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October 19, 2011 |
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Lectures and Conferences |
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And in the End Was Commentary: How the Gospels and the Mishnah Happened Side by Side
Wednesday October 19, 2011
7 pm
Harold M. Williams Auditorium, Getty Center
Jack Miles (author of the Pulitzer Prize-winning God: A Biography and general editor of the forthcoming Norton Anthology of World Religions)and David Biale (author of Not in the Heavens: The Tradition of Jewish Secular Thought and Judaism editor for the forthcoming anthology) explore Gospel and Mishnah, and the distinction between scripture and commentary. Complements the exhibition In the Beginning Was the Word: Medieval Gospel Illumination.
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Courses and Demonstrations |
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Collect, Compose: Collage Workshop
Wednesday October 19, 2011
10:30 am - 5 pm
Private Dining Room, Getty Center
Join artist Analia Saban and art historian Claire de Dobay Rifelj in this daylong studio workshop exploring the practice and history of assemblage and collage. Participants learn various collage techniques incorporating encaustic paint and are encouraged to bring additional materials to personalize their works of art. Complements the exhibition Pacific Standard Time: Crosscurrent in L.A. Painting and Sculpture, 1950–1970. Course fee $125 (includes materials and lunch). Open to 20 participants.
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Tours and Gallery Talks |
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Garden Tour
Daily
11:30 am, 12:30 pm, 2:30 pm, 3:30 pm
Getty Center
This is a 45-minute tour of the Getty gardens, including Robert Irwin's Central Garden. Meet the docent outside at the bench under the sycamore trees near the front entrance of the Museum.
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Focus Tour: Baroque and Rococo Art
Wednesdays
3 pm
Museum Galleries, Getty Center
Enjoy a one-hour tour focusing on the Museum's Baroque and Rococo collections by exploring the art and culture of these related and distinctive historic periods of the 17th and 18th centuries. Meet the educator at the Museum Information Desk.
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Architecture Tour
Daily
10:15 am, 11 am, 1 pm, 2 pm, 3 pm, 4 pm
Museum Entrance Hall, Getty Center
Discover more about Richard Meier's architecture and the design of the Getty Center site in this 45-minute tour. Meet the docent outside at the bench under the sycamore trees near the front entrance to the Museum.
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Collection Highlights Tour
Daily
11 am
Museum Galleries, Getty Center
This one-hour tour provides an overview of major works from the Museum's collection. Meet the educator at the Museum Information Desk.
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Exhibition Tour: Pacific Standard Time
Daily through February 5, 2012
1:30 pm
Museum Galleries, Getty Center
Set your watch to Pacific Standard Time and celebrate the art of Southern California. In this one-hour tour, survey exhibitions at the Getty Center that are part of the Pacific Standard Time: Art in L.A. 1945–1980 initiative. Meet the educator at the Museum Information Desk.
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Masterpiece of the Week Talk
Daily through October 23, 2011
4 pm
Museum Galleries, Getty Center
Did you see the giant boy? Return to the steps near the Arrival Plaza to encounter Charles Ray's Boy with Frog in this 15-minute talk. Meet the educator at the Museum Information Desk.
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Exhibitions |
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La Roldana's Saint Ginés: The Making of a Polychrome Sculpture
Daily through December 11, 2011
South Pavilion, Plaza Level, Getty Center
Luisa Roldán (Spanish, 1650–1704), affectionately known as La Roldana, was one of the most celebrated and prolific sculptors of the Baroque period. This intimate exhibition introduces visitors to La Roldana, whose artistic superiority catapulted her to fame at the royal court in an otherwise male-dominated profession. She ran a workshop, worked for the king, raised a family, and was a celebrity in her own day. With her polychrome sculpture of Saint Ginés de la Jara from the Getty Museum's collection as a focal point, this exhibition explores the artist's life, artistic achievement, and the multifaceted process used to create masterfully lifelike polychrome sculpture.
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New Galleries for Medieval and Renaissance Sculpture and Decorative Arts
Daily
North Pavilion, Plaza Level, Getty Center
A newly designed installation of medieval and Renaissance European sculpture and decorative arts is now on view in the J. Paul Getty Museum's North Pavilion at the Getty Center. Displayed with paintings, drawings, and illuminated manuscripts that enrich their context, the works of art are arranged by period and theme. The installation features innovative technologies, including interactive touch screens, that enhance the visitor's experience.
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Greetings from L.A.: Artists and Publics, 1950–1980
Daily through February 5, 2012
Research Institute Exhibition Gallery, Getty Center
Beginning in the 1950s, Southern California saw the emergence of newly diverse audiences for art. While gallerists cultivated collectors, Beat artists Wallace Berman and George Herms distributed handcrafted works among friends. Others, including Chris Burden, exploited the mass media to circulate their work. Art schools became innovative forums for artists such as Judy Chicago and John Baldessari. Social and political movements that championed peace and feminism mobilized artists to take their messages to the streets. Drawn from the Getty Research Institute's archives of Los Angeles art, this exhibition features photographs, ephemera, correspondence, and artwork—many on view for the first time—that reveal how these artists disseminated their works to a broader public.
