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    The Alchemy of Color in Medieval Manuscripts

    October 11, 2016–January 1, 2017

    Getty Center

    The Personification of Nature Making Birds (detail), Animals, and People, from Romance of the Rose, about 1405, unknown artist. The J. Paul Getty Museum

    The Personification of Nature Making Birds (detail), Animals, and People, from Romance of the Rose, about 1405, unknown artist. The J. Paul Getty Museum

  • Doctor Examining a Flask before a Patient within a Uroscopy Wheel (detail), from To Judge the Color of Urine (and of the Pulse), 1494, unknown artist. History and Special Collections Division for the Sciences, UCLA Library Special Collections

    Doctor Examining a Flask before a Patient within a Uroscopy Wheel (detail), from To Judge the Color of Urine (and of the Pulse), 1494, unknown artist. History and Special Collections Division for the Sciences, UCLA Library Special Collections

  • The Planet Mercury as a Doctor on Horseback, from Descriptions of Planets, Zodiacs, and Comets, about 1464, unknown artist. The J. Paul Getty Museum

    The Planet Mercury as a Doctor on Horseback, from Descriptions of Planets, Zodiacs, and Comets, about 1464, unknown artist. The J. Paul Getty Museum

  • Saint Mark, leaf from a Gospel book or the New Testament, about 1325-45, unknown artist. The J. Paul Getty Museum

    Saint Mark, leaf from a Gospel book or the New Testament, about 1325-45, unknown artist. The J. Paul Getty Museum

  • The Visitation, from a book of hours, about 1460, unknown artist. The J. Paul Getty Museum

    The Visitation, from a book of hours, about 1460, unknown artist. The J. Paul Getty Museum

  • Theodas with the Book of Magic and the Devil, from Barlaam and Josaphat, 1469, Workshop of Diebold Lauber. The J. Paul Getty Museum

    Theodas with the Book of Magic and the Devil, from Barlaam and Josaphat, 1469, Workshop of Diebold Lauber. The J. Paul Getty Museum

  • The Adoration of a Golden Image, from World Chronicle, about 1400-1410, Jans Enikel. The J. Paul Getty Museum

    The Adoration of a Golden Image (detail), from World Chronicle, about 1400-1410, unknown artist. The J. Paul Getty Museum

The Alchemy of Color in Medieval Manuscripts

October 11, 2016–January 1, 2017, Getty Center

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Appreciated today for its aesthetic qualities, color during the Middle Ages was also understood for its material, scientific, and medicinal properties. The manufacture of colored pigments and inks was part of the science of alchemy, the forerunner of modern chemistry. Concerned with the transformation of matter, alchemy was closely tied to artistic practice.

Current research into the materials used to produce the sumptuous colors that enliven manuscript pages reveals a remarkably diverse “alchemical rainbow” of hues derived from plants, minerals, and metals.

RELATED EVENTS

TALKS
Incorruptible Beauty: Gold and the Alchemy of Color in Illuminated Manuscripts

Gold has come to epitomize the art of medieval manuscript painting, used not only for its incorruptibility, purity, and high value as a material but also for its spiritual connotations. By approaching this beguiling material in a survey of its various uses, application methods, and embellishment techniques, Nancy Turner, conservator of manuscripts and exhibition curator, highlights manuscripts from the Getty’s collection and and surveys the variety of materials and methods employed by medieval illuminators. Free; advance ticket required.

Thursday, October 20, 7:00 p.m.
Getty Center, Museum Lecture Hall

The Alchemy of the Handmade Book

Artists Daniel Kelm and Timothy Ely, who engage with themes of alchemy, chemistry, and the hermetic tradition in their handmade books, discuss the relevance of alchemy for contemporary artistic practice. Free; advance ticket required.

Thursday, October 27, 7:00 p.m.
Getty Center, Museum Lecture Hall

DEMONSTRATIONS
Artist at Work: All that Glitters is Gold (or Is It?)

Join renowned book artist Daniel Kelm in an exploration of the use of gold in medieval manuscripts. Drawing on his extensive knowledge of chemistry and alchemy, Kelm investigates the philosophical underpinnings of alchemy and how gold relates to the Humors and other alchemical concepts as he demonstrates techniques for working with gold, including gold leaf on paper and leather and making powdered gold for paint. Free, drop-in program.

Friday, October 28, 1:00–3:00 p.m.
Getty Center, Museum Studios

Artist at Work: Color and Gold

Medieval and Renaissance paintings and illuminations are alive with color and shimmer with gold. Drop by as artist Sylvana Barrett explores how these beautiful and exotic colors were made and demonstrates techniques for creating elaborate gold gilding. Free, drop-in program.

Sunday, November 27, 1:00–3:00 p.m.
Thursday, December 22, 1:00–3:00 p.m.
Friday, December 30, 1:00–3:00 p.m.
Tuesday, January 3, 1:00–3:00 p.m.
Sunday, January 8, 1:00–3:00 p.m.
Getty Center, Museum Studios

COURSES
The Crucible Page: A Workshop with Timothy C. Ely

Join renowned book artist Timothy C. Ely for a special, two-day workshop investigating creative materials and methods for producing a contemporary manuscript page.  Inspired by alchemical laboratories, cathedral architecture and medieval manuscripts, participants explore notions of illumination and concealment while employing traditional and invented symbols and codes for a modern take on a historical practice. Course fee $155 (includes materials and Day 1 lunch). Complimentary parking.

Day I: Wednesday, October 26, 10:30 a.m.–5:00 p.m.
Day 2: Thursday, October 27, 1:00–5:00 p.m.
Getty Center, Museum Studios

Culinary Workshop: Edible Alchemy

Journey to the medieval world in this culinary workshop led by educator and chef Nancy DeLucia Real. Participants visit the exhibitions The Alchemy of Color in Medieval Manuscripts and The Art of Alchemy, explore connections between food, color, science, and alchemy, then prepare a class feast for the eyes, body, and spirit. Course fee $95. Complimentary parking. Tickets available beginning Tuesday, November 1.

Thursday, December 8, 10:30 a.m.–2:30 p.m. Repeats Friday, December 9.
Getty Center, Private Dining Room

FILM
Derek Jarman's Blue

Experience Derek Jarman's extraordinary film Blue, a feature-length poetic mediation on color, death, and the void. Presented outdoors on the Getty's Garden Terrace overlooking sweeping views of Los Angeles, the film's projection of pure monochrome blue is set against the deepening night sky. This unique screening event includes a surround-sound experience of Jarman's courageous and moving text narrated by Tilda Swinton, Nigel Terry, and John Quentin, and the exceptional ambient musical soundtrack by Simon Fisher Turner with Brian Eno, Coil, and others.

Friday, November 4, 2016, 7:30 p.m.
Free; advance ticket recommended
Garden Terrace

TOUR
Curator’s Gallery Tour

Nancy Turner, conservator of manuscripts and exhibition curator, the J. Paul Getty Museum, leads a gallery tour of the exhibition. Meet under the stairs in the Entrance Hall. Sign-up begins at 1:30 p.m. at the Information Desk. Capacity limited.

Wednesday, November 2 and 16, 2:30 p.m.
Getty Center, Museum galleries

VIDEO


The Alchemy of Color and Chemical Change in Medieval Manuscripts
Some of the most vivid pigments in medieval manuscripts were manufactured through alchemy, an experimental practice that predates modern chemistry. Today, chemistry deepens our knowledge about paint colors, their identification, and potential continued transformations.

EXHIBITION CHECKLIST

RELATED EXHIBITIONS

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