Home
Introduction
The Digital Image Defined
Standards
Metadata
The Image
Networks, System Architecture, and Storeage
Why Digitize
Project Planning
Selecting Scanners
Image Capture
Selecting a Metadata Schema
Quality Control
Delivery
Security Policies & Procedures
Long-Term Management & Preservation
Conclusion
Glossary
Online Resources
Bibliography
Contributors
Illustration Credits
Printer Friendly PDFs



Introduction to Art Image Access


Illustration Credits


Photographs of figs. 4, 5, and 12 are courtesy the Research Library at the Getty Research Institute. Photograph of fig. 6 is courtesy the J. Paul Getty Museum. ©2003 J. Paul Getty Trust.

Cover image and figs. 4 and 12. Scanned from 4-by-5-inch photographic transparencies taken by Paula Goldman.

Fig. 1. Created by Hespenheide Design.

Figs. 2 and 3. Created by John Redfern, Redfern Animation, Craignish, Argyll, Scotland.

Figs. 5 and 13. Scanned from 4-by-5-inch photographic transparencies taken by Getty Research Institute Visual Media Services.

Fig. 12, second detail. Scanned from 35mm photographic slide taken by Getty Research Institute Visual Media Services.

Fig. 6. Scanned from 4-by-5-inch photographic transparency taken by Lou Meluso.

Figs. 7, 8, 9, 10, 11, and 14. Technical renderings by George Kupfer and Chris Schabow, The Left Coast Group, Inc., Arcadia, California.

Fig. 13. Copyrighted image reproduced with permission of Eastman Kodak Company. KODAK is a trademark.

Manipulation of cover image by Hespenheide Design.

Manipulation of figs. 4, 5, and 6 by Professional Graphics Inc., Rockford, Illinois.

A final note: The specifications provided for images refer to the RGB color versions. Additionally, images were manipulated in order to simulate effects and formats that it is not possible to distribute as part of an HTML (Web) document. .