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February 15, 2012 |
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Courses and Demonstrations |
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Sculpting the Portrait in Clay
Wednesdays through February 15, 2012
10:30 am - 4:30 pm
Museum Studios, Getty Center
In this two-day sculpture workshop with artist Peter Zokosky, participants work from a live model and sculpt the human head in half scale. Emphasis is on exploring the forms that make up the human head and capturing the likeness of the individual model. Instructions, demonstrations, and gallery visits support the hands-on experience. Complements the exhibition Images of the Artist. Course fee $165 (includes materials and lunch each day). Open to 25 participants.
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Tours and Gallery Talks |
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Garden Tour
Daily
11:30 am, 12:30 pm, 2:30 pm, 3:30 pm
Getty Center
The gardens of the Getty are the focus of this 45-minute tour. Meet the docent outside
at the bench under the sycamore trees near the front entrance to the Museum.
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Focus Tour: Paintings Highlights
Wednesdays
3 pm
Museum Galleries, Getty Center
Experience the art of painting in a one-hour tour focusing on the finest examples from the Museum's collection of works by European painters. Meet the educator at the Museum Information Desk.
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Architecture Tour
Daily
10:15 am, 11 am, 1 pm, 2 pm, 3 pm, 4 pm
Museum Entrance Hall, Getty Center
Discover more about Richard Meier's architecture and the design of the Getty Center site in this 45-minute tour. Meet the docent outside at the bench under the sycamore trees near the front entrance to the Museum.
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Collection Highlights Tour
Daily
11 am
Museum Galleries, Getty Center
This one-hour tour provides an overview of major works from the Museum's collection. Meet the educator at the Museum Information Desk.
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Famous Faces: Celebrity Portraits
Tuesdays - Fridays through April 6, 2012
1:30 pm
Museum Galleries, Getty Center
Examine the portrayal of identity, lifestyles, and celebrity culture in paintings, drawings, and sculptures. Meet the educator at the Museum Information Desk.
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Curator's Gallery Talk
Wednesday February 15, 2012
2:30 pm
Museum Galleries, Getty Center
Christopher Platts, department of Manuscripts, the J. Paul Getty Museum, leads a gallery talk on the exhibition Gothic Grandeur: Manuscript Illumination, 1200–1350. Meet under the stairs in the Museum Entrance Hall.
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Masterpiece of the Week Talk
Daily through February 19, 2012
4 pm
Museum Galleries, Getty Center
What to do on Valentine's Day? Come see John Deare's sensual image of Venus Reclining on a Sea Monster with Cupid and a Putto in this 15-minute talk. Meet the educator at the Information Desk.
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Exhibitions |
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New Galleries for Medieval and Renaissance Sculpture and Decorative Arts
Daily
North Pavilion, Plaza Level, Getty Center
A newly designed installation of medieval and Renaissance European sculpture and decorative arts is now on view in the J. Paul Getty Museum's North Pavilion at the Getty Center. Displayed with paintings, drawings, and illuminated manuscripts that enrich their context, the works of art are arranged by period and theme. The installation features innovative technologies, including interactive touch screens, that enhance the visitor's experience.
 Learn more about this exhibition
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From Start to Finish: De Wain Valentine's Gray Column
Daily through March 11, 2012
West Pavilion, Plaza Level, Getty Center
Gray Column was one of the largest sculptures De Wain Valentine ever cast with polyester resin—the material with which he worked throughout the 1960s and 1970s to create his dazzling circles and columns. This monumental, free-standing slab, measuring twelve feet high and eight feet wide, was abandoned in 1975 and only completed for this exhibition. Curated by the Getty Conservation Institute and on view at the J. Paul Getty Museum, From Start to Finish tells the story of how this extraordinary piece was made and features preparatory drawings and maquettes, videos documenting the fabrication process, interviews with the artist, and a discussion of the conservation of this sculpture. This Getty Center exhibition is part of the region-wide Pacific Standard Time initiative.
Learn more about this exhibition
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Lyonel Feininger: Photographs, 1928–1939
Daily through March 11, 2012
West Pavilion, Terrace Level, Getty Center
A highly regarded painter, printmaker, and draftsman, Lyonel Feininger (American, 1871–1956) was the first master appointed to the newly established Bauhaus in Weimar, Germany, in 1919. Like many other figures at the innovative art school, Feininger turned to photography as a tool for visual exploration. Beginning in 1928 and for the next decade, he used the camera to explore transparency, reflection, night imagery, and the effects of light and shadow. Organized by the Harvard Art Museum/Busch-Reisinger Museum, Cambridge, Massachusetts, in cooperation with the J. Paul Getty Museum, this exhibition presents the first comprehensive overview of little-known photographs by one of the most important artists of the twentieth century. The presentation at the Getty is accompanied by a selection of Bauhaus photographs from the Museum's permanent collection. The exhibition, tour, and catalogue were funded in part through the generosity of the German Friends of the Busch-Reisinger Museum, the Terra Foundation for American Art, the Dedalus Foundation, Inc., and the Emily Rauh Pulitzer and Joseph Pulitzer Jr. Fund for Modern and Contemporary Art, Harvard Art Museums.
