Getty Research Journal, no. 10 (2018)
|
Contents
Jorrit M. Kelder, Laurent Bricault, and Rolf M. Schneider, "A Stone Alabastron in the J. Paul Getty Museum and Its Mediterranean Context," Getty Research Journal, no. 10 (2018): 1–16.
|
||
Judith Oliver, "Between Flanders and Paris: Originality and Quotation in the Montebourg Psalter," Getty Research Journal, no. 10 (2018): 17–36.
|
||
Jeanette Kohl, "A Murder, a Mummy, and a Bust: The Newly Discovered Portrait of Simon of Trent at the Getty," Getty Research Journal, no. 10 (2018): 37–60.
|
||
Andreas Tacke, "Business First: Lucas Cranach and the Art Market in the Reformation," Getty Research Journal, no. 10 (2018): 61–82.
|
||
Anna Reuter, "The Sketchbooks of a Disciple of Marco Benefial and Agostino Masucci: Apprenticeship and Invention in the Work of João Glama Ströberle (1708–92)," Getty Research Journal, no. 10 (2018): 83–104.
|
||
Petra Brouwer, "The Pioneering Architectural History Books of Fergusson, Kugler, and Lübke," Getty Research Journal, no. 10 (2018): 105–20.
|
||
Bert Winther-Tamaki, "Remediated Ink: The Debt of Modern and Contemporary Asian Ink Aesthetics to Non-Ink Media," Getty Research Journal, no. 10 (2018): 121–48.
|
||
Pia Gottschaller, "From Ruler to Tape: Stops and Starts in the History of Painted Abstraction," Getty Research Journal, no. 10 (2018): 149–66.
|
||
Anja Foerschner and Rachel Rivenc, "Documenting Carolee Schneemann's Performance Works," Getty Research Journal, no. 10 (2018): 167–89.
|
||
Shorter Notices
Sara E. Cole, Judith Barr, and Roselyn Campbell, "'A Man in His Duty': An Ushabti of Neferibresaneith at the Getty," Getty Research Journal, no. 10 (2018): 191–206.
|
||
Paolo Serafini, "An Inside View of the Print Market in Paris (1881): A Contract between Félix Bracquemond and the Arnold & Tripp Gallery to Realize a Plate after Théodore Rousseau," Getty Research Journal, no. 10 (2018): 207–24.
|
||
Laurent Bricault, "A Statuette of Hermanubis in the J. Paul Getty Museum," Getty Research Journal, no. 10 (2018): 225–31.
|
||