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ID: 500459203 Page Link: http://vocab.getty.edu/page/ulan/500459203			Record Type: Person

J. Paul Getty Museum. Manuscript. 111 (corporate body)

Names:
	J. Paul Getty Museum. Manuscript. 111 (preferred,U,English-P,NA,U)
	Getty Gillion (U)
	Romance of Gillion de Trazegnies (U)

Nationalities:
	undetermined (preferred)

Roles:
	corporate body (preferred)
	museum
	art museum

Gender: unknown

List/Hierarchical Position:

....

Unidentified Named People and Firms

........

J. Paul Getty Museum. Manuscript. 111 (I,U)

Biographies:


	(corporate body) ..... [GRL Preferred]

Additional Names:

Sources and Contributors:

Getty Gillion ........	[GRL]
............................	GRIL NACO contribution (n.d.)
............................	Library of Congress Authorities online (2002-)

J. Paul Getty Museum. Manuscript. 111 ........	[GRL Preferred]
.......................................................................	GRIL NACO contribution (n.d.)
.......................................................................	Library of Congress Authorities online (2002-)

Romance of Gillion de Trazegnies ........	[GRL]
.............................................................	GRIL NACO contribution (n.d.)
.............................................................	Library of Congress Authorities online (2002-)

Subject: ........	[GRL]
....................	Getty press release, December 5, 2012 (J. Paul Getty Museum announces acquisition of Northern Renaissance masterpiece Roman de Gillion de Trazegnies, an illuminated manuscript from Flanders by Lieven van Lathem (1430-1493))
....................	GRIL NACO contribution (n.d.)
....................	Library of Congress Authorities online (2002-) http://id.loc.gov/authorities/names/no2015077215
....................	The adventures of Gillion de Trazegnies, 2015: ECIP introduction (Romance of Gillion de Trazegnies; J. Paul Getty Museum Ms. 111; Getty Gillion) chapter 2 (the Gillion romance was born out of the Crusading effervescence of the years between 1451 and 1464. Anthony, the Grand Bastard of Burgundy (Dulmen, private collection), and Louis of Gruuthuse (Los Angeles, JPGM, Ms. 111) each owned the long version of the romance, copied in 1463 and 1464 respectively. Anthony's manuscript is dated on the last folio, followed by the scribe's signature, "David Aubert, manu propria" (Dulmen, p. 373); Louis's manuscript is dated at the beginning (Getty, fol. 8v))

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