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J. Paul Getty Trust

August 2009

Getty Museum Education

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We Want Your Opinion about Our K-12 Lessons

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Have you used or adapted our Historical Witness, Social Messaging curriculum in your classroom? If so, we'd love to know how you used it and what you think of the curriculum's format.

Take our 5-minute survey to let us know how we can improve our curricula in the future, so that they can best meet your needs.

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View the curriculum Historical Witness, Social Messaging.

Tell us what you think about our Historical Witness, Social Messaging curriculum.
Tell us what you think about our Historical Witness, Social Messaging curriculum.

A L S O   O F   I N T E R E S T

Teaching Teachers and Reaching Students for 10 Years
Ten-Year Anniversary Celebration for the Art & Language Arts Program
Saturday, August 15, 2009, 1:00–4:00 p.m.
Harold M. Williams Auditorium and galleries
The Getty Center

Tips for Families

Invite your family to celebrate 10 years of rich student artwork and interdisciplinary teaching, along with storytelling, student performances, and more!

Pick up K–5 lesson plans that integrate language arts and visual arts, view student artwork, and enjoy student performances in the galleries.You can also participate in a variety of interactive, hands-on activities for families and enjoy a performance by a storyteller who takes you on a journey over, around, and through a modern sculpture.

Register for the event by calling (310) 440–7300.

Get details about the event.

Learn more about the Art & Language Arts program.

Kelli Clarke used strategies taught in the Art & Language Arts program to inspire her fourth-grade class.
Kelli Clarke used strategies taught in the Art & Language Arts program to inspire her fourth-grade class.
Artist-at-Work Demonstration: Painting Lifelike Sculpture
Sundays, through August 9, 2009, 1:00–3:00 p.m.
Museum Courtyard
The Getty Center

Courses and Demonstrations

Join artist Sylvana Barrett as she brings sculpture to life with Baroque polychrome painting techniques, including oil painting and estofado, the elegant and elaborate gilding decoration used in 17th-century Spain. Complements the exhibition La Roldana's Saint Ginés: The Making of a Polychrome Sculpture.

1:00–2:00 p.m.: Estofado—gold gilding, paint, and surface decoration

2:00–3:00 p.m.: Polychrome oil painting—size, gesso, and paint layers

Learn more about the exhibition La Roldana's Saint Ginés: The Making of a Polychrome Sculpture, on view at the Getty Center.

Saint Ginés de La Jara Luisa Roldán (called La Roldana), sculptor; Tomás de los Arcos, painter; about 1692
Saint Ginés de La Jara, Luisa Roldán (called La Roldana), sculptor, and Tomás de los Arcos, painter, about 1692

C U R R I C U L A R   C O N N E C T I O N S

Making a Scene

Current Exhibitions

The exhibition In Focus: Making a Scene presents a variety of staged photographs, from daguerreotypes to Polaroids, which illustrate how photography often poses fiction as truth. Spanning the 1800s to today, these photographs use stagecraft and occasional darkroom trickery to tell intriguing stories.

Use images from the exhibition and adapt the lesson "Telling Stories: Witness to a Brawl" to discuss how an artist emphasizes the narrative in a work of art depicting a single moment from a story. Create your own photo studios in class with students in grades 3–12, who can use props and costumes to create scenes from their favorite stories.

View the lesson "Telling Stories: Witness to a Brawl."

Learn more about the exhibition In Focus: Making a Scene, on view at the Getty Center through October 18, 2009.

Saint George and the Dragon / Lewis Carroll
Saint George and the Dragon, Lewis Carroll, June 26, 1875

S C H O O L  V I S I T S

Changes in the Galleries

Did you know that works of art at the Getty Museum are often moved to new locations? Before you bring your class to the Getty, make sure all the artworks you want to visit are on view. Here is one change:

The Getty Center
Bust of Emperor Caracalla/ Caveceppi

On View
Bust of Emperor Caracalla by Bartolomeo Cavaceppi is on view in the West Pavilion, in Gallery W101.

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Admission to the Getty is FREE. Admission to the Getty Villa requires an advance, timed ticket. Parking is $15, but FREE after 5:00 p.m. for Saturday evening hours at the Getty Center and for evening events at both locations.
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