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Concrete art (<modern European fine arts styles and movements>, <modern European styles and movements>, ... Styles and Periods (hierarchy name)) |
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Note: Term coined in 1930 by Theo van Doesburg to characterize a form of non-figurative painting in which the pictorial elements, planes and colors, have no significance other than themselves. He meant to distinguish between other forms of abstraction, indebted to illusionism mimicing the visible or natural world, and paintings that are products of the human mind. The definition was elaborated upon by Max Bill in 1936 in a catalog for the exhibition Zeitprobleme in der Schweizer Malerei und Plastik. In 1960 Bill organized an exhibition of work that fit his definition, and that established Concrete art as an international movement.
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| Terms: |
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| Concrete art (preferred,C,U,LC,English-P,D,U,A)
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| Art Concret (C,U,English,UF,U,U)
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| Art Concret (Spanish,AD,U,U)
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| concrete art (C,U,English,UF,U,U)
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| art, Concrete (C,U,English,UF,U,U)
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| Konkrete Kunst (C,U,English,UF,U,U)
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| Konkrete Kunst (Spanish,UF,U,U)
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| 具體藝術 (C,U,Chinese (traditional)-P,D,U,U)
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| jù tǐ yì shù (C,U,Chinese (transliterated Hanyu Pinyin)-P,UF,U,U)
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| ju ti yi shu (C,U,Chinese (transliterated Pinyin without tones)-P,UF,U,U)
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| chü t'i i shu (C,U,Chinese (transliterated Wade-Giles)-P,UF,U,U)
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| konkrete kunst (C,U,Dutch-P,D,U,U)
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| konkretisme (C,U,Dutch,UF,U,U)
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| art concret (C,U,French-P,D,U,N)
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| arte concreta (C,U,Portuguese-P,D,SN)
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| concretismo (C,U,Portuguese,UF,SN)
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| Arte concreto (C,U,Spanish-P,D,U,U)
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Facet/Hierarchy Code: F.FL |
Hierarchical Position:
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Styles and Periods Facet |
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.... Styles and Periods (hierarchy name) (G) |
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........ <styles, periods, and cultures by region> (G) |
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............ European (G) |
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................ <modern European styles and movements> (G) |
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.................... <modern European fine arts styles and movements> (G) |
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........................ Concrete art (G) |
Additional Notes: |
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| French ..... Terme inventé en 1930 par Theo van Doesburg pour caractériser une forme de peinture non-figurative dont les éléments picturaux, plans et couleurs, n’ont d’autres significations qu’eux-mêmes. Il entendait ainsi faire la distinction entre d’autres formes d’abstraction issues de l’illusionnisme et imitant le monde visible ou naturel, et les peintures qui sont le produit de l’esprit humain. Cette définition sera approfondie par Max Bill en 1936 dans un catalogue de l’exposition « Zeitprobleme in der Schweizer Malerei und Plastik ». En 1960, Bill organisa une exposition d’œuvres conformes à sa définition, qui fit de l’art concret un mouvement international. |
| Portuguese ..... Termo cunhado em 1930 por Theo van Doesburg para caracterizar uma forma de pintura não figurativa na qual os elementos pictóricos, planos e cores não têm outro significado além de si mesmos. Ele pretendia distinguir entre outras formas de abstração, em dívida com o ilusionismo, imitando o mundo visível ou natural, e as pinturas que são produtos da mente humana. A definição foi elaborada por Max Bill em 1936 em um catálogo para a exposição Zeitprobleme in der Schweizer Malerei und Plastik. Em 1960, Bill organizou uma exposição de obras que se encaixavam em sua definição e que estabeleceu a arte concreta como um movimento internacional. |
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