- Scholars Program
- Current Themes and Scholars in Residence
- Future Themes
- 2021/22: The Fragment
- 2021/22: The Levant and the Classical World
- 2021/22: African American Art History
- 2020/21: The Fragment
- 2020/21: The Levant and the Classical World
- 2019/20: Art and Ecology
- 2019/20: The Classical World in Context: Thrace
- 2018/19: MONUMENTALITY
- 2018/19: The Classical World in Context: Persia
- 2017/18: Iconoclasm and Vandalism
- 2017/18: The Classical World in Context: Persia
- 2016/17: Art and Anthropology
- 2016/17: The Classical World in Context: Egypt
- 2015/16: Art and Materiality
- 2015/16: The Classical World in Context: Egypt
- 2014/15: Object—Value—Canon
- 2013/14: Connecting Seas
- 2012/13: Color
- 2011/12: Artistic Practice
- 2010/11: The Display of Art
- 2009/10: The Display of Art
- 2008/09: Networks & Boundaries
- 2008/09: Ancient Images (Villa)
- 2007/08: Change
- 2007/08: Cultural Identity (Villa)
- 2006/07: Religion & Ritual
- 2005/06: Duration: The Persistence of Antiquity
- 2004/05: Duration
- 2003/04: Markets & Value
- 2002/03: Biography
- 2001/02: Frames of Viewing
- 2000/01: Reproductions & Originals
- 1999/00: Humanities in Perspective
- 1997/99: Representing the Passions
- 1996/97: Perspectives on Los Angeles
- 1995/96: The Nature & Idea of Collecting
- 1994/95: Memory
- 1993/94: The Americas
- 1992/93: The Metropolis as Crucible
- 1991/92: Popular & Mass Culture
- 1990/91: Time & Ritual in Antiquity
- 1989/90: The Avant-Garde
- 1988/89: Artifacts & Disciplines
- 1987/88: Reception & Interpretation of the Arts
- 1986/87: Seventeenth Century Dutch Art
- 1985/86: Aesthetic Experience
- Research Projects
- Digital Art History
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