Getty Research Journal, no. 8 (2016)
|
Contents
Subhashini Kaligotla, "Beyond Borderland: Claiming a Conceptual Space for Early Deccan Buildings," Getty Research Journal, no. 8 (2016): 1–16.
|
||
Lihong Liu, "Vitreous Views: Materiality and Mediality of Glass in Qing China through a Transcultural Prism," Getty Research Journal, no. 8 (2016): 17–38.
|
||
Monique Kornell, "Edme Bouchardon's Anatomy Book for Artists," Getty Research Journal, no. 8 (2016): 39–54.
|
||
Corina Meyer, "'An Identifying Characteristic that Makes the [Collection] Worth a Trip': The Orléans Collection as a Stamp Album in London?," Getty Research Journal, no. 8 (2016): 55–72.
|
||
Barbara Novak, "Church, Humboldt, and the Politics of Display," Getty Research Journal, no. 8 (2016): 73–92.
|
||
Nancy A. Winter, "Setting the Standard: Aquarelles by Wilhelm Dörpfeld of Western Greek Architectural Terracottas in Sicily and Southern Italy," Getty Research Journal, no. 8 (2016): 93–108.
|
||
Paolo Serafini, "Archives for the History of the French Art Market (1860–1920): The Dealers' Network," Getty Research Journal, no. 8 (2016): 109–34.
|
||
Rixt Hoekstra, "History in the Making: The Creation of Pevsner's Pioneers as Reconstructed from His Archives," Getty Research Journal, no. 8 (2016): 135–46.
|
||
MacKenzie Mallon, "A Refuge from War: The Nelson-Atkins Museum of Art and the Evacuation of Art to the Midwest during World War II," Getty Research Journal, no. 8 (2016): 147–60.
|
||
Stephen Moonie, "A Poet of 'Non-ressentiment'? Lawrence Alloway, Ray Johnson, and the Art World as a Network," Getty Research Journal, no. 8 (2016): 161–76.
|
||
Natilee Harren, "The Provisional Work of Art: George Brecht's Footnotes at LACMA, 1969," Getty Research Journal, no. 8 (2016): 177–97.
|
||
Acquisitions and Discoveries
Bryan C. Keene, "New Discoveries from the Laudario of Sant'Agnese," Getty Research Journal, no. 8 (2016): 199–208.
|
||
James Fishburnet, "Newly Discovered Monetary Characteristics of Emperor Rudolf II's Gold Portrait Medal," Getty Research Journal, no. 8 (2016): 209–16.
|
||
Alison Locke Perchuk, "Three Early Architectural Drawings of San Pietro in Tuscania (VT)," Getty Research Journal, no. 8 (2016): 217–24.
|
||
Anne-Lise Desmas, "The Getty Faun Holding a Goat Inscribed 'N. Coustou 1715': A Nineteenth-Century Forgery after Saly's Reception Piece at the Academy," Getty Research Journal, no. 8 (2016): 225–38.
|
||
Nancy Um, "Bridging the Mediterranean and Gujarat with the Turn of a Page: Picturing the Dimensions of Maritime Travel in an Extra-Illustrated Nineteenth-Century Book about India," Getty Research Journal, no. 8 (2016): 239–46.
|
||
Doris Chon, "Harald Szeemann's Museum of Obsessions: The Legacy of a Mythological Institution," Getty Research Journal, no. 8 (2016): 247–56.
|
||