 |
 |
 |
 |
 |
 |
 |
Research Home
Tools Art & Architecture Thesaurus Full Record Display
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
Click the icon to view the hierarchy. |
|
 |
Abstract Impressionist (<post-1945 fine arts styles and movements>, <international post-1945 styles and movements>, ... Styles and Periods (hierarchy name)) |
|
Note: Refers to the style named by Elaine de Kooning to describe works painted with uniform brushstrokes that retain the optical qualities of Impressionism, but eliminate the representational content. |
Terms: |
|
Abstract Impressionist (preferred,C,U,English-P,D,U,A)
|
Abstract Impressionism (C,U,LC,English,AD,U,U)
|
Impressionism, Abstract (C,U,English,UF,U,U)
|
Impressionist, Abstract (C,U,English,UF,U,U)
|
Abstract impressionistisch (C,U,Dutch-P,D,U,U)
|
Abstract impressionisme (C,U,Dutch,AD,U,U)
|
Impresionismo Abstracto (C,U,Spanish-P,D,U,U)
|
|
Facet/Hierarchy Code: F.FL |
Hierarchical Position:
 |
|

 |
Styles and Periods Facet |
|

 |
.... Styles and Periods (hierarchy name) (G) |
|

 |
........ <styles, periods, and cultures by region> (G) |
|

 |
............ <international post-1945 styles and movements> (G) |
|

 |
................ <post-1945 fine arts styles and movements> (G) |
|

 |
.................... Abstract Impressionist (G) |
Additional Notes: |
|
Dutch ..... Verwijst naar de stijl die Elaine de Kooning benoemde om werken te beschrijven die zijn geschilderd met uniforme penseelstreken waardoor de optische kwaliteiten van het impressionisme behouden blijven maar de representatieve inhoud verloren gaat. |
Spanish ..... Se refiere al estilo denominado por Elaine de Kooning para describir obras pintadas con pinceladas uniformes que retienen las cualidades ópticas del Impresionismo, pero que eliminan el contenido figurativo. |
|
Related concepts: |
|
followed .... |
Impressionist (style) |
................ |
(<modern European fine arts styles and movements>, <modern European styles and movements>, ... Styles and Periods (hierarchy name)) [300021503] |
|
Sources and Contributors: |
|
|
|