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ID: 300019092
Page Link: http://vocab.getty.edu/page/aat/300019092

 

Record Type: concept
Thatôn (Mon (Burmese culture), Burmese (culture or style), ... Styles and Periods (hierarchy name))

 

Note: Refers to a style named after the town in the southern region of modern Myanmar, situated on the Tenasserim plains, an early Mon capital designated as the epicenter of Indian culture until the 11th century. The style features prominent Mon sculpture, Brahmanic stone stelae, and stone bas-reliefs of the deities Vishnu, Ananta, Brahma, and Shiva in various meditative positions.
 
Terms:
Thatôn (preferred,C,U,English-P,D,U,A)
Thatôn (Spanish-P,D,U,U)
直通 (C,U,Chinese (traditional)-P,D,U,U)
zhí tōng (C,U,Chinese (transliterated Hanyu Pinyin)-P,UF,U,U)
zhi tong (C,U,Chinese (transliterated Pinyin without tones)-P,UF,U,U)
chih t'ung (C,U,Chinese (transliterated Wade-Giles)-P,UF,U,U)
Thaton (C,U,Dutch-P,D,U,U)

Facet/Hierarchy Code:  F.FL

Hierarchical Position:

Hierarchy of Styles and Periods Facet
Styles and Periods Facet
Hierarchy of Styles and Periods (hierarchy name)
.... Styles and Periods (hierarchy name) (G)
Hierarchy of <styles, periods, and cultures by region>
........ <styles, periods, and cultures by region> (G)
Hierarchy of Asian
............ Asian (G)
Hierarchy of Southeast Asian
................ Southeast Asian (G)
Hierarchy of Burmese (culture or style)
.................... Burmese (culture or style) (G)
Hierarchy of Mon (Burmese culture)
........................ Mon (Burmese culture) (G)
Hierarchy of Thatôn
............................ Thatôn (G)

Additional Notes:
Chinese (traditional) ..... 指以現今緬甸南部地區的直通鎮加以命名的風格,此鎮位於丹那沙林平原(Tenasserim plains),為早期的孟邦首都,直到西元十一世紀以前都是印度文化的中心。直通風格的特色包括:著名的孟邦雕刻、婆羅門石柱,以及刻著毘濕奴(Vishnu)、阿南陀(Ananta)、濕婆神(Shiva)等神祇不同冥想姿勢的淺石雕。 
Dutch ..... Verwijst naar een stijl die zijn naam ontleent aan de gelijknamige stad in het zuiden van het tegenwoordige Myanmar, gelegen op de vlakten van Tenasserim; het is een vroege Mon-hoofdstad die tot de 11de eeuw als belangrijkste centrum van de Indiase cultuur werd beschouwd. Opvallende kenmerken van de stijl zijn het Mon-beeldhouwwerk, de brahmaanse stèles van steen en de stenen bas-reliëfs van de godheden Visjnoe, Ananta, Brahma en Shiva, in diverse meditatieve houdingen. 

Sources and Contributors:
直通............  [AS-Academia Sinica Preferred]
...........  印度與東南亞文化史 106
chih t'ung............  [AS-Academia Sinica]
.......................  TELDAP database (2009-)
Thatôn............  [CDBP-SNPC Preferred, VP Preferred]
.................  Cofmaraswamy, History of Indian and Indonesian Art (1927) 292
.................  Encyclopedia Britannica Online (2002-) "Thatôn" Accessed 6/28/00
.................  Griswald et al., Art of Burma (1964) 275
.................  Groslier, Indo-China (1962) 260
.................  Lemay, Buddhist Art in Siam (1963) 168
.................  TAA database (2000-)
Thaton............  [RKD, AAT-Ned Preferred]
.................  Atlas van de aarde (1985)
.................  AAT-Ned (1994-)
zhi tong............  [AS-Academia Sinica]
.................  TELDAP database (2009-)
zhí tōng............  [AS-Academia Sinica]
.................  TELDAP database (2009-)
 
Subject: .....  [AS-Academia Sinica, CDBP-SNPC, RKD, AAT-Ned, VP]
............  Atlas van de aarde (1985)
 
Note:
English .......... [VP]
.......... Legacy AAT data
Chinese (traditional) .......... [AS-Academia Sinica]
.......... TELDAP database (2009-)
Dutch .......... [RKD, AAT-Ned]
..........  Atlas van de aarde (1985)
.......... AAT-Ned (1994-)

 

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