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ID: 300185153
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Record Type: concept |
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ready-mades (found objects, <found object sculpture>, ... Visual and Verbal Communication (Hierarchy Name)) |
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Note: Mass-produced utilitarian objects which the artist transforms into works of art by placing them in an artistic context.
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| Terms: |
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| ready-mades (preferred,C,U,English-P,D,U,PN)
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| ready-mades (Spanish-P,D,U,PN)
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| ready-mades (Dutch,D,U,U)
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| ready-made (C,U,English,AD,U,SN)
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| ready-made (Spanish,AD,U,SN)
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| ready-made (Dutch,AD,U,U)
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| ready-made objects (C,U,English,UF,U,N)
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| ready mades (C,U,English,UF,U,N)
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| readymades (C,U,English,UF,U,N)
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Facet/Hierarchy Code: V.VC |
Hierarchical Position:
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Objects Facet |
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.... Visual and Verbal Communication (Hierarchy Name) (G) |
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........ Visual Works (Hierarchy Name) (G) |
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............ <visual works (Guide Term)> (G) |
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................ <visual works by medium or technique> (G) |
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.................... sculpture (visual work) (G) |
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........................ <sculpture by material> (G) |
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............................ <found object sculpture> (G) |
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................................ found objects (G) |
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.................................... ready-mades (G) |
Additional Notes: |
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| Dutch ..... In massa vervaardigde gebruiksvoorwerpen die de kunstenaar verheft tot kunstwerk door ze in een artistiek kader te plaatsen. |
| Spanish ..... Objetos utilitarios producidos en masa que el artista transforma en obras de arte ubicándolos en contextos artísticos. |
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Sources and Contributors: |
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| ready-mades............ |
[Bureau AAT Preferred, CDBP-DIBAM, GCI Preferred, VP Preferred] |
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AAT-Ned (1994-) |
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AATA database (2002-) 128036 checked 26 January 2012 |
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Arnason, History of Modern Art (1977) 395, in text |
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Candidate term Concordia - 8/91 |
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Comité, Plural del término en singular |
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Janson, History of Art (1986) 693, capitalized in text |
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Mayer, Dictionary of Art Terms and Techniques (1969) man-made, usu. mass-produced,not made w. any artistic consideration - a form of found obj. |
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Murray, Dictionary of Art and Artists (1971) 119, in text at Duchamp |
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Oxford Companion to 20th-Century Art (1981) mass-produced article selected at random which Duchamp could set upon a pedestal & exhib. as art |
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Pierce, From Abacus to Zeus (1987) |
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