The J. Paul Getty Museum

Exhibitions

Francouzstí Impressionisté (XXIII. Výstava) (October to November, 1907)

• "Mánes" Society (Prague), October to November 1907

Ausstellung Cézanne (November 17 to December 12, 1909)

• Galerie Paul Cassirer (Berlin), November 17 to December 12, 1909

Internationale Kunstausstellung des Sonderbundes Westdeutscher Kunstfreunde und Künstler zu Cöln (May 25 to September 30, 1912)

• Städtische Austellungshalle (Cologne), May 25 to September 30, 1912

Cézanne-Ausstellung: Cézannes Werke in deutschem Privatbesitz (November to December, 1921)

• Galerie Paul Cassirer (Berlin), November to December 1921

La pintura francesa, de David a nuestros días (July to August 1939)

La pintura francesa, de David a nuestros días (October to December 1939)

• Museo Nacional de Bellas Artes (Buenos Aires, October to December 1939

European Master Paintings from Swiss Collections: Post-Impressionism to World War II (1976)

• The Museum of Modern Art (New York), 1976

Post-Impressionism: Cross-Currents in European Painting (London title) / Post-Impressionism: Cross-Currents in European and American Painting, 1880-1906 (Washington title) (November 17, 1979 to September 1, 1980)

• Royal Academy of Arts (London), November 17, 1979 to March 16, 1980
• National Gallery of Art (Washington, D.C.), May 25 to September 1, 1980

Cézanne Gemälde (January 16 to May 2, 1993)

• Kunsthalle Tübingen, January 16 to May 2, 1993

Cézanne (September 25, 1995 to September 1, 1996)

• Galeries nationales du Grand Palais (Paris), September 25, 1995 to January 7, 1996
• Tate Britain (London), February 8 to April 28, 1996
• Philadelphia Museum of Art (Philadelphia), May 26 to September 1, 1996

Cézanne and Beyond (February 26 to May 17, 2009)

• Philadelphia Museum of Art (Philadelphia), February 26 to May 17, 2009

1912 - Mission Moderne: Die Jahrhundertschau des Sonderbundes (August 31 to December 30, 2012)

• Wallraf-Richartz-Museum - Fondation Corboud (Cologne), August 31 to December 30, 2012

Expressionism in Germany and France: From Van Gogh to Kandinsky (February 7, 2014 to January 25, 2015)

• Los Angeles County Museum of Art (Los Angeles), June 8 to September 14, 2014

Bibliography

Vasárnapi Ujság [Budapest] 54, no. 21 (May 26, 1907), p. 426, ill.

Fortlage, Arnold. "Die Internationale Ausstellung des Sonderbunds in Köln." Die Kunst für Alle 28, no. 4 (November 15, 1912), p. 88, ill.

Fortlage, Arnold. "Die Internationale Ausstellung des Sonderbundes." Der Cicerone 4, no. 14 (July 1912), p. 550, fig. 4.

Internationale Kunstausstellung des Sonderbundes Westdeutscher Kunstfreunde und Künstler zu Cöln, exh. cat. (Cologne: Städtische Ausstellungshalle, 1912), p. 31, no. 129, fig. 19.

Vollard, Ambroise. Paul Cézanne (Paris: Éditions Georges Crès, 1919), ill. facing p. 92.

Cézanne-Ausstellung: Cézannes Werke in deutschem Privatbesitz, exh. cat. (Berlin: Paul Cassirer, 1921), p. 40, no. 32.

Venturi, Lionello. Cézanne: Son art, son oeuvre. 2 vols. (Paris: Paul Rosenberg, 1936), vol. 2, pl. 193, no. 598.

Venturi, Lionello. Cézanne: Son art, son oeuvre. 2 vols. (Paris: Paul Rosenberg, 1936), vol. 1, pp. 57, 194, no. 598.

La pintura francesa, de David a nuestros días, exh. cat. (Buenos Aires: Museo Nacional de Bellas Artes, [Jul.-Aug.] 1939), p. 38, no. 10.

Prométhée, new ser., 20, no. 4 (May 1939) (special no., Cent ans de peinture française. Exposition de Buenos-Aires), p. 43, ill.

La pintura francesa, de David a nuestros días, exh. cat. (Buenos Aires: Museo Nacional de Bellas Artes, [Oct.-Dec.] 1939), p. 39, no. 10.

Rilke, Rainer-Maria. Lettres sur Cézanne. Maurice Betz, trans. (Paris: Éditions Corrêa, 1944), p. 191.

Loran, Erle. Cézanne's Composition: Analysis of His Form with Diagrams and Photographs of His Motifs. 2nd ed. (Berkeley and Los Angeles: University of California Press, 1947), pp. 76, 89.

Orienti, Sandra, and Alfonso Gatto. L'opera completa di Cézanne (Milan: Rizzoli, 1970), pp. 122-23, no. 792, ill.

