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Neorealism (motion picture genre) (<genres for motion pictures>, <genres in literature and performing arts>, ... Associated Concepts (hierarchy name)) |
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Note: Film movement began in Italy near the end of World War II, typified by the use of both professional and non-professional actors, ordinary settings and themes, and the rejection of the happy-ending story. The films tend to focus on social issues and the everyday problems of its characters.
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| Terms: |
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| Neorealism (motion picture genre) (preferred,C,U,English-P,D,U,U)
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| Neo-Realism (motion picture genre) (C,U,English,UF,U,U)
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| Italian neo Realism (C,U,English,UF,U,U)
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| 新寫實主義 (電影類型) (C,U,Chinese (traditional)-P,D,U,U)
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| xīn xiě shí zhǔ yì (C,U,Chinese (transliterated Hanyu Pinyin)-P,UF,U,U)
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| xin xie shi zhu yi (C,U,Chinese (transliterated Pinyin without tones)-P,UF,U,U)
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| hsin hsieh shih chu i (C,U,Chinese (transliterated Wade-Giles)-P,UF,U,U)
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| neorealisme (filmgenre) (C,U,Dutch-P,D,U,U)
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| Neorrealismo (gênero cinematográfico) (C,U,Portuguese-P,D,U,SN)
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Facet/Hierarchy Code: B.BM |
Hierarchical Position:
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Associated Concepts Facet |
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.... Associated Concepts (hierarchy name) (G) |
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........ <concepts in the arts and humanities> (G) |
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............ <genres in literature and performing arts> (G) |
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................ <genres for motion pictures> (G) |
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.................... Neorealism (motion picture genre) (G) |
Additional Notes: |
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| Chinese (traditional) ..... 二次世界大戰後起源自義大利的電影運動，其特色為同時啟用職業和非職業演員、採用日常實景和主題，以及抗拒圓滿的結局。這類型電影聚焦反映著社會議題，以及片中角色所面對的日常生活問題。 |
| Dutch ..... Filmstroming die begon in Italië tegen het einde van de Tweede Wereldoorlog en die wordt gekenmerkt door het gebruik van zowel professionele als niet-professionele acteurs, alledaagse omgevingen en thema's, en een afkeer voor verhalen met een happy end. De films gaan vaak over sociale kwesties en de alledaagse beslommeringen van de personages. |
| Portuguese ..... O movimento cinematográfico começou na Itália perto do final da Segunda Guerra Mundial, caracterizado pelo uso de atores profissionais e não profissionais, cenários e temas comuns e a rejeição da história com final feliz. Os filmes tendem a focar em questões sociais e nos problemas cotidianos de seus personagens. |
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Sources and Contributors: |
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