Project MUSE - Getty Research Journal-Number 3, 2011

Foreword

Brian O'Doherty

pp. v-viii

Histories of Belonging and George Kubler's Prime Object

Avinoam Shalem

pp. 1-14

DOI: https://doi.org/10.1086/grj.3.23005384

Process and Collaboration in a Seventeenth-Century Polychrome Sculpture: Luisa Roldán and Tomás de los Arcos

Jane Bassett, Mari-Tere Alvarez

pp. 15-32

DOI: https://doi.org/10.1086/grj.3.23005385

View Summary of Process and Collaboration in a Seventeenth-Century Polychrome Sculpture: Luisa Roldán and Tomás de los Arcos
Download Process and Collaboration in a Seventeenth-Century Polychrome Sculpture: Luisa Roldán and Tomás de los Arcos

Engraving Watteau in the Eighteenth Century: Order and Display in the Recueil Jullienne

Isabelle Tillerot

pp. 33-52

DOI: https://doi.org/10.1086/grj.3.23005386

Fantin's Failed Toast to Truth

Bridget Alsdorf

pp. 53-70

DOI: https://doi.org/10.1086/grj.3.23005387

From the Bottom of a Bag: Jean Cocteau's Cul-de-Sac Criticism and the "Indirect Essay"

Ara H. Merjian

pp. 71-86

DOI: https://doi.org/10.1086/grj.3.23005388

Modernism Thwarted: Pierre Koenig's Work for the Chemehuevi Indians

Wim de Wit

pp. 87-98

DOI: https://doi.org/10.1086/grj.3.23005389

"One can and should present an artistic vision... of the end of the world": Werner Tübke's Apocalyptic Panorama in Bad Frankenhausen and the End of the German Democratic Republic

Eckhart Gillen

pp. 99-116

DOI: https://doi.org/10.1086/grj.3.23005390

Drawing as Reasoning: Stephan von Huene's Getty Talk

Astrit Schmidt-Burkhardt

pp. 117-132

DOI: https://doi.org/10.1086/grj.3.23005391

Voices of Authority: Locating the "Modern" in "Islamic" Arts

Sussan Babaie

pp. 133-149

DOI: https://doi.org/10.1086/grj.3.23005392

A Scripta of Bartolomeo Sanvito

Maddalena Signorini

pp. 151-162

DOI: https://doi.org/10.1086/grj.3.23005393

Beyond Florence's Walls: A List of Evaluations of Buildings to Be Demolished during 1529 to 1530

Guido Rebecchini

pp. 163-168

DOI: https://doi.org/10.1086/grj.3.23005394

The Entry of Clement VIII into Ferrara: Donato Rascicotti's Triumph

Karen Meyer-Roux

pp. 169-178

DOI: https://doi.org/10.1086/grj.3.23005395

James Ward's Papers: An 1826 Diary in Context

Edward J. Nygren

pp. 179-188

DOI: https://doi.org/10.1086/grj.3.23005396

Reading a Family Photo Album: "Tchèque(s)[?] voyagent au Maroc pour rendre visite à un légionnaire [de or en] Garnison"

Colette Apelian

pp. 189-200

DOI: https://doi.org/10.1086/grj.3.23005397

A Transitional Place: Julius Shulman's A to Z Negatives

Anne Blecksmith

pp. 201-208

DOI: https://doi.org/10.1086/grj.3.23005398

"Everywhere is front row center": Robert Alexander's Brochure for Instant Theatre

Lucy Bradnock

pp. 209-214

DOI: https://doi.org/10.1086/grj.3.23005399

Anselm Kiefer's Die berühmten Orden der Nacht

John Tain

pp. 215-221

DOI: https://doi.org/10.1086/grj.3.23005400

ISSN	2329-1249
Print ISSN	1944-8740
Launched on MUSE	2024-01-01
Open Access	Yes

Getty Research Journal

In this Issue

Number 3, 2011

published by

viewing issue

Table of Contents