installations at Fenway Court"
Casey Riley, Isabella Stewart Gardner Museum
Session 3: Series and Archives (Continued)
Session Chair: Anne Blecksmith, The Huntington
"Photographic Albums as Archives of Palestinian History"
Issam Nassar, Illinois State University
Discussion
Session Chair: Anne Blecksmith, The Huntington
"Photographic Albums as Archives of Palestinian History"
Issam Nassar, Illinois State University
Discussion
Session 4: Photographic Evidence?
Session Chair: Jennifer Watts, The Huntington
"The Photograph as Historical Evidence in the Digital Age"
Martha A. Sandweiss, Princeton University
"Accidental Archives: The Elusive Visual Image in the Writing of History"
Jennifer Tucker, Wesleyan University
Session Chair: Jennifer Watts, The Huntington
"The Photograph as Historical Evidence in the Digital Age"
Martha A. Sandweiss, Princeton University
"Accidental Archives: The Elusive Visual Image in the Writing of History"
Jennifer Tucker, Wesleyan University
Session 4: Photographic Evidence? (Continued)
Session Chair: Jennifer Watts, The Huntington
"The View from Everywhere: Objectivity and the Photographic Archive"
Kelley Wilder, De Montfort University, Leicester
Discussion
Closing Remarks
Session Chair: Jennifer Watts, The Huntington
"The View from Everywhere: Objectivity and the Photographic Archive"
Kelley Wilder, De Montfort University, Leicester
Discussion
Closing Remarks
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