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Brocade Style (Mesopotamian glyptic styles, Mesopotamian (culture or style), ... Styles and Periods (hierarchy name)) |
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Note: Refers to the glyptic style dominant in the Diyala region of Mesopotamia during the first phase of the Early Dynastic period, from about 2900 to 2750 BCE. The style is characterized by an overall patterning of space-filling motifs, which produced in the impression an unbroken frieze.
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| Terms: |
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| Brocade Style (preferred,C,U,English-P,D,U,A)
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| Brocade Style (Dutch-P,D,U,U)
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| 錦繪風格 (C,U,Chinese (traditional)-P,D,U,U)
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| jǐn huì fēng gé (C,U,Chinese (transliterated Hanyu Pinyin)-P,UF,U,U)
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| jin hui feng ge (C,U,Chinese (transliterated Pinyin without tones)-P,UF,U,U)
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| chin hui feng ko (C,U,Chinese (transliterated Wade-Giles)-P,UF,U,U)
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| Estilo de brocado (C,U,Spanish-P,D,U,U)
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Facet/Hierarchy Code: F.FL |
Hierarchical Position:
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Styles and Periods Facet |
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.... Styles and Periods (hierarchy name) (G) |
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........ <styles, periods, and cultures by region> (G) |
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............ Early Western World (G) |
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................ Near Eastern (Early Western World) (G) |
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.................... Mesopotamian (culture or style) (G) |
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........................ Mesopotamian glyptic styles (G) |
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............................ Brocade Style (G) |
Additional Notes: |
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| Chinese (traditional) ..... 指自西元前2900年至西元前2750年間，亦即在早王朝時代的第一時期開始發展，流行於美索不達米亞的迪亞拉（Diyala）一地的寶石雕刻風格。此風格的特色是以母題布滿整個空間的圖案結構，造成連續帶狀裝飾的效果（frieze）。 |
| Dutch ..... Verwijst naar de overheersende graveerstijl in de regio Diyala in Mesopotamië tijdens de eerste fase van de vroeg-dynastieke tijd, van circa 2900 tot 2750 v. Chr. De stijl kenmerkt zich door doorlopende patronen van ruimtevullende motieven die de indruk wekken van een ononderbroken fries. |
| Spanish ..... Se refiere al estilo de glíptica dominante en la región de Diyala de Mesopotamia durante la primera fase del período Dinástico Temprano, de aproximadamente 2900 al 2750 a.C. El estilo se caracteriza por una decoración global de motivos que llenan el espacio, lo que produce la impresión de un friso continuo. |
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