Orienti, Sandra, and Ian Dunlop. The Complete Paintings of Cézanne (London: Weidenfeld and Nicolson, 1972), pp. 122-23, no. 792, ill.

Chappuis, Adrien. The Drawings of Paul Cézanne. 2 vols. (London: Thames and Hudson, 1973), vol. 1, p. 31n54.

Orienti, Sandra, and Gaëtan Picon. Tout l'oeuvre peint de Cézanne (Paris: Flammarion, 1975), pp. 122-23, no. 792, ill.

Elderfield, John. European Master Paintings from Swiss Collections: Post-Impressionism to World War II, exh. cat. (New York: Museum of Modern Art, 1976), pp. 30-31, ill.

Rilke, Rainer Maria. Briefe über Cézanne. Clara Rilke, ed. (Frankfurt: Erschienen Im Insel-Verlag, 1977), p. 48, pl. 7.

House, John, and MaryAnne Stevens, eds. Post-Impressionism: Cross-Currents in European Painting, exh. cat. (London: Royal Academy of Arts, 1979), p. 55, no. 43, ill., entry by John House.

Bowness, Alan, et al. Post-Impressionism: Cross-Currents in European and American Painting, 1880-1906, exh. cat. (Washington, D.C.: National Gallery of Art, 1980), p. 29, no. 14, ill.

Adriani, Götz. Paul Cézanne: Aquarelle, exh. cat. (Tübingen: Kunsthalle, with DuMont Buchverlag, 1981), p. 280, under no. 88.

Adriani, Götz. Cézanne Watercolors. Russell M. Stockman, trans. (New York: Harry N. Abrams, 1983), p. 280, under no. 88.

Rewald, John. Paul Cézanne, the Watercolors: A Catalogue Raisonné (Boston: Little, Brown and Company, 1983), pp. 134, 230, under no. 204, under no. 563.

Rewald, John. Cézanne: A Biography (New York: Harry N. Abrams, 1986), p. 210, ill.

"Das Tor zur Moderne. Paul Cézanne in Schweizer Sammlungen." Du, no. 9 (September 1989), p. 24, ill.

Adriani, Götz, ed. Cézanne Gemälde, exh. cat. (Tübingen: Kunsthalle, with DuMont, 1993), pp. 184-85, no. 58, ill.

Cachin, Françoise, et al., eds. Cézanne, exh. cat. (Paris: Galeries nationales du Grand Palais; Éditions de la réunion des musées nationaux, 1995), pp. 386-87, no. 160, ill., entry by Isabelle Cahn.

Rewald, John, Walter Feilchenfeldt, and Jayne Warman. The Paintings of Paul Cézanne: A Catalogue Raisonné. 2 vols. (New York: Harry N. Abrams, 1996), vol. 2, p. 264, no. 770, ill.

Rewald, John, Walter Feilchenfeldt, and Jayne Warman. The Paintings of Paul Cézanne: A Catalogue Raisonné. 2 vols. (New York: Harry N. Abrams, 1996), vol. 1, p. 467, no. 770.

"Acquisition of the Year." Apollo 144, no. 418 (December 1996), p. 15, fig. 1.

The J. Paul Getty Museum Handbook of the Collections. 4th ed. (Los Angeles: J. Paul Getty Museum, 1997), p. 141, ill.

Gribbon, Deborah. "Selected Acquisitions Made by the J. Paul Getty Museum, 1995-97." Burlington Magazine 139, no. 1136 (November 1997), p. 821.

Jaffé, David. Summary Catalogue of European Paintings in the J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 1997), p. 25, ill.

Fredericksen, Burton B., et al. Masterpieces of the J. Paul Getty Museum: Paintings (Los Angeles: J. Paul Getty Museum, 1997), pp. 110-11, no. 60, ill., entry by Jennifer Helvey.

Walsh, John, and Deborah Gribbon. The J. Paul Getty Museum and Its Collections: A Museum for the New Century (Los Angeles: J. Paul Getty Museum, 1997), pp. 109, 133, ill.

Rowell, Margit. Objects of Desire: The Modern Still Life, exh. cat. (New York: The Museum of Modern Art, with Harry N. Abrams, 1997), p. 20, ill.

Barker, Emma. "Exhibiting the Canon: The Blockbuster Show." In Contemporary Cultures of Display. Emma Barker, ed. (New Haven and London: Yale University Press, with The Open University, 1999), p. 142, pl. 92.

La Rie, E. René de. Conservation Science Unvarnished (Amsterdam: Stichting Bijzondere Leerstoel voor de Chemie van Conservering en Restauratie, 1999), pp. 15, 17, fig. 7.

The J. Paul Getty Museum Handbook of the Collections. 6th ed. (Los Angeles: J. Paul Getty Museum, 2001), p. 140, ill.

