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ID: 500030211
 
Record Type: Person
Hollein, Hans (Austrian designer, architect, and teacher, 1934-2014)

Note: Considered an early proponent of postmodernism, Hollein combined classical forms with modern industrial materials.

Names:
Hollein, Hans (preferred,V,index)
Hans Hollein (V,display)

Nationalities:
Austrian (preferred)

Roles:
artist (preferred)
designer
architect
teacher

Gender: male

Birth and Death Places:
Born:  Vienna (Wien state, Austria) (inhabited place)

List/Hierarchical Position:
 ....  Persons, Artists
 ........  Hollein, Hans (I)

Biographies:
(Austrian designer, architect, and teacher, 1934-2014) ..... [VP Preferred]
(Austrian architect, born 1934) ..... [AVERY]
(Austrian architect, born 1934) ..... [AVERY]
(Austrian architect, designer, artist, b.1934) ..... [BHA]
(Austrian architect, 1934-) ..... [AVERY]
(Austrian architect) ..... [Grove Art]

Sources and Contributors:
Hans Hollein ........ [VP]
..........................  Getty Vocabulary Program rules
Hollein, Hans ........ [AVERY Preferred, BHA Preferred, Grove Art Preferred, VP]
............................  Avery Authority files (1963-)
............................  Avery Index to Architectural Periodicals (1963-)
............................  Grove Art artist database (1989-)
............................  Wainwright, Hans Hollein, The Guardian (2014) obit.

Subject: ........ [AVERY, BHA, Grove Art, VP]
....................  Avery Authority files (1963-)
....................  Avery Index to Architectural Periodicals (1963-)
....................  Contemporary Architects (1987)
....................  Contemporary Architects [n.d.]
....................  Getty Vocabulary Program rules
....................  Grove Art artist database (1989-)
....................  Grove Dictionary of Art online (1999-2002) accessed 3 June 2003
....................  MoMA, Library Catalog (1976)
....................  Who's Who in Austria (1954-)
 
Note:
English .......... [AVERY, VP]
.......... Contemporary Architects [n.d.]
.......... Wainwright, Hans Hollein, The Guardian (2014)
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