Messerschmidt and Modernity explores the astonishingly modern series of so-called Character Heads created by the German Baroque artist Franz Xaver Messerschmidt (1736–1783).
Installation view of Messerschmidt and Modernity
The exhibition demonstrates how Messerschmidt's intriguing heads are linked to the 18th and 19th centuries' fascination with expression and the "passions," as well as with the pseudosciences of physiognomy and pathognomy. It also traces how this series influenced the work of artists in fin-de-siècle Vienna and contemporary artists in Austria, Great Britain, and the United States.

The Expression Lab adjacent to the exhibition offers an interactive photo booth where you can explore Messerschmidt's innovative approach to depicting the emotions.

Explore Messerschmidt's Character Heads »



Image right: In the galleries of Messerschmidt and Modernity. Foreground: Mental Landscape, 2007, Tony Cragg. Collection of Tony Cragg. Artwork © Tony Cragg. On gallery wall left: Self-Portrait after Messerschmidt, 2009, Tony Bevan. Courtesy L.A. Louver, Venice, CA and Ben Brown Fine Arts, London. Artwork © Tony Bevan. On gallery wall at right, two photographs by Pierre Picot © Pierre Picot

Banner image: The Vexed Man (detail), after 1770, Franz Xaver Messerschmidt. The J. Paul Getty Museum, 2008.4. Self-Portrait after Messerschmidt (detail), 2009, Tony Bevan. Courtesy L.A. Louver, Venice, CA and Ben Brown Fine Arts, London. © Tony Bevan