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Ottonian (Early Medieval, Medieval (European), ... Styles and Periods (hierarchy name)) |
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Note: Refers to the period, style, and culture associated with the rule of the Ottonian emperors (919-1024) and Salian rulers Conrad II and Henry III, through most of the 11th century. The style is an amalgam of elements including the ideals of the Carolingian art, a renewed interest in Early Christian art, and the influence of contemporary Byzantine art.
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| Terms: |
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| Ottonian (preferred,C,U,English-P,D,U,A)
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| 奧托藝術 (C,U,Chinese (traditional)-P,D,U,U)
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| 奧托文化 (C,U,Chinese (traditional),UF,U,U)
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| ào tuō yì shù (C,U,Chinese (transliterated Hanyu Pinyin)-P,UF,U,U)
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| ao tuo yi shu (C,U,Chinese (transliterated Pinyin without tones)-P,UF,U,U)
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| ao t'o i shu (C,U,Chinese (transliterated Wade-Giles)-P,UF,U,U)
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| Ottoons (C,U,Dutch-P,D,U,U)
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| Otoniano (C,U,Spanish-P,D,U,U)
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Facet/Hierarchy Code: F.FL |
Hierarchical Position:
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Styles and Periods Facet |
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.... Styles and Periods (hierarchy name) (G) |
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........ <styles, periods, and cultures by region> (G) |
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............ European (G) |
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................ Medieval styles and periods (G) |
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.................... Medieval (European) (G) |
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........................ Early Medieval (G) |
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............................ Ottonian (G) |
Additional Notes: |
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| Chinese (traditional) ..... 指在奧托君王（西元919年至1024年）和十一世紀薩利安統治者康拉德二世和亨利三世當政期間的時代風格與文化。這種風格融合了加洛林時期藝術的理想、對早期基督教藝術重新燃起興趣、和同時代拜占庭藝術的影響。 |
| Dutch ..... Verwijst naar de stijl en periode van de heerschappij van de Ottoonse keizers (919-1024) en de Salische heersers Conrad II en Henry III, die het grootste deel van de 11de eeuw zou blijven bestaan. De stijl herbergt samenraapsel van elementen, zoals de idealen van Karolingische kunst, hernieuwde belangstelling voor de vroeg-christelijke kunst en de invloed uit de gelijktijdige Byzantijnse kunst. |
| Spanish ..... Se refiere al período y estilo asociado con el gobierno de los emperadores Otonianos (919-1024) y los gobernantes Salian Conrado II y Enrique III, a través de la mayor parte del siglo XI. El estilo es una fusión de elementos que incluyen los ideales del Arte Carolingio, un interés renovado en el arte Paleocristiano y la influencia del Arte Bizantino contemporáneo. |
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Sources and Contributors: |
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