|
|
 |
 |
|
|
September 25, 2007 |
|
|
|
Tours and Gallery Talks |
|
|
Architecture Tour
Tuesdays - Thursdays and Sundays through June 29, 2008
10:15 am, 11 am, 1 pm, 2 pm, 3 pm
Museum Entrance Hall, Getty Center
This is a 45-minute tour of the architecture and Richard Meier's design of the Getty Center. Meet the docent outside at the bench under the sycamore trees near the front entrance of the Museum.
|
|
|
|
|
|
|
Collection Highlights Tour
Daily through June 29, 2008
11 am
Museum Galleries, Getty Center
This one-hour tour provides an overview of major works from the Museum's collection. Offered in English and Spanish on weekends. Meet at the Museum Information Desk.
|
|
|
|
|
|
|
Garden Tour
Daily through June 29, 2008
11:30 am, 12:30 pm, 2:30 pm, 3:30 pm
Central Garden, Getty Center
This is a 45-minute tour of the Getty gardens, including Robert Irwin's Central Garden. Meet the docent outside at the bench under the sycamore trees near the front entrance of the Museum.
|
|
|
|
|
|
|
Exhibition Tour
Daily through October 14, 2007
1:30 pm
Museum Galleries, Getty Center
A special one-hour exhibition overview of Edward Weston: Enduring Vision. Meet at the Museum Information Desk.
|
|
|
|
|
|
|
Focus Tour: Baroque Art
Tuesdays through June 24, 2008
3 pm
Museum Galleries, Getty Center
Enjoy a one-hour tour exploring the drama and splendor of Baroque art and furniture made in the 1600s and early 1700s for the royalty as well as the business class and the Catholic church of Europe. Meet at the Museum Information Desk.
|
|
|
|
|
|
|
Masterpiece of the Week Talk
Daily through September 30, 2007
4 pm
Museum Galleries, Getty Center
This 15-minute gallery talk offers an in-depth look at one object. This week the featured work of art is Gradual by Antonio da Monza. Meet at the Museum Information Desk.
|
|
|
|
Exhibitions |
|
|
Classical Connections: The Enduring Influence of Greek and Roman Art
Daily through December 31, 2009
North Pavilion, Plaza Level, Getty Center
This installation of antiquities demonstrates the relationship of ancient art to later work, showing some of the themes, techniques, and motifs borrowed by later artists—from mythology to decorative design—and the approach to the human figure known today as the classical ideal. This permanent collection installation is on view in the North Pavilion.
 Learn more about this exhibition
|
|
|
|
|
|
|
Recent History: Photographs by Luc Delahaye
Daily through November 25, 2007
West Pavilion, Terrace Level, Getty Center
The Getty Museum presents the first West Coast exhibition featuring the work of Luc Delahaye (French, b. 1962), including 10 photographs depicting recent world events. Inspired by a documentary approach to photography, his large-scale color works urge reflection about the relationships among art, information, and history. The direct nature of the photographs, the detachment and the rich details that emerge from them contradict but also enhance their dramatic intensity and narrative power.
Learn more about this exhibition
|
|
|
|
|
|
|
Please Be Seated: A Video Installation by Nicole Cohen
Daily through January 11, 2009
South Pavilion, Plaza Level, Getty Center
Internationally recognized video artist Nicole Cohen (American, b. 1970) explores the intersection of historical interiors, the social behaviors they conditioned, contemporary popular culture, and fantasy. Her project for the Getty Museum focuses on the Museum's collection of French seating furniture and its original and museological contexts. Viewers are invited to engage in a participatory experience, forming personal, imaginative narratives through video projections that render the chairs virtually accessible.
Learn more about this exhibition
|
|
|
|
|
|
|
Evidence of Movement
Daily through October 7, 2007
Research Institute Exhibition Gallery, Getty Center
In the collecting and display of art, performance has posed strong challenges to traditional notions of both the art collection and the archive. Unlike painting or sculpture, performance-based art lacks an original, fully-present and self-contained object. Because of this, archival material such as documentary photography, film and video, and artistsŐ notes and sketches are often studied, collected, and exhibited as works of art. Drawn primarily from the special collections of the Research Library at the Getty Research Institute, this exhibition surveys the variety of creative means by which artists have used traditional media to document performance-based art.
Learn more about this exhibition
|
|
|
|
|
|
|
Music for the Masses: Illuminated Choir Books
Daily through October 28, 2007
North Pavilion, Plaza Level, Getty Center
Some of the largest and most beautiful manuscripts that survive from the Middle Ages and the Renaissance are books containing the music of Christian church ceremonies. This exhibition of over 40 manuscripts and leaves from the Getty Museum's collection explores a variety of themes including: the types of medieval books that contained music; the evolving forms of musical notation; the individuals who used these books in their worship and the famous artists who painted the illuminations; and especially, the scenes from the Old Testament and from the lives of Christ and the saints that decorate the hymns. Accompanying the exhibition are recorded versions of selected chants from the manuscripts on display.
Learn more about this exhibition
|
|
|
|
|
|
|
Edward Weston: Enduring Vision
Daily through November 25, 2007
West Pavilion, Terrace Level, Getty Center
A seminal figure in the history of photography, Edward Weston (American, 1886–1958) began his long career in Southern California. The Getty Museum's collection of Weston prints is among the most significant of any art museum, spanning four decades of the artist's work. This exhibition traces the breadth of Weston's accomplishments in California, Mexico, and across the United States, employing a selection of prints drawn from the Museum's holdings alongside a smaller number of complementary loans. One gallery of the exhibition is devoted to the work of Weston's colleagues and students.
Learn more about this exhibition
|
|
|
|
|
|
|
 |
|
|
September 25, 2007 |
|
The Getty Villa is closed to the general public on this date.
|
|
|
|
|
