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Bergama (Anatolian Islamic textile styles after Manzikert, Anatolian Islamic styles after Manzikert, ... Styles and Periods (hierarchy name)) |
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Note: Style of textiles, particularly village floor coverings, that are handwoven in the vicinity of Bergama, western Turkey, or brought there for market from the interior of the country. Although most Bergama carpets date from the 19th and 20th centuries, rare examples survive from the 17th century. They are characterized by bold, highly varied patterns often in red, blue, and white. Typical designs include rows of panels or central medallion designs, preserving the fashions of much earlier centuries. The format of Bergama carpets is usually more nearly square than other Turkish types, and the few known prayer rugs tend to be unusually small. The red dye used in this area sometimes causes the pile to erode and look as if it had been cut in relief.
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| Terms: |
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| Bergama (preferred,C,U,English-P,D,U,A)
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| Bergama (Spanish-P,D,U,U)
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| Bergama (Dutch-P,D,U,U)
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| Yüncü (Anatolian Islamic textile style) (C,U,English,UF,U,U)
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| 貝爾加馬 (C,U,Chinese (traditional)-P,D,U,U)
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| 貝加蒙 (C,U,Chinese (traditional),UF,U,U)
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| bèi ěr jiā ma (C,U,Chinese (transliterated Hanyu Pinyin)-P,UF,U,U)
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| bei er jia ma (C,U,Chinese (transliterated Pinyin without tones)-P,UF,U,U)
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| pei erh chia ma (C,U,Chinese (transliterated Wade-Giles)-P,UF,U,U)
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Facet/Hierarchy Code: F.FL |
Hierarchical Position:
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Styles and Periods Facet |
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.... Styles and Periods (hierarchy name) (G) |
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........ <styles, periods, and cultures by region> (G) |
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............ Islamic World, The (G) |
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................ <Islamic World dynastic styles and periods> (G) |
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.................... <Anatolian Islamic styles and periods after Manzikert> (G) |
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........................ Anatolian Islamic styles after Manzikert (G) |
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............................ Anatolian Islamic textile styles after Manzikert (G) |
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................................ Bergama (G) |
Additional Notes: |
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| Chinese (traditional) ..... 一種織品風格；尤指用於村莊的鋪地物。此類織品可能源自西土耳其的貝爾加馬鄰近地區，以手工編織而成；亦或從土耳其內陸銷售至貝加蒙。雖然大多數的貝爾加馬地毯出自西元十九、二十世紀，但是仍有少數留存下來的地毯是來自西元十七世紀。貝加蒙地毯的特色是採用鮮明、多變的圖案，通常以紅、藍、白三種顏色組成。典型的設計包括成排的飾條，或是在地毯中央有圓形裝飾圖案；這些設計都保留了過去幾個世紀的流行元素。貝加蒙地毯的樣式通常較接近方形，而非其他土耳其地毯的樣式。貝加蒙知名的祈禱跪毯數量稀少，而且尺寸非常小。貝加蒙地區所使用的紅色染料有時候會導致織品的絨毛腐蝕，看起來就像是絨毛經過修剪而呈現出凹凸起伏。 |
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