Full Citation: Zhang, Ling. “Rhythmic Movement, Metaphoric Sound, and Transcultural Transmediality: Liu Na’Ou and The Man Who Has a Camera (1933).” Early Film Culture in Hong Kong, Taiwan, and Republican China: Kaleidoscopic Histories, edited by Emilie Yueh-yu Yeh, University of Michigan Press, Ann Arbor, 2018, pp. 277–302.
|
