Visitation (detail), about 1528–1529, Pontormo, oil on wood panel. Parrocchia di San Michele Arcangelo a Carmignano (Prato). Image: Su concessione della Soprintendenza Archeologia, Belle Arti e Paesaggio per la Città Metropolitana di Firenze e per le Province di Pistoia e Prato. Photo © Antonio Quattrone, Florence Visitation (detail), about 1528–1529, Pontormo, oil on wood panel. Parrocchia di San Michele Arcangelo a Carmignano (Prato). Image: Su concessione della Soprintendenza Archeologia, Belle Arti e Paesaggio per la Città Metropolitana di Firenze e per le Province di Pistoia e Prato. Photo © Antonio Quattrone, Florence

Featuring one of Jacopo da Pontormo’s most renowned works, the Visitation, this exhibition presents this innovative altarpiece along with two exceptional portraits and preparatory drawings that reveal his creative process. Completed during Florence’s political upheaval at the end of the 1520s, the artist’s paintings from this period resonate with acute psychological intensity. Recent conservation of the Visitation reveals its stunning range of colors and exquisite details, which led to its first-time travel from Italy to the United States.

Generously supported by Janine and J. Tomilson Hill. Additional support provided by the Foundation for Italian Art and Culture (FIAC).

Organized by the J. Paul Getty Museum; the Morgan Library & Museum, New York; and the Gallerie degli Uffizi, Florence.

The exhibition has been organized to raise support for the conservation of the Parish Church and the former Franciscan convent of San Michele Arcangelo in Carmignano.

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