Brian O'Doherty, "Foreword," Getty Research Journal, no. 3 (2011): v–vi.

Avinoam Shalem, "Histories of Belonging and George Kubler's Prime Object," Getty Research Journal, no. 3 (2011): 1–14.

Jane Bassett and Mari-Tere Alvarez, "Process and Collaboration in a Seventeenth-Century Polychrome Sculpture: Luisa Roldán and Tomás de los Arcos," Getty Research Journal, no. 3 (2011): 15–32.

Isabelle Tillerot, "Engraving Watteau in the Eighteenth Century: Order and Display in the Recueil Jullienne," Getty Research Journal, no. 3 (2010): 33–54.

Bridget Alsdorf, "Fantin's Failed Toast to Truth," Getty Research Journal, no. 3 (2010): 55–72.

Ara H. Merjian, "From the Bottom of a Bag: Jean Cocteau's Cul-de-Sac Criticism and the 'Indirect Essay,'" Getty Research Journal, no. 3 (2011): 73–88.

Wim de Wit, "Modernism Thwarted: Pierre Koenig's Work for the Chemehuevi Indians," Getty Research Institute, no. 3 (2011): 89–100.

Eckhart Gillen, "'One can and should present an artistic vision . . . of the end of the world': Werner Tübke's Apocalyptic Panorama in Bad Frankenhausen and the End of the German Democratic Republic," Getty Research Journal, no. 3 (2011): 101–18.

Astrit Schmidt-Burkhardt, "Drawing as Reasoning: Stephan von Huene's Getty Talk," Getty Research Journal, no. 3 (2011): 119–34.

Sussan Babaie, "Voices of Authority: Locating the 'Modern' in 'Islamic' Arts," Getty Research Journal, no. 3 (2011): 135–51.

Maddalena Signorini, "A Scripta of Bartolomeo Sanvito," Getty Research Journal, no. 3 (2011): 153–64.

Guido Rebecchini,
 "Beyond Florence's Walls: A List of Evaluations of Buildings to Be Demolished during 1529 to 1530," Getty Research Journal, no. 3 (2011): 165–70.

Karen Meyer-Roux, "The Entry of Clement VIII into Ferrara: Donato Rascicotti's Triumph," Getty Research Journal, no. 3 (2011): 171–80.

Edward J. Nygren, "James Ward's Papers: An 1826 Diary in Context," Getty Research Journal, no. 3 (2011): 181–90.

Colette Apelian, "Reading a Family Photo Album: 'Tchèque(s)[?] voyagent au Maroc pour rendre visite à un légionnaire [de or en] Garnison,'" Getty Research Journal, no. 3 (2011): 191–202.

Anne Blecksmith, "A Transitional Place: Julius Shulman's A to Z Negatives," Getty Research Journal, no. 3 (2011): 203–10.

Lucy Bradnock, "'Everywhere is front row center': Robert Alexander's Brochure for Instant Theatre," Getty Research Journal, no. 3 (2011): 211–16.

John Tain, "Anselm Kiefer's Die berühmten Orden der Nacht," Getty Research Journal, no. 3 (2011): 217–23.