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April 9, 2013 |
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Tours and Gallery Talks |
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Garden Tour
Daily
11:30 am, 12:30 pm, 2:30 pm, 3:30 pm
Getty Center
The gardens of the Getty are the focus of this 45-minute tour. Meet the docent outside
at the bench under the sycamore trees near the front entrance to the Museum.
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Architecture Tour
Daily
10:15 am, 11 am, 1 pm, 2 pm, 3 pm, 4 pm
Museum Entrance Hall, Getty Center
Discover more about Richard Meier's architecture and the design of the Getty Center site in this 45-minute tour. Meet the docent outside at the bench under the sycamore trees near the front entrance to the Museum.
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Collection Highlights Tour
Daily
11 am
Museum Galleries, Getty Center
This one-hour tour provides an overview of major works from the Museum's collection. Meet the educator at the Museum Information Desk.
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Collection Highlights Tour
Daily through April 13, 2013
1 pm
Museum Galleries, Getty Center
This one-hour tour provides an overview of major works from the Museum's collection. Meet the educator at the Museum Information Desk.
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Curator's Gallery Talk
Tuesday April 9, 2013
2:30 pm
Museum Galleries, Getty Center
Jessie Park, curatorial research consultant, leads a gallery talk in Korean on the exhibition Looking East: Rubens's Encounter with Asia. Meet under the stairs in the Museum Entrance Hall.
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Exhibitions |
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The Life of Art: Context, Collecting, and Display
Daily
South Pavilion, Plaza Level, Getty Center
From the time an object is made until the day it enters a museum's collection, it may be displayed, used, and perceived in different ways. The Life of Art takes selected objects from the Getty Museum's galleries and encourages visitors to sit down and spend time with them, offering the opportunity to examine them closely to understand how they were made and functioned, why they were collected, and how they have been displayed. Through careful looking, what may be learned about the maker and previous owners of a French gilt-bronze wall light, for example, or the transformation in England of a Chinese porcelain bowl? Close engagement reveals the full lives of these works and why they continue to be collected and cherished today.
Learn more about this exhibition
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Untold Stories: Collecting and Transforming Medieval Manuscripts
Daily through May 12, 2013
North Pavilion, Plaza Level, Getty Center
For hundreds of years, manuscripts have been bought and sold, hidden and displayed, preserved and rearranged, loved and forgotten, cut into pieces, hung on the wall, and glued into albums. At times valued for their beauty, for their religious significance, or simply for the strength of their parchment pages, the manuscripts in this exhibition have been transformed again and again to suit the changing expectations of their various audiences and owners. Drawn from the Getty Museum's permanent collection and including several outside loans, the exhibition reveals the ways in which manuscripts have been refashioned both conceptually and physically and explores the long and eventful history of these books before their entry into the Museum.
Learn more about this exhibition
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Looking East: Rubens's Encounter with Asia
Daily through June 9, 2013
West Pavilion, Plaza Level, Getty Center
Peter Paul Rubens was one of the most talented and successful artists working in seventeenth-century Europe. During his illustrious career as a court painter and diplomat, Rubens expressed a fascination with exotic costumes and headdresses. With his masterful handling of black chalk and touches of red, Rubens executed a compelling drawing that features a figure wearing Asian costume—a depiction that has recently been identified as Man in Korean Costume. Now in the collection of the J. Paul Getty Museum, this drawing is the focal point of an exhibition that explores for the first time what the Flemish artist could have known about Asia in general and Korea in particular.
Learn more about this exhibition
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Japan's Modern Divide: The Photographs of Hiroshi Hamaya and Kansuke Yamamoto
Daily through August 25, 2013
West Pavilion, Lower Level, Getty Center
This exhibition presents the work of two photographers whose careers spanned much of the twentieth century, or the Showa Era (1926–1989) as it is known in Japan. Hiroshi This exhibition presents the work of two photographers whose careers spanned much of the twentieth century, or the Showa Era (1926–1989) as it is known in Japan. Hiroshi Hamaya (1915–1999) and Kansuke Yamamoto (1914–1987) began as teenagers to experiment with various formal approaches and techniques in photography. As their work matured, however, they took very different paths. Through the display of works from Japanese as well as U.S. collections, the exhibition examines two important strains in Japanese photography: the documentary investigation of regional traditions and social issues, represented in the work of Hamaya; and the avant-garde movement that developed in the context of Western surrealism and advanced through the work of Yamamoto. These two trends not only reflect significant, though rarely shown, activity in the history of Japanese photography but also reveal the complexity of modern life in that nation since the Meiji Restoration.
Learn more about this exhibition
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Overdrive: L.A. Constructs the Future, 1940–1990
Daily through July 21, 2013
Exhibitions Pavilion, Getty Center
During the period 1940 to 1990, Los Angeles rapidly evolved into one of the most populous and influential industrial, economic, and creative capitals in the world. This dynamic exhibition provides an engaging view of the region's diverse urban landscape, including its ambitious freeway network, sleek corporate towers, whimsical coffee shops, popular shopping malls, refined steel-and-glass residences, and eclectic cultural institutions. Drawings, photographs, models, films, animations, oral histories, and ephemera illustrate the complex dimensions of L.A.'s rich and often underappreciated built environment, revealing this metropolis's global impact as a vibrant laboratory for cutting-edge design.
Co-organized by the Getty Research Institute and the J. Paul Getty Museum, this exhibition is part of the initiative Pacific Standard Time Presents: Modern Architecture in L.A.
Learn more about this exhibition
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In Focus: Ed Ruscha
Daily through September 29, 2013
West Pavilion, Lower Level, Getty Center
Photography has played a central role in Ed Ruscha's artistic practice, most notably in the photobooks he began publishing in 1963. Highlighting important recent acquisitions by the Getty Museum and the Getty Research Institute, this exhibition features a selection of prints and materials related to Twentysix Gasoline Stations (1963), Some Los Angeles Apartments (1965), and Every Building on the Sunset Strip (1966). Also on view for the first time are contact sheets from his shoot of the Pacific Coast Highway (1974–75), one of the many streets he has documented extensively since 1965. The exhibition offers a concentrated look at Ruscha's engagement with vernacular architecture, the urban landscape, and car culture. Co-organized by the J. Paul Getty Museum and the Getty Research Institute, this exhibition is part of the initiative Pacific Standard Time Presents: Modern Architecture in L.A.
Learn more about this exhibition
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Farewell to Surrealism: The Dyn Circle in Mexico
Daily through April 14, 2013
Research Institute Exhibition Gallery, Getty Center
In the 1940s, an international circle of writers and artists from Europe, Latin America, and North America came together in Mexico City and created the unique journal Dyn. Many of them—including the journal's founder and primary editor, Wolfgang Paalen—had been part of Andre Breton's Parisian surrealist circle in the 1930s, before taking refuge in Mexico during World War II. This group shared a passion for the pre-Columbian past of the Americas, and their immersion in its artifacts transformed their art. Dyn is a record of their ideas and the art they made, an art that had ramifications far beyond Mexico City.
Learn more about this exhibition
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April 9, 2013 |
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The Getty Villa is closed to the general public on this date.
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