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Luminous Paper: British Watercolors and Drawings
Daily through October 23, 2011
West Pavilion, Plaza Level, Getty Center
Featuring the work of some of the most famous British artists, including Thomas Gainsborough, J. M. W. Turner, and William Blake, this exhibition reveals multifaceted innovations in the fields of watercolor and drawing. From Turner's use of his thumbprint to roughen the texture of wash to the rise of the spectacular "exhibition watercolor" in the early 1800s, the medium of watercolor was dramatically transformed. Behind the scenes, artists experimented in drawing with novel subject matter and new modes of representation. This exhibition includes many masterpieces that were recently acquired by the J. Paul Getty Museum in an effort to expand the British works-on-paper collection.
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In Focus: The Sky
Daily through December 4, 2011
West Pavilion, Terrace Level, Getty Center
Generations of artists have found inspiration in the sky, which became a rich subject for the medium of photography after it was introduced in 1839. Drawn from the J. Paul Getty Museum's permanent collection, this exhibition explores the genre through the history of photography, including works by Gustave Le Gray, Alfred Stieglitz, André Kertész, and John Divola. Four sections—urban skies, clouds, dark skies, and skies in color—give an overview of the diverse and imaginative ways photographers have approached this theme.
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In the Beginning Was the Word: Medieval Gospel Illumination
Daily through November 27, 2011
North Pavilion, Plaza Level, Getty Center
The four Gospels of Matthew, Mark, Luke, and John, among the most well-known texts in the Bible, offer a powerful account of the life of Christ and form the basis of the religion that his disciples founded. The Gospels were considered of paramount importance and thus richly decorated throughout the Middle Ages. Drawing primarily from the Getty Museum's permanent collection, this exhibition includes examples of Armenian, Ethiopian, and Byzantine as well as Western European manuscript illumination. It examines the major forms of decoration associated with the Gospels, including portraits of the four Evangelists, and explores the varied approaches to illustrating the life of Christ.
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From Start to Finish: De Wain Valentine's Gray Column
Daily through March 11, 2012
West Pavilion, Plaza Level, Getty Center
Gray Column was one of the largest sculptures De Wain Valentine ever cast with polyester resin—the material with which he worked throughout the 1960s and 1970s to create his dazzling circles and columns. This monumental, free-standing slab, measuring twelve feet high and eight feet wide, was abandoned in 1975 and only completed for this exhibition. Curated by the Getty Conservation Institute and on view at the J. Paul Getty Museum, From Start to Finish tells the story of how this extraordinary piece was made and features preparatory drawings and maquettes, videos documenting the fabrication process, interviews with the artist, and a discussion of the conservation of this sculpture. This Getty Center exhibition is part of the region-wide Pacific Standard Time initiative.
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Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture, 1950–1970
Daily through February 5, 2012
Exhibitions Pavilion, Getty Center
Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture, 1950–1970 charts the abundant artistic innovation in postÐWorld War II Los Angeles. During this period, Los Angeles artists looked for new approaches, subjects, and techniques for art making, including experimenting with the materials and processes of the pioneering industries in the region and the local surf and car cultures. The exhibition leads viewers on a dynamic tour from the emergence of an indigenous strain of modernism evident in the hard-edge paintings, assemblage sculpture, and large-scale ceramics of the 1950s, to the subsequent development of iconic Pop images of the city in the 1960s, and the conceptual and material contributions of Light and Space art and process painting that fostered the advanced art of the 1970s. This Getty Center exhibition is part of the region-wide Pacific Standard Time initiative.
Learn more about this exhibition
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October 19, 2011 |
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Tours and Gallery Talks |
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Garden Tour
Daily
10:30 am, 11:30 am, 12:30 pm, 1:30 pm, 2:30 pm, 3:30 pm
Getty Villa
Discover the rich mythological and cultural connections of ancient gardens in this 40-minute tour of the Getty Villa's four Roman gardens. Meet at the Tour Meeting Place outside the Museum Entrance.
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Architecture Tour
Daily
10:30 am, 11:30 am, 12:30 pm, 1:30 pm, 2:30 pm, 3:30 pm
Museum, Getty Villa
Explore the architecture of the Getty Villa and learn more about daily life in the ancient world in this 40-minute tour. Meet at the Tour Meeting Place outside the Museum Entrance.
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Collection Highlights Tour
Weekdays
2 pm
Museum Galleries, Getty Villa
This one-hour tour provides an overview of major works from the Museum's collection. Space is limited. Sign up at the Tour Meeting Place outside the Museum Entrance 15 minutes before the tour.
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Focus Tour: Life in a Roman Villa
Wednesday October 19, 2011
3 pm
Museum Galleries, Getty Villa
In this hour-long tour, imagine the Museum as an ancient Roman Villa and discover works of arts that were essential to daily life in such opulent residences. Tour topic subject to change. Sign-up begins 15 minutes before the tour at the Tour Meeting Place.
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Exhibitions |
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Molten Color: Glassmaking in Antiquity
Daily
Museum, Floor 2, Getty Villa
In 2003, the J. Paul Getty Museum acquired a collection of over 350 pieces of ancient glass, formerly owned by Erwin Oppenländer. The works on view in Molten Color are remarkable for their high quality, their chronological breadth, and the glassmaking techniques illustrated by their manufacture. The vessels are accompanied by text and videos illustrating ancient glassmaking techniques.
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Roman Ephebe from Naples
Daily
Getty Villa
Youth as a Lamp Bearer, a long-term loan from the Museo Archeologico Nazionale in Naples, is on view at the J. Paul Getty Museum at the Getty Villa.
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