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new wave (film movement) (international film movements, film movements, ... Associated Concepts (hierarchy name)) |
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Note: Mode of thought originating in the late 1950s, especially among French filmmakers such as Louis Malle, François Truffaut, Alain Resnais, and Jean-Luc Godard. The movement is most known for its theories based on the idea that directors that dominated their films became the film's author and creator. The style features innovations in film editing such as scene changes set in rapid sequence, or 'jump cuts', that produce disconcerting, disjunctive effects in the overall narrative.
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| Terms: |
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| new wave (film movement) (preferred,C,U,English-P,D,U,N)
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| 新浪潮 (C,U,Chinese (traditional)-P,D,U,U)
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| xīn làng cháo (C,U,Chinese (transliterated Hanyu Pinyin)-P,UF,U,U)
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| xin lang chao (C,U,Chinese (transliterated Pinyin without tones)-P,UF,U,U)
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| hsin lang ch'ao (C,U,Chinese (transliterated Wade-Giles)-P,UF,U,U)
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| Nouvelle Vague (filmstroming) (C,U,Dutch-P,D,U,U)
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| nueva ola (C,U,Spanish-P,D,U,U)
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| nouvelle vague (C,U,Spanish,AD,U,U)
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Facet/Hierarchy Code: B.BM |
Hierarchical Position:
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Associated Concepts Facet |
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.... Associated Concepts (hierarchy name) (G) |
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........ <concepts in the arts and humanities> (G) |
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............ <historical, theoretical, and critical concepts> (G) |
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................ <historical, theoretical and critical concepts for literature> (G) |
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.................... film movements (G) |
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........................ international film movements (G) |
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............................ new wave (film movement) (G) |
Additional Notes: |
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| Chinese (traditional) ..... 1950年代末，於法國導演間崛起的思維型態，代表人物包括路易‧馬盧（Louis Malle）、楚浮（François Truffaut）、阿倫‧雷奈（Alain Resnais）及尚盧‧高達（Jean-Luc Godard）。新浪潮運動的特色在於，導演不只主導電影，更成為電影的作者和創作人。風格特色包括快速切換場景鏡頭等創新剪接手法，或是像「跳接」，在整體敘事上製造突兀不連貫效果。 |
| Dutch ..... Denkwijze die ontstond in de late jaren 50 van de 20ste eeuw onder Franse filmers, onder wie Louis Malle, François Truffaut, Alain Resnais en Jean-Luc Godard. De stroming is het meest bekend vanwege de bijbehorende theorieën die waren gebaseerd op het idee dat regisseurs die hun films domineerden de auteur en maker van de film werden. De stijl kenmerkt zich door innovaties in het editen van film, bijvoorbeeld snelle scènewisselingen of springers, die zorgen voor verwarrende, disjunctieve effecten in de vertelling als geheel. |
| Spanish ..... Modo de pensamiento originado en los 1950 tardíos entre los cineastas franceses que incluían a Louis Malle, François Truffaut, Alain Resnais, y Jean-Luc Godard. El movimiento es más conocido por sus teorías basadas en la idea que los directores que dominan sus películas se convierten en el creador y autor de la película. El estilo presenta innovaciones en la edición cinematográfica como el cambio de escena puesto en secuencia rápida, o "cortes o saltos", que producen efectos desconcertantes y disyuntivos en la narrativa. |
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