Learn more about this exhibition
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Narrative Interventions in Photography
Daily through March 11, 2012
West Pavilion, Terrace Level, Getty Center
Featuring contemporary artists Eileen Cowin (American, born 1947), Carrie Mae Weems (American, born 1953), and Simryn Gill (Singaporean, born 1959), this exhibition explores the concept of storytelling through three distinct bodies of photographic works. Cowin's images present a philosophical questioning of narrative and what is fact or fiction; Weems's art attempts to rewrite a profound aspect of human history; while photographs by Gill reflect a more personal interaction with stories through deconstructed books. Although each artist has a different approach, all are concerned with photography and the notion of narrative: implied, real, or revised.
Learn more about this exhibition
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In Focus: Los Angeles, 1945–1980
Daily through May 6, 2012
West Pavilion, Terrace Level, Getty Center
This exhibition presents approximately twenty-five photographs from the Museum's permanent collection made in Los Angeles between 1945 and 1980. Both iconic and relatively unknown works are featured by artists whose careers are defined by their association with the city, who may have lived in Los Angeles for a few brief but influential years, or whose visit inspired them to create memorable images. Works by Robert Cumming, Joe Deal, Judy Fiskin, Anthony Friedkin, Robert Heinecken, Anthony Hernandez, Man Ray, Edmund Teske, William Wegman, Garry Winogrand, Max Yavno and others are loosely grouped around the themes of experimentation, street photography, architectural depictions, and the film and entertainment industries. <br><br> This Getty Center exhibition is part of the region-wide Pacific Standard Time initiative.
Learn more about this exhibition
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The Life of Art: Context, Collecting, and Display
Daily
South Pavilion, Plaza Level, Getty Center
From the time an object is made until the day it enters a museum's collection, it may be displayed, used, and perceived in different ways. The Life of Art takes selected objects from the Getty Museum's galleries and encourages visitors to sit down and spend time with them, offering the opportunity to examine them closely to understand how they were made and functioned, why they were collected, and how they have been displayed. Through careful looking, what may be learned about the maker and previous owners of a French gilt-bronze wall light, for example, or the transformation in England of a Chinese porcelain bowl? Close engagement reveals the full lives of these works and why they continue to be collected and cherished today.
Learn more about this exhibition
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Gothic Grandeur: Manuscript Illumination, 1200–1350
Daily through May 13, 2012
North Pavilion, Plaza Level, Getty Center
The word "Gothic" evokes visions of soaring spires, graceful flying buttresses, and sparkling stained glass. The term is also applied to the style of manuscript illumination that reigned in Europe from around 1200 to 1350. The Gothic illuminated manuscripts in this exhibition, drawn from the Getty Museum's collections, are characterized by whimsical marginal decorations, vivid narratives, and a naturalistic style of painting. The period also saw an explosion in the variety of illustrated books being produced, ranging from scholastic university treatises to entertaining romances. On February 27, the pages of the manuscripts will be turned to allow visitors to see additional treasures.
Learn more about this exhibition
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February 15, 2012 |
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Tours and Gallery Talks |
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Garden Tour
Daily
10:30 am, 11:30 am, 12:30 pm, 1:30 pm, 2:30 pm, 3:30 pm
Getty Villa
Discover the rich mythological and cultural connections of ancient gardens in this 40-minute tour of the Getty Villa's four Roman gardens. Meet at the Tour Meeting Place outside the Museum Entrance.
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Architecture Tour
Daily
10:30 am, 11:30 am, 12:30 pm, 1:30 pm, 2:30 pm, 3:30 pm
Museum, Getty Villa
Explore the architecture of the Getty Villa and learn more about daily life in the ancient world in this 40-minute tour. Meet at the Tour Meeting Place outside the Museum Entrance.
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Spotlight Talk: Cypriot Bowl with Scenes of Daily Life
Daily through February 29, 2012
1 pm
Museum Galleries, Getty Villa
Learn how to look at ancient art in this 20-minute gallery talk examining in depth one work in the Museum's collection. The featured object this month is a Cypriot Bowl with Scenes of Daily Life from about 2000–1900 B.C. Sign-up begins 15 minutes before the talk at the Tour Meeting Place.
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Collection Highlights Tour
Weekdays
2 pm
Museum Galleries, Getty Villa
This one-hour tour provides an overview of major works from the Museum's collection. Space is limited. Sign up at the Tour Meeting Place outside the Museum Entrance 15 minutes before the tour.
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Focus Tour: Seeing the Modern in the Ancient
Wednesday February 15, 2012
3 pm
Museum Galleries, Getty Villa
Why do some ancient works in the Museum's collection remind us of modern art? How does our experience with modern art color our interpretation of antiquities? Join this hour-long tour to discuss these questions and to consider how modern artists were inspired by the classical past. Tour topic is subject to change. Sign-up begins 15 minutes before the tour at the Tour Meeting Place.
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Exhibitions |
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Molten Color: Glassmaking in Antiquity
Daily
Museum, Floor 2, Getty Villa
In 2003, the J. Paul Getty Museum acquired a collection of over 350 pieces of ancient glass, formerly owned by Erwin Oppenländer. The works on view in Molten Color are remarkable for their high quality, their chronological breadth, and the glassmaking techniques illustrated by their manufacture. The vessels are accompanied by text and videos illustrating ancient glassmaking techniques.
Learn more about this exhibition
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Roman Ephebe from Naples
Daily
Getty Villa
Youth as a Lamp Bearer, a long-term loan from the Museo Archeologico Nazionale in Naples, is on view at the J. Paul Getty Museum at the Getty Villa.
Learn more about this exhibition
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