Allen, Denise, et al. Masterpieces of Painting in the J. Paul Getty Museum. Rev. ed. (Los Angeles: J. Paul Getty Museum, with Thames & Hudson, 2003), pp. 106-7, no. 57, ill., entry by Jennifer Helvey.

Armstrong, Carol, ed. Cézanne in the Studio: Still Life in Watercolors, exh. cat. (Los Angeles: J. Paul Getty Museum, 2004), pp. 16-17, fig. 8.

Schmidt, Bertram. Cézannes Lehre (Kiel: Ludwig, 2004), pp. 267-69, fig. 80.

Kitschen, Friederike. "Der liebe Gott der Malerei: Cézanne in Deutschland nach den Kriegen." In In die Freiheit geworfen: Positionen zur deutsch-französischen Kunstgeschichte nach 1945. Martin Schieder and Isabelle Ewig, eds. (Berlin: Akademie Verlag, 2006), pp. 281, 282, fig. 65.

The J. Paul Getty Museum Handbook of the Collections. 7th ed. (Los Angeles: J. Paul Getty Museum, 2007), p. 142, ill.

Rishel, Joseph J., et al. Cézanne and Beyond, exh. cat. (Philadelphia: Philadelphia Museum of Art, 2009), pp. 250, 533, pl. 76.

Alsdorf, Bridget. "Interior Landscapes: Metaphor and Meaning in Cézanne's Late Still Lifes." Word & Image 26, no. 4 (October-December 2010), pp. 314-23, figs. 1, 4, 5.

Martineau, Paul, ed. Still Life in Photography, exh. cat. (Los Angeles: The J. Paul Getty Museum, 2010), p. 11, ill.

Lanchner, Carolyn. Paul Cézanne (New York: The Museum of Modern Art, 2011), pp. 33, 35, fig. 12.

"Sonderbundausstellung 1912 - Rekonstruktion." In 1912 - Mission Moderne: Die Jahrhundertschau des Sonderbundes, exh. cat. Barbara Schaefer, ed. (Cologne: Wallraf-Richartz-Museum & Fondation Corboud, 2012), p. 554, no. 129, ill.

Sonntag, Stephanie, ed. 1912-Mission Moderne. Die Jahrhundertschau des Sonderbundes (Cologne: Wallraf-Richartz-Museum & Fondation Corboud, with Wienand, 2012), p. 41, ill.

Schaefer, Barbara, ed. 1912 - Mission Moderne: Die Jahrhundertschau des Sonderbundes, exh. cat. (Cologne: Wallraf-Richartz-Museum & Fondation Corboud, 2012), pp. 346-47, no. 21, ill., entry by Barbara Schaefer.

Shiff, Richard. "Cézanne." In 1912 - Mission Moderne: Die Jahrhundertschau des Sonderbundes, exh. cat. Barbara Schaefer, ed. (Cologne: Wallraf-Richartz-Museum & Fondation Corboud, 2012), p. 92.

Molnos, Péter. "The Paintings of Paul Cézanne in Hungarian Private Collections." In Cézanne and the Past: Tradition and Creativity, exh. cat. Judit Geskó, ed. (Budapest: Museum of Fine Arts, 2012), pp. 216-18, fig. 124.

Echte, Bernhard, and Walter Feilchenfeldt, eds., with Petra Cordioli. Kunstsalon Paul Cassirer: Die Ausstellungen 1908-1910: "Ganz eigenartige neue Werte." (Wädenswil: Nimbus, 2013), pp. 289, 314, ill.

Smith, Paul. "Cézanne's Color Lab: Not-So-Still Life." In The World is an Apple: The Still Lifes of Paul Cézanne, exh. cat. Benedict Leca, ed. (Hamilton: Art Gallery of Hamilton, with D Giles Limited, 2014), pp. 111-12, 120-23, 134, fig. 8.

Benson, Timothy O., ed. Expressionism in Germany and France: From Van Gogh to Kandinsky, exh. cat. (Los Angeles: Los Angeles County Museum of Art, with DelMonico Books, 2014), pp. 19, 276, no. 14, pl. 8.

Fredericksen, Burton B. The Burdens of Wealth: Paul Getty and His Museum (Bloomington: Archway Publishing, 2015), p. 335.

Marchesseau, Daniel, et al. Paul Cézanne, Le chant de la terre, exh. cat. (Martigny: Fondation Pierre Gianadda, 2017), p. 252, ill.

Allan, Scott, Davide Gasparotto, Peter Björn Kerber, and Anne T. Woollett. Masterpieces of Painting: J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 2018), pp. 17, 130, ill.

Molnos, Péter. Lost Heritage: Hungarian Art Collectors in the Twentieth Century (Budapest: Kieselbach, 2018), p. 389, ill.

Feilchenfeldt, Walter, Jayne Warman, and David Nash. "Nature morte avec pommes, 1893-94 (FWN 855)." The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné, http://www.cezannecatalogue.com/catalogue/entry.php?id=747 (accessed on April 22, 2019).

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