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Table of Contents

  1. Foreword
  2. Vanessa R. Schwartz, Jan von Brevern
  3. pp. v-vi
  4. restricted access
  1. Prints, Politics, and a Child King: The Battle of Rocroi in 1643
  2. Barbara Gaehtgens
  3. pp. 1-18
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  1. Historicity, Achronicity, and the Materiality of Cultures in Colonial Brazil
  2. Amy J. Buono
  3. pp. 19-34
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  1. The Photographic Albums of Abbas Ali as Continuations of the Mughal Muraqqaʿ Tradition
  2. Alka Patel
  3. pp. 35-52
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  1. Case Study House 21: The (Re)making of a Collector’s Item
  2. Neil Jackson
  3. pp. 53-66
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  1. The Eternal Child: On Expectations in the History of Photography
  2. Jan von Brevern
  3. pp. 67-80
  4. restricted access
  1. The Transparency of Color: Aesthetics, Materials, and Practices of Hand Coloring Photographs between Rochester and Yokohama
  2. Ann-Sophie Lehmann
  3. pp. 81-96
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  1. Photography as a “Space of Experience”: On the Retrospective Legibility of Historic Photographs
  2. Peter Geimer
  3. pp. 97-108
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  1. The Past Future of Futurist Movement Photography
  2. Katja Müller-Helle
  3. pp. 109-123
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  1. “Digital Montagny”: An Introspective Experience in Art History
  2. Delphine Burlot, Martine Denoyelle
  3. pp. 125-132
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  1. Human Geography, GIS Technology, and Ancient Mysteries: A Case Study from the Island of Samothrace
  2. Sandra Blakely
  3. pp. 133-141
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  1. Carpaccio Gleanings: Discoveries in the Photo Archive of the Getty Research Institute
  2. Sara Menato
  3. pp. 143-150
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  1. Traces of Saint Thomas Becket in the Getty Gratian (J. Paul Getty Museum, Ms. Ludwig XIV 2)
  2. Leena Löfstedt
  3. pp. 151-156
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  1. The Angelica Kauffmann Inventories: An Artist’s Property and Legacy in Early-Nineteenth-Century Rome
  2. Wendy Wassyng Roworth
  3. pp. 157-168
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  1. “Harmony in Contrast”: The Drawings of Solomon Caesar Malan
  2. Peter Louis Bonfitto
  3. pp. 169-176
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  1. Heinrich Wölfflin’s Own Annotated Books
  2. Andrew James Hopkins
  3. pp. 177-184
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  1. Diego Rivera’s “California Miners” Sketchbook (1931): New Research on the Artist in California during the Great Depression
  2. Mari-Tere Álvarez, Charlene Villaseñor Black
  3. pp. 185-196
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  1. The Photographic Memory and Impact of the Hungarian 1956 Uprising during the Cold War Era
  2. Isotta Poggi
  3. pp. 197-206
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  1. Harald Szeemann’s La Mamma: Notes on an Unrealized Exhibition
  2. Pietro Rigolo
  3. pp. 207-213
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Number 6, 2014

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Number 8, 2016